Montreal

Canadian smaller businesses pay between 20-23 per cent more taxes than the U.S., claims CFIB report

Martin C. Barry, Local Journalism Initiative Reporter

To improve Canada’s tax competitiveness and boost economic productivity, the Canadian Federation of Independent Business is calling on the federal and provincial governments to lower corporate income tax rates for small firms, and increase the small business deduction threshold while indexing it to inflation.

Quebec businesses overtaxed

The motion comes after the CFIB recently issued a report that compared business tax loads in Canada and the U.S., concluding that small businesses in Quebec and Atlantic Canada were among the most overcharged in the ten provinces.

A Canadian microbusiness (which the CFIB defines as being made up of four employees) pays on average a whopping 20% more in taxes than a similar firm in the United States, stated the report which compared tax loads in 10 Canadian provinces and 20 U.S. states.

By comparison, a small business (25 employees) pays 23% more in taxes than its U.S. counterpart, the CFIB found. But even the most competitive provinces (B.C. for micro businesses, Saskatchewan for small firms) had an average tax burden higher than the vast majority of U.S. states.

Trump’s ‘Big Beautiful Bill’

The CFIB notes that recent pro-small business changes in the United States through the “Big Beautiful Bill” driven through by President Donald Trump made the tax gap between the two countries even wider.

The conclusion the federation came to? “Canada needs to lower taxes or risk driving investment south of the border,” they said in a September 11 statement.

“U.S. tariffs are not the only competitive issue facing Canadian small businesses,” said Bradlee Whidden, a CFIB senior policy analyst and the report’s co-author.

“When you look at the numbers, it’s crystal clear: smaller businesses in Canada are already at a serious tax disadvantage, which was just made permanent by recent pro-small business changes in the United States through the Big Beautiful Bill.

“If Canada wants to compete and raise our standard of living, we need to cut taxes,” added Whidden. “Payroll taxes are heavy on both sides of the border, but the real gap is in corporate and property taxes. Here in Canada, that gap means less money going back into wages, business operations and growth.”

“U.S. tariffs are not the only competitive issue facing Canadian small businesses,” says Bradlee Whidden, a CFIB senior policy analyst and the report’s co-author.

Quebec’s poor tax performance

On a province-by-province level, Quebec and Atlantic Canada performed the poorest, the CFIB said, while western Canadian provinces ranked a bit higher, but still significantly below the average of U.S. states that were analyzed.

However, even the most competitive provinces (B.C. for micro businesses, Saskatchewan for small firms) had an average tax burden higher than the vast majority of U.S. states, the CFIB concluded.

Among microbusinesses, the five best (1 – 5) and worst (26 – 30) jurisdictions in the report were:

1.   South Dakota (USA) 26.   Newfoundland and Labrador (CAN) 
2.   North Dakota (USA) 27.   Prince Edward Island (CAN) 
3.   Wyoming (USA) 28.   Nova Scotia (CAN) 
4.   Florida (USA) 29.   New Brunswick (CAN) 
5.   Texas (USA) 30.   Quebec (CAN)  

Among small businesses, the five best (1 – 5) and worst (26 – 30) jurisdictions are:

1.   South Dakota (USA) 26.   Nova Scotia (CAN) 
2.   Wyoming (USA) 27.   Prince Edward Island (CAN) 
3.   North Dakota (USA)28.   Newfoundland and Labrador (CAN) 
4.   Florida (USA) 29.   New Brunswick (CAN) 
5.   Texas (USA) 30.   Quebec (CAN)  

In addition to the recommendation to the federal and provincial governments, the CFIB is also suggesting that municipalities, working in conjunction with provincial governments that oversee them, should reduce property taxes and close the property tax gap between commercial and residential properties.

“Trade disruptions have put the spotlight on Canada’s uphill battle to remain competitive with the United States,” said Juliette Nicolaÿ, the CFIB’s policy analyst for national affairs and the report’s other co-author.

Gap can’t be ignored, says analyst

“While we can’t control what other countries do, we can’t ignore the widening gap between Canadian small firms and their U.S. competitors,” she added. “It’s time for governments to step up with policies that lower the cost of doing business in Canada.”

Canadian smaller businesses pay between 20-23 per cent more taxes than the U.S., claims CFIB report Read More »

Metamorphosis from recruit to Stinger

Alexis Leclerc (82) gravitated towards Concordia’s honesty and clarity throughout the recruitment process. Courtesy Concordia Athletics

Samuel Kayll,
Local Journalism Initiative

Concordia’s latest crop of athletes discusses their journeys to Concordia and what drove their commitment

As Concordia University’s fall athletic programs ramp up their training for the upcoming season, the rosters will feature a handful of fresh faces. Eager to prove themselves and contribute to success, this class of athletes aims to solidify not just their spot on a varsity roster but also their confidence in their commitment.

While each Stingers squad pushes to sign the best players, it’s ultimately up to the athletes to decide their next steps. Faced with a flood of options, it can become difficult to zero in on an early commitment.

So, how does Concordia separate itself from the pack?

For athletes like Helena Iranpur, Concordia’s strong community presence warrants enough interest to seriously consider it as a next step. The midfielder from John Abbott College saw many of her fellow students make the move to Concordia, solidifying it as a viable option. 

“I went to John Abbott, and a lot of students went to Concordia,” Iranpur said. “Whenever I’d meet up with them or talk to them, they always had great things to say. That really pushed me to want to go there even more.”

Concordia’s pipeline for athletics starts early for many potential signings. Camps and community events—like the men’s and women’s Rugby Academy, the Rob Williams QB Camp in football, and the Stingers Soccer Academy in the winter and spring—provide young athletes with an opportunity to develop their skills while allowing scouts and coaches to evaluate talent and engage with their targets.

Liam Evans joined Concordia’s summer rugby academy at age 16. Through his training with former Concordia coach John Lavery, the forward gravitated to the program from an early age.

“I live pretty far off-island, but it was the first place I ever drove when I got my license,” Evans said. “I’d say from the beginning of my career, taking rugby seriously, Concordia has always been out there.”

But any school can capture a recruit’s attention; maintaining it requires constant focus.

Evans appreciated Concordia’s effort to build meaningful relationships with its prospects and acknowledged the role it played in his commitment. 

“It’s unlike other teams where you could just sign up or show up and then they place you,” Evans said. “They’ll decide if they want you or not. It’s definitely a nice feeling to have an idea that you’re wanted somewhere.”

Alexis Leclerc greeted Concordia’s welcome with open arms. The wide receiver nearly committed to play at McGill, but gravitated towards Concordia for its community and staff support. Their communication and honesty throughout the recruitment process drove him towards becoming a Stinger.

“I was looking for someone to care about football, but also me and my person,” Leclerc said.  “Coach [Justin] Chapdelaine was always there for me. He would text me and FaceTime me almost every week, just getting news from me. And I felt like he had my back and I could trust him.”

Concordia’s academic programs also play a major role in the lives of its athletes. While the university stands out in areas like engineering and business, it also provides an extensive network of academic support for its student-athletes. 

Evans shared the sentiment through his interest in Concordia’s supply chain program.

“I’m not in [the] supply chain now, but my ultimate goal is to get there,” he said. “That was also a no-brainer since Concordia has a supply chain program.”

Iranpur was drawn to the academic resources Concordia provides, which allow athletes to excel not only on the field, but in the classroom as well.

“I’ve heard great things about the resources within the school academically from students that have graduated and students that are still there,” she said. “I think that the advisors there, the way we can move our classes around, they’re always there to help us.”

Throughout their recruitment, all athletes navigate these decisions in their search for a supportive and constructive environment that allows them to compete at the highest level.

At Concordia, they find just that. 

Leclerc’s interactions with other Stingers—not just football players—showed him the familial side of Concordia. The warm reception reinforced his decision to commit to the university. 

“We’re all really close to each other. Everybody’s really kind,” Leclerc said. “I think Concordia is a big family where we’re all supporting each other. That’s the thing that I didn’t know I was looking for. It really was like, OK, here’s my place.”

Evans found a similar environment on the rugby team, having played with and against a handful of his new teammates during his tenure in CEGEP and at his club. 

“I played with a lot of them in [John] Abbott [College], at St. Anne’s,” Evans said. “I know the other guys as well that didn’t play on those two clubs, and they’re also great men. So I know that I’m stepping into a place that’s very welcoming with a strong connection with a group of guys.”

Metamorphosis from recruit to Stinger Read More »

Canadian smaller businesses pay between 20-23 per cent more taxes than the U.S., claims CFIB report

Martin C. Barry, Local Journalism Initiative Reporter

To improve Canada’s tax competitiveness and boost economic productivity, the Canadian Federation of Independent Business is calling on the federal and provincial governments to lower corporate income tax rates for small firms, and increase the small business deduction threshold while indexing it to inflation.

Quebec businesses overtaxed

The motion comes after the CFIB recently issued a report that compared business tax loads in Canada and the U.S., concluding that small businesses in Quebec and Atlantic Canada were among the most overcharged in the ten provinces.

A Canadian microbusiness (which the CFIB defines as being made up of four employees) pays on average a whopping 20% more in taxes than a similar firm in the United States, stated the report which compared tax loads in 10 Canadian provinces and 20 U.S. states.

By comparison, a small business (25 employees) pays 23% more in taxes than its U.S. counterpart, the CFIB found. But even the most competitive provinces (B.C. for micro businesses, Saskatchewan for small firms) had an average tax burden higher than the vast majority of U.S. states.

Trump’s ‘Big Beautiful Bill’

The CFIB notes that recent pro-small business changes in the United States through the “Big Beautiful Bill” driven through by President Donald Trump made the tax gap between the two countries even wider.

The conclusion the federation came to? “Canada needs to lower taxes or risk driving investment south of the border,” they said in a September 11 statement.

“U.S. tariffs are not the only competitive issue facing Canadian small businesses,” said Bradlee Whidden, a CFIB senior policy analyst and the report’s co-author.

“When you look at the numbers, it’s crystal clear: smaller businesses in Canada are already at a serious tax disadvantage, which was just made permanent by recent pro-small business changes in the United States through the Big Beautiful Bill.

“If Canada wants to compete and raise our standard of living, we need to cut taxes,” added Whidden. “Payroll taxes are heavy on both sides of the border, but the real gap is in corporate and property taxes. Here in Canada, that gap means less money going back into wages, business operations and growth.”

Quebec’s poor tax performance

On a province-by-province level, Quebec and Atlantic Canada performed the poorest, the CFIB said, while western Canadian provinces ranked a bit higher, but still significantly below the average of U.S. states that were analyzed.

However, even the most competitive provinces (B.C. for micro businesses, Saskatchewan for small firms) had an average tax burden higher than the vast majority of U.S. states, the CFIB concluded.

Among microbusinesses, the five best (1 – 5) and worst (26 – 30) jurisdictions in the report were:

1.   South Dakota (USA) 26.   Newfoundland and Labrador (CAN) 
2.   North Dakota (USA) 27.   Prince Edward Island (CAN) 
3.   Wyoming (USA) 28.   Nova Scotia (CAN) 
4.   Florida (USA) 29.   New Brunswick (CAN) 
5.   Texas (USA) 30.   Quebec (CAN)  

Among small businesses, the five best (1 – 5) and worst (26 – 30) jurisdictions are:

1.   South Dakota (USA) 26.   Nova Scotia (CAN) 
2.   Wyoming (USA) 27.   Prince Edward Island (CAN) 
3.   North Dakota (USA)28.   Newfoundland and Labrador (CAN) 
4.   Florida (USA) 29.   New Brunswick (CAN) 
5.   Texas (USA) 30.   Quebec (CAN)  

In addition to the recommendation to the federal and provincial governments, the CFIB is also suggesting that municipalities, working in conjunction with provincial governments that oversee them, should reduce property taxes and close the property tax gap between commercial and residential properties.

“Trade disruptions have put the spotlight on Canada’s uphill battle to remain competitive with the United States,” said Juliette Nicolaÿ, the CFIB’s policy analyst for national affairs and the report’s other co-author.

Gap can’t be ignored, says analyst

“While we can’t control what other countries do, we can’t ignore the widening gap between Canadian small firms and their U.S. competitors,” she added. “It’s time for governments to step up with policies that lower the cost of doing business in Canada.”

Canadian smaller businesses pay between 20-23 per cent more taxes than the U.S., claims CFIB report Read More »

Ensemble Montréal’s Soraya Martinez Ferrada is focused on winning on November 2

Martin C. Barry, Local Journalism Initiative Reporter

On opening day last week of the campaign for the City of Montreal’s municipal elections scheduled for around a month from now, Ensemble Montréal mayoralty candidate Soraya Martinez Ferrada took the high road when asked during an interview with Nouvelles Parc Extension News whether she thought it might be easy to defeat the incumbent Projet Montréal party.

Martinez Ferrada was the main speaker at an Ensemble Montréal launch held at a former church converted into an events venue on Adam St. in the Hochelaga-Maisonneuve district in east-end Montreal.

She’s focused on the task

“I don’t take into account what my adversaries are doing, I only take into account where I am at,” said the former federal Liberal Minister of Tourism and Economic Development Quebec, who was also the city councillor for Saint-Michel from 2005 to 2009.

While saying that her team of candidates was nearly complete, she continued, “I’m not only offering Montrealers myself as mayor, but a full team behind me that is ready to serve Montrealers and ready to govern. So, I don’t do politics on the backs of my rivals. I only do politics for Montrealers.”

That said, Martinez Ferrada didn’t deny that Projet Montréal had committed a good number of gaffes during the eight years they’ve been in power at Montreal City Hall.

Not a normal state of affairs

Among the issues she raised in a pep talk to an audience of loyal supporters and invited guests were basic things Projet Montréal seemingly forgot, especially in the last four years, such as street repairs, efficient garbage removal and rats proliferating in neighbourhoods.

“What I’m saying is that it’s not normal to have a city where citizens don’t feel safe – especially in a city like Montreal,” she said. “And it’s not normal to have people sleeping on the streets. And it’s not normal to have a city that’s so dirty that you see rats on the street.

“So, what I’m saying is that because all these things aren’t normal, we need an administration that will tackle these issues and offer a new perspective, new ideas. And that is us,” she added.

Meets blue collar workers

Among the issues Soraya Martinez Ferrada may find herself addressing if she becomes Montreal’s next mayor is her administration’s relationship with the city’s unionized blue-collar workers, who currently are in an unresolved contract negotiation dispute with the city.

She got a preview of things that may come when a delegation of blue collars turned up for the Ensemble Montréal campaign launch. They lingered peacefully with placards outside where Martinez Ferrada met them and listened patiently.

The November 2 election will mark the eighth time incumbent Parc Extension city councillor Mary Deros runs for Montreal City Council. She first won the seat in 1998.

Among the candidates who also turned up at the campaign launch were Villeray–Saint-Michel–Parc-Extension borough mayor candidate Sylvain Gariépy, Effie Giannou (Bordeaux-Cartierville) and Lemonia Strapatsas (Mile-End).

Ensemble Montréal’s Soraya Martinez Ferrada is focused on winning on November 2 Read More »

Déjà vu all over again as flash flooding sweeps Montreal

Stephen Balena

Hot, humid and smokey weather expected this week in Montreal, with more thunderstorms possible. 

Heat Warning in effect for Montreal. 

Round after round of heavy thunderstorms Sunday afternoon dumped between 50-100mm (2-4 inches) of rain on the city, creating widespread flash flooding once again. This is the third time in a year that Montrealers have had to deal with rising flood waters.

Sunday’s flooding was courtesy of a warm, humid and unstable air mass that had been in place for several days. Introduce a frontal boundary from Ontario tapping into deep Gulf of Mexico moisture, and you have the ingredients for slow moving, very wet thunderstorms.

On Île Perrot, between 2 and 4pm, I measured 55mm of rain. On the West Island and at Trudeau Airport, 81.7mm fell, a record for the date, surpassing the 38.6mm that fell in 2023. Some parts of north end Montreal had as much as 110mm. The 81.7mm of rain represented the second wettest June day ever recorded in Montreal, surpassed only by the 87.6mm that fell way back in 1880.

The heavy rain overwhelmed the sewers once again in Montreal, flooding major highways, surface streets and scores of businesses and homes from Lachine to Saint-Léonard to Kirkland and everywhere in between.

Sections of Highways 13-15-20 and 40, along with ramps and several underpasses had to be closed for varying amounts of time so vehicles could be removed and flood waters cleared.

Insurance adjusters will be out again surveying the damage to homes as many basements flooded across the Island.

Over 35,000 Hydro-Québec customers lost power as lines were impacted by falling tree limbs and intense lightning strikes. The storms had far-reaching effects, from south of Montreal in the Montérégie where power poles were snapped like toothpicks along Highway 138, to Mirabel and parts of the Laurentians where flooding was reported.

The heavy rain fell on what has been a relatively dry summer so far in Montreal, with only 66mm falling at Trudeau Airport up to this past Saturday. We surpassed that in just a couple of hours on Sunday, and now sit at 107.6mm for the month of July.

The storms come close to the July 14, 1987 anniversary of the Décarie Expressway flood. That storm officially dumped only 57.4mm of rain at Trudeau Airport, but amounts as high as 100 mm were reported in less than 1 hour in other parts of the city. Major flooding resulted, claiming two lives.

MORE STORMS POSSIBLE

The weather will remain very warm and humid this week, with unfortunately another risk of strong thunderstorms by Thursday. The air will also become quite unhealthy, as smoke from the western Canadian wildfires drifts into Ontario and southern Quebec. Air Quality Alerts are in place Monday for parts of southern Ontario, including Toronto, where smoke and haze are already being observed.

High temperatures in Montreal this week will range from 29C to 34C, with lows in the low to middle 20s. Humidex readings will approach 40C once again, as it did over the weekend. Heat warnings have been posted.

Déjà vu all over again as flash flooding sweeps Montreal Read More »

Executive committee member says city’s noise bylaws need reform

By Dan Laxer
The Suburban

La Tulipe, Le Divan Orange, Diving Bell Social Club, and Champs Sports Bar are just a few Montreal venues that have had to close, either permanently or temporarily, due to noise complaints. Le Divan Orange, in fact, closed in 2017. That was the same year that Mayor Valérie Plante had made a campaign promise to table a policy on the issue.

Now the city of Montreal says its noise regulations are due for an upgrade.

The Projet Montréal administration did put out a nightlife policy at the beginning of this year, as reported in The Suburban. The goal was to fund the work necessary for venues with less than 3,000 spaces to comply with noise regulations.

But Ericka Alneus, a Plateau Mont Royal borough councillor, and Executive Committee member responsible for culture, says the city’s noise regulations, which date back to 1977, are old and in need of an update.

The venues mentioned all happen to be in the Plateau Mont Royal borough. At last week’s borough council meeting a draft bylaw was tabled specifically dealing with noise regulations and how they affect venues in the area, as well as people who live in the borough. The bylaw is actually based on a pilot project conducted in the city last year, along with consultations with sound engineers, various departments of the borough, and business and residents who would be impacted by proposed changes.

The borough would be using a measurement protocol, recognized internationally for some time, called “spectral emergence,” which measures the ambient and residual noise levels of a particular venue as compared with the normal sound levels of an urban environment. The comparison takes into account the noise levels during a venue’s operating hours – 11 p.m. to 7 a.m., and non-operating hours – 7 a.m. to 11 p.m. It is a more accurate way to measure the actual impact of noise in a neighbourhood.

The regulations don’t only apply to show bars. They will also apply to other establishments, including reception rooms and dance halls, recreational gaming establishments, and community or socio-cultural activities. The rules prohibit noise of specific decibel levels in residential areas where it might affect bedrooms and other interior spaces, and even balconies and courtyards.

The borough is working with the SPVM on the best way to enforce compliance. But the police do indeed retain the power to intervene in the event of complaints of excessive noise. The city has said that it will provide funding “to support institutions in this transition” for things like soundproofing work. Non-compliance, however, could lead to the imposition of fines of up to $20,000.

LET US KNOW WHAT YOU THINK: A municipal election is just months away. If you were the mayor, either of the city or of a borough, and had to make a decision that would please all concerned, would you: 1 – Extend venues’ operating hours, the hours during which they can present live music, to midnight? 2 – Cut their operating hours to 10:00 p.m.? 3 – Have the venues and nearby residential buildings install noise-cancelling insulation in the walls of clubs and adjacent buildings at their expense? 4 – Compensate both for installing noise cancelling insulation? 5 – mandate maximum decibel levels? n

Executive committee member says city’s noise bylaws need reform Read More »

The Beach Boys come to the West Island

By Joel Goldenberg
The Suburban

2025 is a year of milestones for the Beach Boys. It is the 60th anniversary of three of their landmark albums — Today!, Summer Days (And Summer Nights!) and Party!, and the standalone single The Little Girl I Once Knew.

But this past Feb. 19 also marked the 60th anniversary of the group’s first concert in Montreal, at the Maurice Richard Arena, where, according to the book The Beach Boys in Concert by Ian Rusten and Jon Stebbins, the show turned into a near riot as fans tried to mob the stage, while drummer Dennis Wilson “barely made it to his dressing room with his hair intact.”

Lead singer Mike Love, 84, in a phone interview with The Suburban last week, didn’t specifically remember that concert — he’s performed thousands of them for more than 60 years, after all. But he did say that he very much enjoys visiting and performing in Montreal.

“I remember Montreal being a fantastic city, the province of Quebec in general, Quebec City. In Montreal, I especially like the architecture, the fact it’s heavily influenced by France, in fact, there’s some areas of Montreal where you’ll never see English. It’s fascinating — like going to Europe, but a lot closer.”

Love said a lot of audiences were indeed wild in the early to-mid-1960s, and he expects a much calmer show than the one in 1965, when the Beach Boys perform June 21 at the annual Strangers in the Night gala, which is marking its 20th year, at Complexe Pointe Claire. Also performing are The Damn Truth and Exodus. The event raises funds for the Make-A-Wish Foundation, which grants wishes to critically ill children, as well as the Montreal Children’s Hospital Foundation and the West Island Women’s Shelter.

Love points out that “we’ve done Make-A-Wish Foundation concerts many, many times, and we like it when our celebrity helps raise money and awareness for philanthropic groups, so it will be a really nice evening. I think it’s great if people turn out and support the Make-A-Wish Foundation.”

In terms of milestones, we also mentioned that this past April marked the 60th anniversary of Bruce Johnston joining the Beach Boys. Johnston, following a brief stint by Glen Campbell, replaced Brian Wilson, who stopped regular touring with the band in late 1964. Love and Johnston, with a wonderful band, tour as the Beach Boys nowadays — I saw this edition of the band in 2001, 2016 and 2018, and all the shows were superb.

“Bruce has been great,” Love says. “He has a Grammy for writing I Write the Songs, made famous by Barry Manilow. He’s been behind the scenes on a lot of songs — he got me working with Terry Melcher and we did Kokomo, which went to #1 and is probably our biggest selling single ever, and definitely the biggest singalong in our show. He’s been a good influence all along.”

At the time we spoke, Love was a week away from the Songwriters Hall of Fame induction ceremony in New York City, where he is being honoured for writing the lyrics of such timeless classics as California Girls, Good Vibrations, the gorgeous The Warmth of the Sun and many others.

“I join so many great artists who contributed so much to our musical culture. It’s a great honour to have my contributions to the Beach Boys recognized, finally.”

For more information on the Strangers in the Night gala, go to strangersinthenight.ca. For more of the musical aspects of our interview with Mike Love, that will be in an upcoming Retro Roundup. n

The Beach Boys come to the West Island Read More »

Soraya Martinez Ferrada acclaimed leader of Ensemble Montréal

By Dan Laxer
The Suburban

Montreal’s official opposition Ensemble Montréal party now has a leader – Soraya Martinez Ferrada. That makes her EM’s mayoral candidate to face off against whoever will end up succeeding Valérie Plante as leader of Projet Montréal.

Ferrada announced her candidacy just a few weeks ago, after stepping down as Liberal Member of Parliament for Hochelaga and Minister of Economic Development and Tourism. A new leader was to have been elected at the party’s next convention in April. However, as no other candidate came forward before the end of the nomination period, Ferrada was acclaimed.

She says she will hit the ground running. “I want to bring Montrealers together and make them proud of their city with a party that represents their realities,” Ferrada says. “Beginning next week, I’ll be embarking on a comprehensive tour across Montreal’s boroughs to connect directly with residents, businesses, and community organizations.”

The party says that Ferrada embodies the bold and unifying leadership needed to address Montreal’s challenges. “Today, a new era begins for our party and its members,” says party president Carmine Pollice.

Ferrada has the experience, having been a city councillor before moving into federal politics.

“We are confident that Montrealers will choose her in turn to lead their city and respond to their needs. It’s time to give our metropolis a municipal administration that takes responsibility. Soraya possesses both the listening skills and determination that we collectively need.”

The next municipal election is in November. n

Soraya Martinez Ferrada acclaimed leader of Ensemble Montréal Read More »

Theory of Ducks close out Turbo Haüs performance with humour and heart

Theory of Ducks performing at Turbo Haüs. Photo Ryan Pyke

Safa Hachi,
Local Journalism Initiative

The band delivers an emotionally resonant set to cap off a night of local talent

Turbo Haüs hosted a three-act lineup featuring dievanse, NIIVI and Theory of Ducks on July 13. Each band offered something different, but all performed with a shared sense of presence and purpose. Closing out the night, Theory of Ducks delivered a set that was technically sound and confident, marked by solid playing and natural onstage rapport.

Theory of Ducks is the music project of Concordia University English literature student Saam Shahab, who began releasing music as a solo artist. While the solo act remains, Shahab formed a live band under the same name to bring his music to local stages. The group includes Matty Fudge on guitar, Benny Gaucher on bass and Ilai Eirew on drums.

Their chemistry was undeniable from the moment they stepped onstage, immediately joking about the heat as they set up. 

“I think I feel a slight breeze from the fan, but I could be going crazy,” Fudge said, squinting towards the ceiling. The tone stayed light as they cracked jokes, teased each other between songs and laughed through tuning mishaps.

The band played original songs, both released and unreleased, including “Charlie,” “Road Kill” and “Grandpa,” as well as a cover of Alex G’s “Harvey,” a nod to one of the band’s musical inspirations. 

“Grandpa,” one of the first songs Shahab wrote, took on a new weight live, with expanded vocals and a heavier presence. Their sound draws on indie rock touchstones like Elliott Smith, Big Thief and Big Star. Fuzzy guitars and soft melodies, paired with Shahab’s rough-edged vocals, created something raw, emotional and unique.

Despite a few new or loosely rehearsed tracks, the band never faltered. They embraced the spontaneity and the willingness to try songs that had not been played live before, using them to build trust with the crowd.

The band’s dynamic was equal parts tight and goofy. Gaucher frequently grabbed the mic between songs to entertain the audience and talk about video games, focaccia bread, underwhelming GURU energy drink flavours, and time signatures, adding to the charm of the group. 

The crowd itself was a mix of Concordia students, friends and other musicians.

Attendee Sabine Salim-Ullyot, who has seen the band before, said the show was on par with their best. 

“The sound system made a huge difference compared to other venues,” they said. “It’s just nice to see people you know flourish.”

Salim-Ullyot noted that the show reflected what makes Montreal’s music scene unique, with its smaller, lesser-known bands still having the opportunity to perform in respected local venues. 

“This show is so representative of Montreal music culture, […] bands like this are able to perform in venues like this even when they are not hyper ridiculously famous,” Salim-Ullyot added.

Turbo Haüs, known for its solid acoustics as well as cosy layout, was the ideal match for Theory of Ducks’ indie rock sensibility, even after the two heavier-sounding bands prior.

After the set, the band reflected on what it meant to play in that space. 

“It was the first time I could actually hear my vocals on stage,” Shahab said. 

Eirew called it a rewarding experience to finally have proper drum mics, and Gaucher said the band felt “tight and synced.”

“To have the thing you labour over be cared about is really nice,” Gaucher added.

But even as the night showcased emerging talent, it also highlighted the precarity of local venues. With popular Montreal venue Blue Dog recently announcing its closure on July 10 due to financial stress, concerns about the future of local performance spaces have grown. Even Turbo Haüs has faced noise complaints in the past, a reoccurring issue for music venues in the city leading some to close their doors. Fudge shared his concerns.

“The hope is that as one place shuts down, another opens up,” Fudge said. “But I worry they’ll be replaced by corporate bars that don’t give us or other artists the same opportunities.”

Shahab agreed, noting Montreal’s importance for so many up-and-coming bands. 

“It’s a shame seeing these venues shut down because they’re the ones giving artists like us the chance to perform,” Shahab said. 

Learning to navigate the ins and outs of the music scene has been part of Shahab’s process. He booked the show by reaching out to dievanse and NIIVI, both of whom he discovered online or shared stages with before. 

“We played with dievanse on their first show,” Shahab said. “It felt full circle.”

Toward the end of the night, the band teased an unnamed closer. 

“We’re not going to tell you the next song. If you know it, sing it,” Shahab said before launching into Pinegrove’s “Need 2.” 

The crowd immediately responded to Fudge’s strumming. Phones lit up, voices joined in and chants for an encore followed. With a quick nod from the sound tech, the band delivered one last high-energy track, “Moon We’re Doomed.”

For a band still building a name at the start of their careers, figuring out the logistics of booking shows, and navigating the ever-changing local scene, Theory of Ducks feels remarkably self-assured. They’re still new, still goofy, still just a group of friends jamming, but they’re also tight, engaging and increasingly comfortable bringing their music into live spaces.

Theory of Ducks left the stage smiling, grateful and ready for what’s next, leaving the crowd with something to root for.

Theory of Ducks close out Turbo Haüs performance with humour and heart Read More »

Indigenous voices to gather for Montreal’s International First Peoples’ Festival

The 35th edition of Montreal’s International First Peoples’ Festival is set to run from Aug. 5 to Aug. 14 at Place des Festivals in Downtown Montreal. Photo Andraé Lerone Lewis

India Das-Brown,
Local Journalism Initiative

Returning this August for its 35th anniversary, the festival stands united against fascism

Montreal’s International First Peoples’ Festival (FIPA) is back this August, with Indigenous artists from across Turtle Island, New Zealand and Australia to unite through film, music, dance, skateboarding and drumming.

Organized by Land InSights, the 35th edition of the festival is set to run from Aug. 5 to Aug. 14 at Place des Festivals. For over three decades, the festival has brought together global Indigenous artists, activists, filmmakers, musicians and Elders.

This year’s festival lineup will display a breadth of contemporary Indigenous arts, with offerings ranging from sci-fi thrillers to traditional drumming and dances, with voices arriving from Nunavik to Aotearoa.

The programming draws on a unity that is spiritual, political, symbolic and―as André Dudemaine, director of cultural activities for Land InSights, points out―literal.

“Turtle Island is a unity. This is the land of the Indigenous People,” Dudemaine said. “We are all connected―especially in the last 20 years, there has been a lot of connection.”

The director says this unity is how the United Nations Declaration on the Rights of Indigenous Peoples finally got adopted in 2007. 

“Now there is not only a feeling of solidarity, but a real connection that goes all over Mother Earth,” he said.

For Dudemaine, the festival stands in opposition to the rise in far-right politics in the U.S. He says that repression knows no borders, nor does Indigenous resistance.

“We are obviously anti-fascists,” Dudemaine said. “We’re proudly opposing the hard-right political wave that tried to submerge America. And we are part of that fight as First Nations.”

That spirit of global Indigenous unity will be front and centre at Song to the Whales, a large-scale international music project led by Bunna Lawrie, an Aboriginal guest of honour from Australia. He’ll be joined by artists from Nunavik and Aotearoa on Aug. 6 and Aug. 7 at Place des Festivals. 

Inspired by traditional Māori, Indigenous and Inuit songs, the work blends ancestral voices with contemporary instrumentation.

“The whale is a symbol of all that is threatened now on Mother Earth,” Dudemaine said. “This is an animal that is connected with the ancestral cultures, so the ocean represents the connection between all those maritime cultures.”

Seayenna Fontaine Lee, an assistant day camp coordinator at Native Montreal and an Ojibwe member of Manitoba’s Sagkeeng First Nation, said it’s fitting that an international First Peoples festival has found its spot in Montreal.

The city, Lee noted, has long been a gathering place for many First Nations.

“It’s Mohawk territory, but it’s also close to Anishinaabe territory, so it’s been a place where people from different nations can gather for a really long time, since before colonization,” Lee said. 

She added that Montreal, as a multicultural city, is ideal to host an International First Peoples’ Festival.

Lee will be bringing the children from Native Montreal’s summer camp to the festival, where they’ve been invited by Land InSights as “special guests,” she said.

“It’s just important that these kids are shown the importance of Indigenous culture,” she said. “The diversity is really cool, because all the kids are from different nations. So they’ll get to see themselves in some of the Elders, and the people who are there and the artists.”

Beyond the concerts, FIPA will feature the world premiere of Florent Vollant: Innu, directed by Isabelle Longnus, alongside screenings of Ka Whawhai Tonu in the Māori language, Kinra from Peru, and Bibiru and Canuto’s Transformation in Amazonian languages.

Other highlights include “Midnight at the Lonely River,” a genre-bending opening short by Abraham Côté, and The Dim, a sci-fi thriller set to screen at La Métropolitaine. For those seeking deeper immersion, Sanajiit (Inuit Makers), an observational docuseries, will debut at the NFB Space and the daphne art centre.

Throughout August, FIPA will expand beyond its official dates with concerts at Jardins Gamelin, exhibitions at the Grande Bibliothèque and La Guilde, and screenings in Kahnawake in partnership with the Eastern Connection Film Festival.

Kahnawa’kehró:non Elder Sedalia Fazio will open the festival with a drum ceremony at the Outremont Theatre.

“When you see Indigenous things happening, when you see festivals, when you see powwows, go and talk to the people. Go and talk to the people and find out, like, what is their history?” she said, speaking on National Indigenous Peoples Day this June. “Start learning the true history of our people.”

More information on the festival’s concerts, films and exhibitions can be found at www.presenceautochtone.ca.

Indigenous voices to gather for Montreal’s International First Peoples’ Festival Read More »

Offcuts Jam closes out Blue Dog with final explosive night

Blue Dog hosts its final Offcuts Jam. Photo Geneviève Sylvestre

Safa Hachi,
Local Journalism Initiative

The weekly jam bids farewell to its home

On Friday, July 18, Offcuts Jam held one of its most electric nights yet—the final edition at Blue Dog, where it all began.

For nearly a year, the weekly jam transformed the bar into a hub of sonic experimentation. Every Friday, musicians and vocalists, seasoned and new, gathered to play, rap, sing and improvise. Mistakes were part of the process, and off-the-cuff moments often stole the show. That energy hit a bittersweet peak as jammers and supporters packed the room one last time before Blue Dog’s closure.

From the start, crowd chatter set the tone: jokes and cheers about making it the best jam yet, and how sad it was to see Blue Dog go. The mood was vibrant and reflective, the room buzzing with celebration and a hint of grief.

For many, Offcuts wasn’t just about music, it was about finding a space to grow in the Montreal scene. 

“Blue Dog is very much a cultural space,” said Loren Armstrong, a local event planner and former Offcuts host. “These are spaces where artists feel they’ve found a home, or their first family. We’re losing a lot of venues, unfortunately, and it hurts.”

Armstrong, who moved to Montreal four years ago, is a cornerstone in the city’s event scene. She has hosted Offcuts, founded the DIY home venue The Humble Abode, and works with Scatterbrain and Stimulant magazine as a writer, event planner and event director.

“Art thrives in Montreal,” she said. “Even new artists have a space where they can experiment and feel supported.”

That support was palpable at Friday’s jam. The night was layered with energy and emotion from the range of beatboxing, freestyles, DJ breaks, shoutouts and spontaneous chants thundering through the space. Still, the celebration carried the weight of goodbye.

Blue Dog has been struggling due to noise complaints and ongoing financial challenges. The venue told The Link: “We essentially closed because the bar hadn’t been doing well—it’s been a couple years that overall sales have been way down. It wasn’t sustainable anymore.”

The closure brings an end to Blue Dog’s longstanding role as a hub for local artists and community-driven events. And that legacy was on full display at the final Offcuts jam. 

The completely improvised sets were a reminder of the city’s stockpile of raw talent. Musicians flowed in and out with ease, switching instruments, layering vocals and building off each other’s ideas in real time. 

Vocalists and MCs weren’t limited to the sign-up sheet, as many spontaneously walked on stage to add to the band’s groove.

As the night came to an end, an MC reminded the room, “We’ve only got 30 minutes left. Let’s make this count. Offcuts isn’t going anywhere.” 

Organizers confirmed that Offcuts will move to a different venue. Photo Safa Hachi

The founders–muscian, DJ and MC RISKREATIVE and musician Keegan McCallum–intend to keep that promise. They assured attendees that Offcuts Jam isn’t ending, just changing locations. The organizers are already planning what’s next, encouraging the community to stay connected.

On July 19, 2025, a day after the show, the organizers confirmed with The Link that Offcuts will officially move to Bar La Marche À Côté in the heart of the Plateau. 

“It’s been great seeing how our jams have brought people together,” McCallum said. “We’re hoping to carry that on with us at the new venue.”

RISKREATIVE had been a regular at Strawberry Jam, another local jam night, before it ended. Seeing an opportunity to start something of his own, he reached out to Blue Dog. 

“We got a lot of people on board,” RISKREATIVE said. “The success was immediate.” 

The pair emphasized Offcuts’ welcoming spirit—no rushing, no gatekeeping, just a place to grow. 

“Just like I benefited from jams, I want to give that back,” RISKREATIVE added.  

For musician Théo Bedez, jam nights like Offcuts provided a way to meet people, get involved in the scene, and play without the usual expectations. 

“With everyone knowing everyone, we’re all friends. It feels like there’s no pressure,” Bedez said.

Like Armstrong and RISKREATIVE, Bedez got involved with other jams around the city that brought together many of the same musicians now central to Offcuts. 

“In a city like Montreal, a new jam will be created. The same people will keep showing up, that’s what’s great about the community,” Bedez said. “But it’s still sad to lose the place where it all started, and all the memories that came with it.”

As the final set ended and the lights went off, no one left even after last call. People lingered outside the bar, singing, taking pictures, unwilling to let the night end. It wasn’t just about music but the community that formed around it. 

“Every week is a new jam, a new experience,” Armstrong said. “Everyone loves being part of something. We tend to miss that in daily life.”

Friday’s final Offcuts Jam at Blue Dog was sweaty, spontaneous and soulful. The venue may be gone, but the sessions are just shifting keys.

Offcuts Jam closes out Blue Dog with final explosive night Read More »

Thousands attend ‘Palestine in the Park’ fundraiser for Gaza in Montreal

Palestine in the Park took place from 12 p.m. to 8 p.m. and featured over a dozen vendors. Photo Andraé Lerone Lewis

Hannah Scott-Talib,
Local Journalism Initiative

The event’s main focus was a 3D recreation of the Gaza Strip showing damage over the past two years

Thousands of people made their way to Angrignon Park on July 26 for what the Palestinian Youth Movement’s (PYM) Montreal chapter is calling their largest fundraiser for Palestine to date.

The fundraiser, organized by PYM in collaboration with the Canadian Palestinian Foundation of Quebec (CPFQ), took place from 12 p.m. to 8 p.m. and featured over a dozen food, clothing, jewelry and art vendors. 

However, according to multiple PYM members, the main focus of the Palestine in the Park fundraiser was its Gaza exhibit—two 3D recreations of the Gaza Strip from an aerial view, depicting its state before and after Oct. 7, 2023 and Israel’s bombardments. 

Sarah, a member of PYM who has been granted full name anonymity for safety reasons, said that the exhibit serves as a form of forensic architecture, showcasing the scale of the violence over the past couple of years in a way that is easier to understand than news reports.

“I think it’s hard to digest [what has happened] sometimes,” Sarah said. “To see how it was before versus now is very impactful.”

“This [exhibition] is a way for us to confront the attempt [by Israel] to erase us,” PYM volunteer Rama Al Malah added, “and to be able to say that this is not just a few bombardments here and there. This is a systematic and deliberate way of targeting any system in Gaza that can sustain life, to try and eliminate them.”

In addition to the Gaza exhibit, the fundraiser hosted kids’ activities such as paper poppy-making, letter-writing to Gazans and an educational Palestinian “passport tour” that led guests throughout different areas of the park labelled and associated with Palestinian regions. Beside the Gaza exhibit, a timeline of Palestinian prisoners and their backstories was displayed along a makeshift wall. 

“When we talk about the educational side [of this event], passing on knowledge to the next generation is going to be a really huge element of it,” said PYM member Haya, who has been granted full name anonymity for safety reasons.

She continued to say that Palestine in the Park also aimed to showcase the various ongoing campaigns organized by PYM both locally and internationally, and the actions that people can take to get involved in the movement and to continue standing up to the Canadian political class.

A 3D model of the Gaza Strip shows the damage it has undergone since the start of Israel’s escalated attacks following Oct. 7, 2023. Photo Andraé Lerone Lewis

According to Haya, the Israeli occupation forces have shifted their offensive tactics in Gaza recently. 

“[The genocide] has evolved in really significant, really horrific ways,” she said. “One year ago, what we were looking at was bombardment […]. We were looking at attacks on hospitals and schools by the Israeli occupation forces. Right now, what we’re looking at is starvation: a catastrophic level of starvation in Gaza.” 

Currently, Gazans are facing extreme famine as aid is being blocked from entering the city, while Israeli forces reportedly kill civilians waiting for aid. Since the start of Israel’s siege on Gaza almost two years ago, over 100 Gazans have died of malnutrition.

Part of the event’s purpose, Haya continued, was to bring awareness to these changes in violence tactics over the past years. 

Both Haya and Al Malah expressed that the amount of support from the Montreal community, both before and during this event, was crucial to the fundraising efforts. 

“There are a lot of different communities not only showing up to this day, but also contributing to this day,” Haya said. 

“We’re seeing the Palestinian Arab community and allies, we’re seeing children and elderly from the community,” Al Malah added.

Thousands attend ‘Palestine in the Park’ fundraiser for Gaza in Montreal Read More »

Yomogi sways between folk roots and electronic winds

Yomogi and vocalist Holly share the stage for the first time on July 18 at Cho Dem, a glimpse into a growing collaboration. Photo Claudia Beaudoin

Claudia Beaudoin,
Local Journalism Initiative

The Montreal artist joins Holly on stage for a first glimpse of their upcoming album

On July 18, singer-songwriter Yomogi and her vocalist, Holly, shared a fleeting glance on stage just before the beat dropped into one of their unreleased songs.

Both wore face paint—dots tracing lines down their foreheads and beneath their eyes—like markings drawn from the earth itself. Barefoot and draped in flowing garments, they swayed to a slow-building beat that pulsed beneath layered synths and soft vocals.

Their voices rose together, quiet at first, then swelled into a smooth, echoing crescendo. When the beat broke loose, they launched into a swirl of sweeping arms and flowing hair. It was a moment suspended between the wild and the intimate.

That night marked the first time they performed together on stage, but their sound felt full, lived-in—like it had been shared before.

“We started practicing like a week before the performance that you saw,” Yomogi tells me a week later, sitting across from me with Holly at the café Le Brûloir.

Their creative partnership runs deeper than that night’s set. The pair first met in the blur of Montreal Comiccon 2018, both volunteering support for a mutual friend Lia, a Japanese artist flown in from Tokyo.

Holly was on makeup; Yomogi was a runner, darting through backstage chaos with last-minute errands. The pace was relentless, but something between them settled quickly.

Orbiting through shared circles without realizing how much they had in common, they drifted in and out of each other’s lives for a while.

“All of my close friends are her close friends,” Yomogi says with a smile, looking at Holly. “And we only realized that later on.”

The two had sung together before in casual settings—often in the after-hours of McGill University’s music rooms—but only recently did Yomogi officially ask Holly to join her as a vocalist. 

Despite a few sound issues during their first set at the Vietnamese food festival Cho Dem, Yomogi says sharing the stage with Holly brought a new kind of energy.

“It adds a lot of power—a kind of depth to the whole performance,” Yomogi says. “I really felt much more in my element when I was performing.”

The pair moved in sync, mirroring each other in sweeping, instinctive gestures that felt more like ritual than choreography. Their movements carried the music, unfolding through every motion.

“For those more dancey songs, you want the crowd to feel your energy—you want to convey that to them,” Yomogi says of their performance. “And for the quieter parts, you just really want them to listen. Even if they can’t understand or hear the lyrics, you want them to feel it.”

Yomogi’s music resists classification, ranging from folktronica to synth pop, and shifting fluidly between moods and tempos. Some tracks lull you into a kind of trance; others make you want to get up and move.

“Everything that is a social issue or controversy or taboo, all of the things that are hard to speak about or are hard to put into words: I’m the type of artist who likes to translate them through music and make the world a more open place,” Yomogi says.

One of Yomogi’s unreleased songs, “Orphan Heart,” draws from her experience with isolation. 

“In the end, I think we are all alone in a way,” Yomogi says. “We only have ourselves to rely on, even though we have family and friends who care and support us.” That isolation, she says, also comes from the emotional weight of being hurt by those we trust. “Orphan Heart” leans into the quiet search for a place to call your own.

“When people break your spirit—not out of anger necessarily, but out of love—it can hurt even more,” Yomogi adds. “It pushes you further into the idea that, okay, I only have myself.”

From unreleased songs to a cover of Aurora, one of her biggest inspirations, Yomogi’s first set with Holly felt like a glimpse into both her music and the friendship behind it.

Cat-Linh Nguyen, a volunteer at the show, described Yomogi’s music as “ethereal.”

“I couldn’t look away even though I was supposed to be working,” Nguyen adds with a laugh. 

That presence on stage is something Holly knows well.

“Her voice is so versatile and powerful. She listens to something, works on the technique, and she’s got it,” Holly says. “She’s so expressive and always able to convey emotion.”

Yomogi is currently working with Holly on her next album, planned as a two-part release—one in fall 2025, the other sometime in 2026. Three times a week, they head to their producer’s studio in the morning and don’t leave until nightfall.

Yomogi explains that it’s rare to find people in Montreal who fully commit to music in a way that takes risks, but she sees that drive in Holly. 

She describes Holly as a perfectionist.“Even though she thinks that’s a flaw, I think that’s what you need to make your music expand beyond the average,” Yomogi explains.

Their friendship is built on this shared passion and mutual inspiration, and both often remark on how much they appreciate where their ears lead them creatively, pushing each other to explore new sounds and ideas.

“She has the potential in her to make a big impact, and I really want to see where she goes,” Holly says, looking at Yomogi. “So I want to be there pushing her along.”

Being a small, growing artist in an oversaturated industry takes a lot of resilience, and Yomogi often turns to journaling to reconnect with her purpose in music, asking herself why she does what she does.

“It’s always about the world and how it’s headed, where it’s headed, and obviously it sounds very grand and as one person you cannot save the entire world, but you can create a movement,” Yomogi says. “You can create this community or a unity that will bring change, and that’s the whole point for me.”

Yomogi sways between folk roots and electronic winds Read More »

Parc Exers enjoy a double-celebration of Canada Day

Martin C. Barry, Local Journalism Initiative Reporter

With their proud multicultural roots from so many nations it would be difficult to list them all here, Parc Exers had not just one, but two celebrations of their adoptive country’s birthday to choose from on July 1, Canada Day.

The larger of the two, sponsored by the National Bangladeshi-Canadian Council (NBCC), took place in Place de la Gare outside Maxi’s on Jean-Talon St. It was the 22nd year the organization staged the celebration for the country’s birthday.

A celebration of nationality

“We are all immigrants,” Parc Extension city councillor Mary Deros said in an interview with Nouvelles Parc Extension News, while noting that even she arrived in Canada from another country.

She said Canada Day offers everyone a chance to get out and celebrate the country’s anniversary while getting to know each other.

Monir Hossain, president of the NBCC who coordinates the organization of the group’s Canada Day party each year, had only praise for Canada as a country where he has been able to raise a family while succeeding in business.

Canadian by choice

“I came from a different country, but I always wanted to pay back,” he said. “This is my new nation, my adoptive country. This is where my children grew up, where they were raised. And this now is also their country.”

The Canada Day cakes were ready to be cut and shared during a celebration of the nation’s birthday held at Place de la Gare Jean Talon on July 1. (Photo: Martin C. Barry, Nouvelles Parc Extension News)

Niko Karabineris, who was born and raised in Parc Extension but makes his home in Chomedey now, said he continues to spend time here taking care of properties, but never misses an opportunity to return to his home turf each year on Canada Day.

“I’ve been coming here on Canada Day for the celebrations for the past 20 years,” he said. “I’ve lost a few friends along the way, but Mary Deros is still here as always and it’s good to see that. Not too many places in Quebec where you can go to celebrate Canada Day. Bbut Parc Ex is still one of them.”

Another Canada Day party

In the meantime, the Himalaya Seniors of Quebec, in conjunction with the Parc Extension Youth Organization (PEYO) and some other local groups, had organized a Canada Day celebration of their own a few blocks away outside the William Hingston community centre.

Villeray city councillor Martine Musau Muele (left) and François-Perrault councillor Sylvain Ouellet shook hands with Parc Exers attending the Himalaya Seniors of Quebec’s Canada Day celebration outside the William Hingston community centre.

While it didn’t draw quite as much attention as the event at Place de la Gare, several local elected officials, including Councillor Deros, Villeray city councillor Martine Musau Muele and François-Perrault councillor Sylvain Ouellet, made a point of meeting and greeting the guests and organizers.

Parc Exers enjoy a double-celebration of Canada Day Read More »

Howard ‘Stretch’ Carr: Voice of the Community, to be Honored at Let’s Hear It For The Boys Celebration

Rosie Awori

For over three decades, Howard “Stretch” Carr has been a fixture on the Montreal airwaves. As host on CKUT 90.3 FM, he has guided listeners through the rhythms of Caribbean music on his show West Indian Rhythms. This June, Carr will take center stage not behind a microphone, but at a podium, as one of the recipients of the “Man of Distinction” Award at Playmas Montreal Cultural Association’s Let’s Hear It for the Boys celebration.

“To be honest with you, it’s a great feeling,” Carr said. “You don’t get too many of those these days. For someone to say thank you it means something. It reminds you that people are watching, listening, and valuing the work you’ve done.”

In a particularly moving gesture, each honoree will receive their award from the next generation: their sons, along with the male GemStars of the GemStar Circle of Excellence scholarship and mentorship program. It’s a deliberate and poignant act bridging legacy and promise, past and future.
But while radio is his passion, Carr speaks even more tenderly about his role as a father and grandfather. “Fatherhood means a lot. My daughter’s grown now, and she and her husband gave me two grandsons. It’s like I’m doing fatherhood all over again,” he said to the CONTACT and it’s a sweet, sweet feeling. When I don’t see them, my world is a little shaky. But the moment I do it’s steady.” 
Carr plans to bring the boys to the event. “They should see this,” he said. “They should see that people can respect each other, and that men in our community are worth celebrating—not just athletes or celebrities, but the ones who show up.”
He says he feels honored to be recognized alongside figures such as Frank Baylis and Errol Johnson among many others. “To be among such distinguished men is humbling,” he said. “But I’mespecially moved that my grandsons will be there to see it. They’ll see that their grandfather stood for something. They will also see that respect and hard work matter.”
He’s not just bringing them to witness his recognition, he’s bringing them to learn.

“We don’t always show our kids things like this. Instead of giving them the latest phones, give them access to our stories, our history, our values. They need to see our people respect each other.”

His thoughts return often to the men who shaped him—his late brother-in-law, a family man who never lectured, but lived by example. “They taught me not to lie, to carry myself with dignity. I only knew my father until I was eight, but I was blessed to have father figures who gave me structure.”

Carr’s radio career has always been about more than music.

“A lot of people think it’s just putting on a couple of records,” he said. “But there’s so much more—concentration, coordination, community engagement. There were days you had to juggle live feeds, last-minute announcements, and shifting formats from vinyl to CDs and back again. It’s not easy work, but it’s meaningful.”
Fatherhood is beautiful,” he said, pausing thoughtfully.

“It’s like a cool drink.”

Howard ‘Stretch’ Carr: Voice of the Community, to be Honored at Let’s Hear It For The Boys Celebration Read More »

CARIMAS is ready to kick off Carnival season this July

The Caribbean Coalition Network of Montreal (CCNM) kicked off the 2025 Carnival season in spectacular style with a VIP Mixer on May 8th at the Jamaica Association of Montreal. The launch event brought together a dynamic cross-section of the city’s community. From local politicians and cultural leaders to business professionals and mas band organizers, all came together.
The Carimas Road Parade takes place on Saturday, July 5. It moves along the south side of René-Lévesque Boulevard, starting at Jeanne-Mance at 11 a.m. and ending at Peel Street (Place du Canada) by 12 p.m. The celebration concludes with the Carimas Cultural Sizzle from 12 p.m. to 6 p.m., featuring live performances and artistic showcases at Place du Canada.
This year’s theme, “I AM CARIMAS,” resonates deeply, emphasizing that Carnival is a universal celebration, welcoming everyone regardless of their background, language, or culture. It is a space where diversity flourishes into unity, and community pride takes center stage.
This edition’s mas bands are West Can, Rayne Carnival, Désiré Carnival, TNT One Montreal, Rendez-Vous Mas, Group Miel, and B.I.G Daddy Mix. Each will bring its unique rhythm, colour, and creativity to Montreal’s streets this summer.
Petit Carimas will also be happening on June 28, allowing the youngsters a head start on the carnival fun.
In an exciting new initiative, Carimas 2025 will feature a Community Band, which is an open invitation for nonprofits and small teams to join the parade as one united group. With or without costumes, these participants will walk together in solidarity, celebrating the strength and diversity of Montreal’s grassroots organizations.
To keep the momentum going, CCNM is seeking to raise $120,000 to fund this year’s programming, production, and outreach initiatives. Local businesses, institutions, and individuals are encouraged to support through sponsorships or donations, ensuring that Carnival continues to uplift and empower communities in Montreal.

For more information: www.carimas.net

CARIMAS is ready to kick off Carnival season this July Read More »

Kes the Band to Ignite the Montreal Jazz Festival with Caribbean Rhythms on July 4

Montreal’s summer festival season is set to sizzle as Kes the Band—Trinidad and Tobago’s musical powerhouse takes the Rogers Stage at the Montreal International Jazz Festival on Friday, July 4 at 11:00 PM. Known for their explosive live performances and anthemic hits like Wotless, Savannah Grass, Tuesday on the Rocks, and Liki Tiki, the band is expected to deliver a high-energy set that will light up downtown Montreal with the vibrant pulse of Caribbean Soca.
A fan favourite among local soca music enthusiasts and Caribbean diaspora communities across Canada, Kes the Band has spent nearly two decades blending genres and breaking musical boundaries. Their sound—a seamless fusion of Soca, reggae, EDM, pop, rock, and R&B—has earned them international acclaim and a fiercely loyal global following.
Formed in 2005, the band began as a family affair, comprising lead vocalist Kees Dieffenthaller, his brothers Hans (drums) and Jon Dieffenthaller (guitar), and childhood friend Riad Boochoon on bass. Over time, the group evolved with new members, including drummer Dean James, keyboardist Mario Callender, and DJ Robbie Persaud, solidifying a sound that is as dynamic as it is rooted in Trinidadian culture.
Their accolades include a 2011 International Groovy Soca Monarch title for Wotless, which also earned a BET Soul Train Music Award nomination. Their 2017 track Hello became the most-streamed Soca song of the decade. In 2020, the band teamed up with veteran artist Iwer George to win both the Trinidad and Tobago Soca Monarch and Road March titles with the hit Stage Gone Bad.
Their upcoming performance at the Jazz Festival marks a return to Canada for the group, whose live shows are renowned for their high energy, audience engagement, and celebration of island culture.
The concert is free and will take place at the Rogers Stage in downtown Montreal on July 4 at 11:00 p.m. Festival organizers advise attendees to arrive early, as large crowds are expected.

For more information on the Montreal International Jazz Festival, visit www.montrealjazzfest.com.

Kes the Band to Ignite the Montreal Jazz Festival with Caribbean Rhythms on July 4 Read More »

Parc Exers celebrate ‘Day of Love & Peace’ at William Hingston Centre

Martin C. Barry, Local Journalism Initiative Reporter

Day of Love and Peace, the Himalaya Seniors of Quebec’s annual ceremony appealing for harmony and peace in Parc Extension and the world, while also marking the birthday of Mohammad, took place on May 25 minus the presence of dignitaries.

Day of Love and Peace has been celebrated at the William Hingston Centre in Parc Ex by the HSQ for decades. In more recent years, organizers decided also to place emphasis on Eid-Milad-Un-Nabi, which is the birthday of the Islamic prophet Mohammad.

Notable absences

Although elected officials from several levels of government were invited, as were representatives of local community groups including the Corporation de Gestion des Loisirs du parc (CGLP), the Park Extension Youth Organization (PEYO), the Pakistan Organization of Quebec (POQ), local city councillor Mary Deros and HSQ president Vathany Srikandarajah were not present.

According to HSQ General Secretary Nizam Uddin, both had to deal with last-minute issues involving family members that forced them to alter their plans.

Sheikh Karim Chahal, spiritual leader at the Salahuddin Mosque on Parc Ave. leads colleagues in chants and prayers at the Day of Love and Peace, which also marked Muhammad’s birthday, at the William Hingston Centre on May 25. (Photo: Martin C. Barry, Nouvelles Parc Extension News)

As such, many of the presenters and entertainers were themselves followers of the prophet who was born in the Arabian city of Mecca in 570 and who died in Medina in 632. A group of male singers from the Salahuddin Mosque on Parc Ave. expressed their faith musically as well as in verse.

Praise for Mohammad

While some English and French were spoken, many of the speakers talked in Arabic and Urdu. Sheikh Karim Chahal, spiritual leader at the mosque, animated a session of praise for the founder of Islam, while also speaking about Muhammad’s many virtues.

“Let’s talk about and analyze what peace is all about,” said Chahal, speaking in English as well as Arabic.

“And let’s talk about a man who firmly, deeply understood what peace means. A man whose legacy reshaped the world, who was moral, and yet still so many people don’t know who he really was this great man, the most influential man in history.”

Parc Exers celebrate ‘Day of Love & Peace’ at William Hingston Centre Read More »

Soraya Martinez Ferrada leads Ensemble Montréal’s first congress

Martin C. Barry, Local Journalism Initiative Reporter

Ensemble Montréal mayoralty candidate Soraya Martinez Ferrada was feeling nostalgic during the party’s first congress under her leadership.

As a student, the 53-year-old former federal Liberal cabinet minister and city councillor confided while addressing 300 supporters on June 1 at the Montreal Science Center in Old Montreal, she worked summers at the Old Port, where she emptied trash bins and sanitized washrooms.

A special homecoming

“To be back here as a candidate for the mayoralty is quite an exciting homecoming,” she acknowledged.

Originally from Chile, Martinez Ferrada served as the city councillor for the district of Saint-Michel from 2005 to 2009 when she was defeated.

A hardworking political organizer and insider, she remained active behind the scenes, first as a political attaché for the federal Liberals in Ottawa. She then succeeded in winning the east-end Montreal riding of Hochelaga in 2019 in a close election that saw the Liberals capturing the seat for the first time since 1988.

As an MP, she served as a parliamentary secretary to the Minister of Immigration, Refugees and Citizenship, then served beginning in 2023 in the Trudeau cabinet as Minister of Tourism and Minister for the Economic Development Agency of Canada Quebec Region.

Willing to listen

“Listening is a form of respect,” she said at one point in her address, setting the tone for the type of administration she might hope to oversee if she prevails in the municipal elections taking place on November 2.

With that thought in mind, Martinez Ferrada used the City of Montreal’s 3-1-1 phone central access number for municipal services as an example of how communication between residents and the city appears to have broken down.

“Who here has ever called 3-1-1?” she asked, precipitaing a murmur of derisive laughter from the crowd. “Have you ever had a call returned? Communicating with this city has become an uphill battle. And this has to change.”

‘Right to a roof’

Martinez Ferrada suggested the party could be placing considerable emphasis on findings ways to resolve the city’s homelessness situation. “Everbody deserves and is entitled to have a roof over their head,” she said, echoing words used frequently by the former Trudeau Liberal government while addressing the same problem.

“Housing provides dignity, stability, security,” she continued. “Everybody has a right to a roof, because when a family is living in security, it allows children to dream and for everybody to rise and have autonomy. And so, yes, something must be done. But more quickly and more intelligently.”

In a statement of pre-campaign policy positions issued by Ensemble Montréal, the party is pledging to establish a register of abandoned and dangerous buildings in Montreal during their first 100 days in office.

Ensemble Montréal leader and mayoralty candidate Soraya Martinez Ferrada and Parc Extension city councillor Mary Deros, who is running for another term under the party’s banner. (Photo: Martin C. Barry, Nouvelles Parc Extension News)

As well, they would take additional measures that would allow young families to purchase a first home more easily so they wouldn’t find themselves forced to move to the suburbs.

Improving with AI

Ensemble Montréal would also implement the use of artificial intelligence (AI) to improve municipal services, including faster delivery of construction and renovation permits to developers.

The Ensemble Montréal congress was also an opportunity for the party to unveil its new logo. According to a press release from the party, the graphic visually represents their principal ambition, “to make Montreal a clean, secure, affordable and efficient city.”

“This change of image reflects who we are: a team that is deeply rooted in Montreal, listening to citizens, and representative of the richness and diversity of our metropolis,” Martinez Ferrada commented on the logo, noting that the multicolor design is also meant to reflect Montreal’s multicultural diversity.

Soraya Martinez Ferrada leads Ensemble Montréal’s first congress Read More »

Will ‘Futur Montréal’ be on the ballot in municipal elections this November?

Martin C. Barry, Local Journalism Initiative Reporter

Is it a social movement with political aspirations and overtones? Or a full-fledged party in waiting?

Those are questions the organizers of a one-day roundtable seminar held in Côte des Neiges last weekend hope to have an answer to when they find out whether their application for official recognition as a political party has been accepted by the Quebec election registrar’s office.

The gathering, Citizen Power in Action, was sponsored by Futur Montréal, whose co-founder is Joël DeBellefeuille.

Was racially profiled

DeBellefeuille, a black Canadian, was involved in a controversial legal battle that began in 2009 when his car was pulled over (for the fourth time within days) by the Longueuil Police who singled him out because they found his name didn’t seem to match his racial profile.

After DeBellefeuille was fined in court when found guilty of not cooperating with the officers, he filed a complaint with the Quebec Human Rights Commission. Three years later, the conviction was dismissed and the officers were reprimanded.

DeBellefeuille is also the founder of the Red Coalition, a Montreal-based lobby group that seeks to eliminate racial profiling and systemic racism. “We’re here today because we consider civic engagement to be very important,” he said in an interview with Nouvelles Parc Extension News regarding last Saturday’s event.

A party or a movement?

Although he referred to Futur Montréal as a political movement, DeBellefeuille said they had an application in for political party status and expected to have an answer within two weeks at most.

A panel of presenters who spoke from morning to early afternoon included former Ahuntsic Liberal Member of Parliament Eleni Bakopanos, Montreal constitutional lawyer Julius Grey, former Quebec Liberal MNA David Heurtel and Montreal criminal defence lawyer Ralph Mastromonaco.

They shared their views and expertise on citizen engagement, each according to their area of action. A moderated question period followed the presentations to allow thoughtful exchanges between the presenters and the public.

Another party welcome

Bakopanos said she was mostly unaware of the forum organizers’ efforts to form a political party. “If that’s where it’s going to go, it’s up to Joël and the people around him who want to create another political party, although I think there is room in Montreal for another political party,” she told NPEN.

She said she was asked to speak about the involvement of women in politics. “From the time that I worked for the Quebec Liberal Party or as a Member of Parliament, I always believed in encouraging more women, especially those who are members of the ethnic communities, to participate,” she said.

Bakopanos mentored a number of women who entered politics, including former Liberal Foreign Affairs Minister Melanie Joly, who was a potential candidate for the Liberal leadership after the departure of Justin Trudeau.

Ralph Mastromonaco and Eleni Bakopanos. (Photo: Martin C. Barry, Nouvelles Parc Extension News)

Lawyer criticizes system

In line with the values promoted by the Red Coalition, Ralph Mastromonaco’s presentation focused on his efforts to defend many clients who found themselves in trouble with the law with racial profiling as a significant factor.

Among other things, he was critical of the notorious slowness of Quebec’s court and legal system, saying it is still operating largely on paper-based documentation, rather than adapting to a more practical and modern digital system.

He was also critical of the overall actions of the police, saying they lacked the basic training to recognize the cultural differences of minorities.

“I don’t think police are taught enough about de-escalating and walking away from conflict, because they feel if they walk away from conflict, they’re giving up their power,” he said.

Will ‘Futur Montréal’ be on the ballot in municipal elections this November? Read More »

Parc Ex councillor Mary Deros to seek eighth council term in November 2 elections

Martin C. Barry, Local Journalism Initiative Reporter

Parc Extension city councillor Mary Deros, who is considered the “dean” of Montreal City Council after seven electoral victories, is tossing her hat in for yet another run. She confirms to Nouvelles Parc Extension News that she will a candidate in the November 2 municipal elections.

First elected in 1998 with Mayor Pierre Bourque’s Vision Montreal party, Deros served as an executive-committee member under Bourque.

Proven track record

As well, she served in the administration of Mayor Gérald Tremblay under the Union Montreal party. In more recent years, she ran under the banner of Équipe Denis Coderre, eventually becoming a member of Ensemble Montréal.

During an official announcement last week in Parc Extension’s Centennial Park, Ensemble Montréal mayoralty candidate Soraya Martinez Ferrada said she felt privileged to have Deros run with her party.

“I’m very, very honored and proud that Mary, who I’ve known for twenty years now from the borough and city councils, accepted to run again,” said Martinez Ferrada.

New blood and experience

“She is somebody who knows the city very well – Mary knows every single street in this district – and we need people like that,” she added.

“Not only do we need new people, like Sylvain Gariépy who is running for borough mayor, but we need people with experience who know how to try and make the city great again,” said Martinez Ferrada.

“She’s seen a lot. She’s seen what works and what doesn’t work, and it’s important to have that perspective when you’re working in a city. Having somebody like that on board puts us in the right place. And that’s why I’m so happy that she’s here.”

In an interview, Deros described her last four years of dealing with an administration dominated by Projet Montréal as “extremely difficult,” involving contentious local issues such as the creation of bike paths and loss of street parking, as well as the failure of Projet Montréal to build more social housing in Parc Extension.

Critical of Projet Montréal

“We’ve been trying to work with an administration and a party that doesn’t care, doesn’t listen,” she said. “I’ve been asking for certain improvements. Nothing’s been done. Although they claim they’re putting in the effort, the effort is not there. We have no results. And when you don’t have results, it means they’re not doing the proper management.”

Deros said she felt very confident knowing that Soraya Martinez Ferrada could be taking over the reins at Montreal City Hall. “Having Soraya taking this leap into city politics, I feel very secure that we’re going to have an administration that cares for people, that listens to people,” she said.

At the same time, Deros welcomed Sylvain Gariépy, who is running under the Ensemble Montréal banner for mayor of Villeray-Saint-Michel-Parc Extension.

Restoring Montreal

“Having worked with the number of people I have over the last twenty-seven years, I feel very confident in this partnership we’re forming under Ensemble Montréal with Soraya, Sylvain and all the candidates,” said Deros. “It’s very encouraging to see that people care and want to put Montreal back on the map. Because we’re not a village, we’re a metropolis. And for the last eight years, Montreal has been going down.”

Gariépy’s professional background is in urban planning, having been a partner in two urban planning firms. In that capacity, he worked closely with officials from the City of Montreal, as well as with suburban municipalities.

“I think I can bring good ideas from my experience to the borough, including Parc Extension,” he said.

Parc Ex councillor Mary Deros to seek eighth council term in November 2 elections Read More »

Confronting injustice through his brushstrokes

Visual artist Marc-Alain Félix uses acrylics, oil pastels, and markers to create art surrounding memory, identity, and resilience. His work explores the boundaries between abstraction and figuration, emphasizing human vulnerability, cultural dynamics, and the interactions between the individual and their environment. Félix recognizes cultural diversity and the amplitude of human experiences, making it an artistic and social commitment that inspires reflection and change.

Félix has been a professional artist since 2016. Although most of his exhibits are in Montreal, he has showcased his art in cities like New York, Milan, and Tokyo. He said he had been interested in art since he was younger, but his parents did not expect him to enter that field.

“Coming from a Black and Haitian family, our parents always wanted us to be either a lawyer, a doctor, or an engineer. But I believe all humans are born with artistic capacity; it’s all depending on your environment and if you did develop it or not,” Félix said to the CONTACT.

He explained that he highlights the human eye in several paintings because he believes it represents guidance, his ancestors, and many other things.

“It’s one of my favourite symbols because I use symbols a lot. It’s like a coded language,” he said. “Sometimes I will use a symbol to express something very specific that I want people to pay attention to, and sometimes it’s something I keep to myself in a sanity; nobody will know the meaning of that symbol except me,” Félix explained. “It’s also a way to create an interaction with the public; when they look at it, they’re questioning, ‘What does that mean?’”
He added that he paints for various reasons, like practicing his skills or sending a message to people about serious topics like discrimination. He said that painting also helps him “cope with the reality of life.”

“I can’t keep it to myself. I need to find a way to say it. I’ll say it through art,” Félix expressed. “I’m not the type of person who would hide from the reality of what’s going on right now in the world, with all the wars and what’s going on in Palestine. It’s killing me just to think about it; they’re blowing up kids.”

Felix said he uses colours like blue and yellow to show joy in his work, but he does not want to ignore the negative events happening in the world.

“I have nothing against people who draw flowers and birds and all of these beautiful things because we need that, and when we see them, it makes us feel better. But for me, if I’m an artist and I have this creativity, I have a position, this capacity to talk in a certain way through a painting, and I’ll do it. But I’ll use important subjects, hoping that maybe I’ll change something in the world or make people change their minds about some things. That doesn’t mean that I can’t paint flowers and birds and all this sweet stuff. I can do them. But right now, it’s not how I feel inside,” he said.

Félix added that he thinks life is beautiful and views himself as a positive and bright person, but he “can’t be fully happy as other people are not fully happy.”

Beyond creating paintings, Félix is the art director of the Dear Jackie documentary that is available on CBC Gems. The film revolves around Jackie Robinson, the first African American player in Major League Baseball. It highlights the personal stories of Little Burgundy residents, explores racism and racial inequality in Montreal and Quebec, and serves as a tribute to “the perseverance of one of Canada’s most important Black communities.”

He added that he did everything by hand when he art-directed the documentary and created paintings because he did not know how to draw on a computer.

“Jackie was an amazing experience because they just proved that, as I said at the beginning of the interview, you could be a visual artist, but you can’t just do paintings. You do other stuff as well, and I think you have this capacity of touching so many things,” Félix said.
One of his recent exhibitions, Losing My Religion, is displayed at the Church of Gesù Montreal until 2028. In this piece, he explores his religious beliefs, the existence of heaven and hell, and Jesus’ identity, with brown hair and light eyes.

He explained that he grew up in a Catholic church. His mom influenced him to go there until one day when she told him, “You guys are old enough to decide by yourself. I showed you guys God; now you decide if you want to go back to church.”

Félix said he continued to go to church. Every New Year celebration on Dec. 31 and Jan. 1, before going partying, he and his friend went to church to thank God for the year that had just passed and for the year that was coming.

“It was very important for us, and then once we went there, the vibe was off. The priest was saying stuff, and people were just repeating it. I feel like people were there just because they had to be there. I said, ‘Do you feel there’s something off?’ He’s like, ‘I feel there’s something off.’ We got out. We didn’t stay there. I never went back since,” Félix said. “ And when I had this opportunity to work on this project, I was like, ‘Oh my God, this is it. I’m going to use this one to express myself and to see what I have to say about the church. So I started. It was abstract, and I started doing a bunch of stuff, and it came out so nice. It’s not like I don’t believe. I believe Jesus existed, but not the way they introduced him to us. I think with Jesus, the message to us was to be free, liberate ourselves and our minds from the structure, from the government, and all of these things.”

More information on his recent exhibitions can be found on his website: www.marcalainfelix.com.

Confronting injustice through his brushstrokes Read More »

Call for Board Members – CCAD

The Centre for Canadians of African Descent (CCAD), formerly Revive NCC, is seeking new Board Members to help guide the redevelopment of the historic Negro Community Centre (NCC) site in Little Burgundy. This vital project includes affordable housing, cultural spaces, and economic opportunities for Montreal’s Black communities.

We welcome individuals with expertise in:

  • Non-profit governance
  • Affordable housing / real estate
  • Urban planning / architecture
  • Law, fundraising, finance, communications
  • Community development, arts, and heritage
  • Community engagement

Must be bilingual (English and French).

Elections: July 3, 2025 (via Zoom)
Apply by: June 26, 2025
To apply: Email CV + short letter of interest to: revivencc@gmail.com

Be part of rebuilding a legacy. Help shape the future of CCAD.

Call for Board Members – CCAD Read More »

GemStar Circle of Excellence Celebrates Third Cohort Graduation

Playmas Montreal Cultural Association proudly invites the community to celebrate the achievements of the third cohort of the GemStar Circle of Excellence Scholarship and Mentorship Program. This year, 18 exceptional students will graduate from the program and receive either a $1,500 scholarship or a $500 bursary to support their post-secondary education.
The Graduation Ceremony will take place on Sunday, June 29, at 6767 Côte-des-Neiges Road in the main reception hall. The evening will begin with a cocktail graduation reception at 6:00 p.m., followed by the formal ceremony at 7:00 p.m. Guests will join the graduates, their families, mentors, and supporters for an uplifting evening of recognition, closing with a celebratory cake in honour of the students’ success.
This year’s graduation marks another milestone in the program’s mission to empower Black youth through academic excellence, mentorship, and community connection. The GemStar Circle of Excellence Program, initiated by Gemma Raeburn-Baynes and supported by the members of the Playmas Montreal Cultural Association, is a unique initiative designed to spotlight and support the academic achievements of Black students in Quebec.
We extend special thanks to our generous sponsors:
BMO Bank of Montreal, BDC Business Development Bank, The Gloria Baylis Foundation, Vera and the Late Ian Aston, and The Lindsay Place Alumni Foundation.
The program is also proudly supported by both the English Montreal School Board (EMSB) and the Lester B. Pearson School Board, further emphasizing its importance and impact within the educational and wider community.
Everyone is welcome to attend this inspiring event. A $25 donation at the door is appreciated to support the continuation of the program. Children up to 16 years of age are invited free of charge, encouraged to attend and be motivated to become future GemStars.
Join us in celebrating the bright future of these rising stars and future community leaders.

GemStar Circle of Excellence Celebrates Third Cohort Graduation Read More »

Guess Who’s Coming To Tea!

TV Host, Photographer, Human Rights Advocate, African Drummer/Dancer and Philanthropist, Mr. John Crow Alexander will once again be bringing his African-Grenadian pomp, passion and humour to Montreal as he graces the stage at this year’s Tea, Poetry & Wee on Sunday, June 29, 2025 at Ruby Foo’s Hotel.
The Crow’s re-entry in the entertainment scene here in Montreal has been long in coming. This year’s event is themed “Hello Africa … Salutes to the Motherland”….and who’s best to show off some captivating African wear than the Crow.
His good friend Theresa Cloe Henwood, a Grenadian-Canadian multi-talented Artistic Decorator, Fashion Designer, Founder of Project Book Benefit and organizer of the Tea Poetry & Wee, will be showcasing her Vintage Collection featuring African wear. The Project raises funds to send books, school supplies and toys to schools in Grenada. Now in its 10th year, one of this year’s benefactors is St. Matthew’s Catholic School, in Birch Grove, St. Andrew’s.
This year’s special honoree to be “given his well-deserved flowers” for his legendary efforts over the years promoting, developing and nurturing our African-Caribbean culture is Mr. Neville “Nato” Brown, Cultural Enthusiast and Entrepreneur.
Mr. Brown is an entrepreneurial, multi-talented and highly cultured Trinidadian with a passion for keeping his African-Caribbean culture alive in his adopted country. He provided space and platform for our voices and expressions and opportunities for teaching, learning, training and development for many. Mr. Brown created establishments which showcased and promoted our culture.
Amongst his many valuable contributions and achievements are the creation of the now internationally West-Can Folk Performing Company in 1978; the 1986 founding and managing of the Canada Weekend Post*, one of Montreal-Quebec Black newspapers which served the English-Speaking Caribbean and African communities up to 1990; hosting of many Trinidad & Tobago calypsonians, entertainers and comedians to showcase and promote Caribbean-African culture and talents in Montreal; and the establishment of calypso tents here in Montreal. Mr. Brown continues to be an active part of Montreal’s Caribbean entertainment scene. Together with his long-time friend Byron “Doggies” Cameron, Entertainer, and many other local entertainers, he organizes annual shows at Dan and Babita’s Caribbean Paradise Restaurant in LaSalle.
Deservedly, WestCan Folk Performing Company, one of Mr. Brown’s creations, will also be honored for its long-standing contributions enriching and showcasing African-Caribbean culture in Canada and abroad, as well as for its continued commitment and growth engaging and teaching the culture to children, youths and the more mature community.
The Keynote address will be delivered by the Crow! Entertainment includes Spoken Words by Jason Joseph and Teddy & Friends from Zim Music Production, Song by Kayleigh Mahalia Ross, a budding new singer and 2025 Junior Carimas Queen contestant, and Cultural Performance by WestCan.
Patrons will be treated to an evening celebrating African Elegance, Poetry and Fashion while sipping away on some fine local teas, hors d’oeurves, desserts and entertainment. The MCs for this spectacular evening will be Karen Parke and JohnCrow.
So come out! Join in the summer fun! Enjoy yourself while being tantalized by great food, talk, spoken word, music, fashion and dance. We look forward to your participation and support!

• Event Info: Tea Poetry & Wee – 3PM – 8PM – Ruby Foo’s – 7655 Decarie Blvd., Montreal – Tickets: $50 – Contact: 514-733-7691/438-522-7691
*As part of his legacy, in early 2025, a Special Collection “Canada Weekend Post” was established under Neville “Nato” Brown’s name @ Concordia University Library. This Collection was coordinated by Caldwell Taylor & Anne Janice Farray, past Editors. Several copies of the paper are available to those undertaking studies about Montreal’s Black African/Caribbean communities. To view: https://concordia.accesstomemory.org/canada-weekend-post-2

Guess Who’s Coming To Tea! Read More »

Lifting as she climbs: How Jacqueline Beckles carved her path in law and left the door open for others

Jacqueline Beckles remembers the first time she failed a course in law school. Criminal law, ironically, the subject she would later make the centerpiece of her legal career.
She had entered the University of Ottawa determined to become a judge. But her first year was marked by isolation, racism, and doubt. “It just wasn’t what I imagined,” Beckles said to the CONTACT. “I questioned if I even belonged.”
Born and raised in Montreal’s West Island, Beckles is now a senior criminal lawyer with the Department of Justice Canada and a mentor to a generation of aspiring legal professionals. Earlier in the spring, she was awarded the King Charles III Coronation Medal—an honour as she says, she never saw coming.
I don’t even know who nominated me,” she explained. “But it told me something I’d done mattered to someone. That means everything to me.”
Her path to that moment was anything but conventional. Raised by her mother, Beckles found herself surrounded from a young age by a community of formidable Black women. Activists, scholars, and community organizers often gathered around her family’s table: names like Dr. Dorothy Williams, Dr. Myrna Lashley, Dr. Esmeralda Thornhill and Justice Juanita Westmoreland-Traoré left lasting impressions on her.
“This is what I grew up around. These were the women who shaped my view of justice and community,”she recalled.
After completing high school at Riverdale High School, she went on to get a Bachelor of Arts in Political Science from Concordia University. Her grades, however, were not sufficient to get into law school. Undeterred, Beckles enrolled at O’Sullivan College to complete a diploma in paralegal studies, excelling with straight A’s. That performance propelled her to the University of Ottawa’s Faculty of Law.
While law school fulfilled a lifelong dream, it also introduced new challenges. “My first year was tough,” she admits. “I experienced racism and isolation. I thought about giving up.” But then Beckles connected with the Black Law Students’ Association of Canada (BLSA), which became a vital source of support. Through BLSA, she found mentorship, a network of peers across Canada, and a deeper sense of belonging. “That organization helped me stay the course,” she says. “It taught me the importance of community in professional spaces.”
During her studies, Beckles immersed herself in criminal law, eventually taking every course related to the field. “I knew this was my calling,” she says. After graduation, she worked at a private firm in Ottawa, practicing family, civil, and criminal law. But it was criminal law that resonated most. “Family law didn’t fit. Civil law was educational, but criminal law spoke to who I am.”
Life shifted again after she gave birth to her son. With her husband unable to work in Canada at the time, the family relocated to Barbados for two years. There, Beckles worked as a judicial assistant with the island’s Supreme Court, drafting decisions for high court and appellate judges an experience that honed her understanding of judicial reasoning and further deepened her aspirations for the bench.
She returned to Canada seeking a stable job but was met with a number of closed doors. “I had a law degree, years of practice, and I couldn’t get a callback,” she said. “It was humbling.”
Eventually, she took a job as an executive assistant at the Royal Canadian Mint, a decision she describes as both strategic and necessary. “I had a child to raise. I needed a steady income,” she said.
That pragmatism led her to Health Canada and finally back to legal practice, this time within the federal government. A former colleague encouraged her to apply to the Department of Justice, where she has worked for the past 15 years.
Today, she pays that forward. Beckles is an active mentor to students, especially young Black women entering the legal field. “It’s about lifting as you climb,” she says. “Making connections. Sharing knowledge. Ensuring no one feels alone like I did.”
Her activism now spans multiple legal organizations. She serves on equity and diversity committees with the Canadian Bar Association, the Ontario Bar Association, and the Law Society of Ontario. In 2022, she ran for bencher (a governor of the Law Society) in an effort to bring more representation to the table. “I couldn’t keep asking for change from the outside,” she said. “I had to show up.”
Beckles is also a mentor to countless law students, especially Black women and internationally trained lawyers trying to re-enter the Canadian system. “I may not have all the answers,” she says, “but I can connect people who do. That’s part of lifting as we climb.”
That phrase, “lifting as we climb” is one Beckles returns to often. It’s how she describes the legacy of her mother. It’s how she sees the role of lawyers in community. And it’s how she explains her quiet pride in the King Charles III Medal.
“It’s not about medals,” she said. “It’s about leaving the door open wider than you found it. If I’ve done that, I’m on the right path.”
And that path, she hopes, still leads to the bench. “I’ve applied to be a judge. More than once,” she said. “It hasn’t happened yet. But I believe it will. In time.”

Lifting as she climbs: How Jacqueline Beckles carved her path in law and left the door open for others Read More »

Business Reference’ App Aimed at Connecting Black Entrepreneurs in Montreal

By Desirée Zagbai

A new mobile app called the ‘Business Reference App’ is set to launch on May. 30, 2025, during a public event at Concordia University’s D3 Innovation Hub. The app is designed to simplify the process of supporting and discovering Black-owned businesses in Montreal.

The app was developed by the web app agency, Smartegy, with support from CSMARI (Community Support Multiculturalism and Anti-Racism Initiative).

There were also collaborative efforts from the DESTA Black Community Network, the Ujamaa Initiative for Black Entrepreneurship (UIBE), and the Community Service Initiative at the John Molson School of Business, Concordia University (CSI).

Through this app, users will be able to connect with Black-owned businesses in categories like retail, food, wellness, and professional services.

Chuck Oumar is the co-founder of Smartegy. He led the development of the app with his team. Oumar said that the app is needed in the Black entrepreneurship environment in Montreal, as there aren’t many sources that people can refer to when looking for Black-owned businesses.

“I think that in 2025, having an app like this will help and enhance all the Black businesses that will be on the app and those people that will use it to find Black businesses in Montreal,” Oumar said. “We’re going to discover each other. That’s one thing, and we’re going to have power together to go on the market in Montreal and say, ‘You know, well, this is how many Black businesses we have in the city. This is how powerful we are. This is the kind of industry that we’re in.”

He explained that when tracking the app’s effectiveness, they will monitor how many people download the app and how many are actively using it. He added that they want people to use it after downloading, as it often happens that people forget about an app they have downloaded on their phone. To prevent that from happening, they will ensure that the quality of the businesses, the application, and the user experience all flow together.

“I think those together are the recipe for the app’s success,” Oumar said.

Kassandra Kernisan, executive director at DESTA, said that the Business Reference app symbolizes economic empowerment.

“We have great businesses and services within our community. We don’t have the best visibility, and we don’t have the best networks as a community, so this is really to help our businesses help our entrepreneurs network and help them connect to the public so that they can increase their customers and their profits. That’s the whole idea,” Kernisan said. “So, we’re trying to level the playing field once again. When it comes to the Black community and entrepreneurship.”

She explained that they will test the beta version of the app in Montreal for about a year. Afterwards, they will look to expand to Ottawa, Toronto, and the west of Canada.

“We’re not limiting ourselves. Eventually, we want to be Canada-wide,” Kernisan said. “It’s to highlight Black entrepreneurs, but it’s for everyone. So it benefits everyone, every consumer, whatever your race, background, or colour, and it benefits you in a few ways. One, you have access to great products and services, and two, you’re doing your part to help level out the playing field to contribute to economic equity. That’s always a good thing; no matter what your background is, it serves everyone, it serves the community.”

The app is available on the App Store and Google Play. More information about the launch event can be found at:https://www.eventbrite.ca/e/the-business-reference-black-business-directory-app-launch-tickets-1358470464729?aff=oddtdtcreator

Business Reference’ App Aimed at Connecting Black Entrepreneurs in Montreal Read More »

Motion Meets Meaning: Maycie-Ann St-Louis’s Journey Into Art

Maycie-Ann St-Louis, a Montreal movement director, transforms ordinary gestures into extraordinary visual narratives. In her various projects, St-Louis uses imagery and her Christian faith to guide her creative process. Most of her work centers around self-actualization and questioning purpose and identity. 

Movement directing is about guiding someone through motion in real-time, enhancing the quality of people’s natural movements but amplifying them more for, for example, a film or a music video.

“I like to let my work speak for itself and my faith is a way for me to delve into my creative identity,” St-Louis said to the CONTACT.

She added that having a good team with unique skills, aptitudes, labs and missions also leads to her creative process.

“Nothing ever comes to life how you think it will,” St-Louis explained. “So leaving space for improvisation and leaving space for what can happen on the spot is something that I really like and incorporate into my creative process because it makes things a bit freer and less structured. I think that things come by when you let go a bit.”

St-Louis has worked as a movement director in the UK and Montreal. She appreciates meeting new people, forming relationships, and collaborating on projects that can last an entire career.

“I love being in a creative space, just being able to free any idea that pops up; let’s just try it. Even if it doesn’t work, at least we tried,” St-Louis said.

She explained that she recently created her own casting and movement direction called “Born Ugly,” where she aims to highlight and show her artistic identity to others.

St-Louis’s recent project was a music video with the artist Thanya Iyer called I am here now, which she choreographed and movement directed. 

“The common line is being set in identity, so that’s the future for me. Being so set in the identity of what I have that everyone can recognize,” St-Louis said. 

More of St-Louis’ work can be seen on her website: https://maycieannstlouis.portfoliobox.net/portfolio

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Study shows Black youth continue facing discrimination in Quebec

Desirée Zagbai

On April. 13, 2025, The Afro Youth Summit and the Observatory of Black Communities in Quebec revealed a study highlighting the daily discrimination Black youth in Quebec keep experiencing. The study was done in partnership with the survey firm Léger, and data shows that 83 per cent of Black youth experienced discrimination at least once in their lives compared to 40 per cent of non-Black youth.

The survey also reveals that 66 per cent of Black youth face discrimination in public services such as education, health care, justice and social services. 35 per cent of Black youth said they experienced discrimination sometimes in this context while 10 per cent described recurrent instances.

Alix Adrien, a board member of the Afro Youth Summit and president of the Quebec Board of Black Educators (QBBE), said the survey results are unsurprising.

“That’s pretty much our reality. Any Black person that lives will be confronted to trade out discrimination or even microaggression when it comes out to it,” Adrien said to the CONTACT.

He said that the end goal is to present the survey to educational policymakers so that they can reform and change the system.

“When we stand by, and we want to address situations of racism in schools, most of the time what we’ve been told is ‘there’s no clear evidence that this is happening.’ ‘They don’t have the aggregated data.’ So, we’re doing the work to provide those studies. When we conduct a survey with a firm like Léger, no one can question the results because they’re a credible organization,” Adrien said.

Despite the hardships, the study evokes engagement and ambition among Black youth. Approximately 68 per cent of young people believe they are making a productive contribution to their communities. 27 per cent of Black youth are involved in cultural organizations, compared to 10 per cent of non-Black youth.

Adrien explained that the youth’s involvement in community centers is due to the safe place they seek.

Our youth are looking for a safe space where they can thrive and be themselves, and they’ll usually find them in community centers. I strongly believe birds of a feather flock together. And so, those kids, when they are confronted with certain disparities in school and go into a community center for different programs, they don’t get that sort of blowback. I think that’s part of the reason. They not only seek Community intervention, but that’s where they get involved because I think they feel it’s a positive thing for them,” Adrien said.

Adrien mentioned that regarding future initiatives, the Afro Youth Summit holds annual summits that cover topics such as justice, education, healthcare, employability, and ethnic entrepreneurship. During those conferences, they conduct needs assessments in which they speak with participants about the challenges they face in their communities and attempt to address those hardships.

The survey was conducted online from August to October 2024, with 1,463 respondents living in Quebec. It was sourced from three sources: Léger’s web panel, an open link distributed through a Léger DGTL digital campaign, and an open link shared by the Afro Youth Summit with its network of partners.

Study shows Black youth continue facing discrimination in Quebec Read More »

For the Love of Theatre: Club Zed Taking the Lead to Highlight Black Voices

Get ready for the Second Annual Club Zed Playwrights Festival, hosted by the Black Theatre Workshop (BTW) from May 14-17, 2025! Black Theatre Workshop (BTW) is Canada’s longest running theatre company dedicated to the works of Black and diasporic communities. The company strives to create greater cross-cultural understanding by challenging its audience and the status quo. Expanding the representation of Black Canadian artists, BTW bridges cultural divides – uniting hearts, minds and communities.

BTW’s community focused Club Zed Festival, which is now in its second year, is dedicated to nurturing the voices of Black Canadian playwrights through a Black perspective. With the support of Playwrights’ Workshop MontréalPlaywrights Canada PressPlaywrights Guild of CanadaNeworld Theatre, and MAI (Montréal, Arts Interculturels) the festival will run over the course of four days. Participants and audiences will experience readings, new works in progress, panel discussions, and professional development workshops, all designed to foster dialogue, connection, and artistic growth.

Club Zed is the only professional development-focused and black forward festival of its kind in Canada and is open to participants from across the country. Speaking about Festival, Shannon Corenthin, Producer at Black Theatre Workshop said, “I hope this helps foster a sense of community nationally and helps with cross-pollination in terms of what we can do and just helps makes the sharing of information more seamless and more accessible.”

 Notable speakers at this year’s Club Zed include d’bi young anitafrika who created Toronto’s Watah Theatre and is due at Toronto Fringe Festival this July to direct Sashoya Simpson’s Lulu, the twice nominated for the Governor General’s Literary Award Donna-Michelle St. Bernard, and the award-winning playwright & director, and adjunct professor at the University of Toronto Djanet Sears. While 2024 participant, York University alum Jan Jennings is now part of the BTW Artist Mentorship Programme.

“Club Zed blends skills building, with networking and audience engagement. Featuring some of Canada’s most renowned Black artists, this festival celebrates and encourages writers and audiences to share new work, listen, and build lasting relationships,” says Dian Marie Bridge, Artistic Director of Black Theatre Workshop & Creator of Club Zed Playwrights’ Festival.

When it comes to the future and legacy of Club Zed, Shannon Corenthin, Producer at Black Theatre Workshop said, “I hope we can continue kind of building that knowledge sharing across career levels and interests and continue supporting black Canadian artist and Canadian artists in this way and also highlight the back Canadian voice.”

The highlights of this year’s festival include;

– An In Conversation With series offering insightful conversations with guests Maguy MétellusMarcia JohnsonDiane RobertsDjanet Sears and Donna-Michelle St.Bernard.

– A Professional Development Workshop Working Through Drafts hosted by Playwright Rachel Mutombo.

– A Black Women in Theatre Symposium hosted by d’bi young anitafrika with guests Marcia JohnsonDjanet SearsDiane Roberts & Donna-Michelle St-Bernard.

Festival access is available through a Club Zed Pass. 4-Day pass holders gain entry to all events.
Free events include an Opening Night Mixer on Wednesday May 14, and the Book Launch of the First Stone featuring readings by Author and Playwright Donna-Michelle St. Bernard on Saturday May 17.

If you’re interested in participating in this year’s BTW reach out to the team on info@theathre.btw.ca

For the Love of Theatre: Club Zed Taking the Lead to Highlight Black Voices Read More »

WIBCA Scholarship Awards

Recognizing Excellence and Community Leadership

The WIBCA Scholarship Awards honor the academic and community achievements of students committed to building a more inclusive society.

While primarily aimed at Black students, these awards are also open to Indigenous students and students of color who have shown a strong commitment to supporting the Black community.

Eligibility Criteria:

  • Be a Canadian citizen or permanent resident
  • Be a resident of the Greater Montreal Area
  • Identify as a Black, Indigenous, or student of color
  • Demonstrate academic excellence and/or community involvement

These awards reflect WIBCA’s core values of education, leadership, and community empowerment.

Deadline to submit is May 30, 2025

WIBCA Scholarship Awards Read More »

Missiris Montréal: Handbags with a Purpose, Inspired by a Fight for Girls’ Rights

Aïsha Temfack, founder and CEO of the award-winning handbag company Missiris Montréal, felt inspired to create her brand because whenever she was looking for the four key elements in handbags: good quality, price, fanciness, and practicality, there was always a missing factor, which motivated her to make a difference. After launching her brand on Sept. 22, 2022, she won the Canadian Choice award in retail and has grown her audience.

Temfack said her journey has had ups and downs, but staying persistent is one of the main reasons for her success.

“There’s been tears, happiness, desperation and lack of motivation. But the one thing that I will say is there’s always been consistency; I’ve always been disciplined, no matter how I was feeling, no matter what ‘no’ I had gotten that day or what ‘yes’ I had gotten that day. I was always consistent,” Temfack said to the CONTACT. “In the two and a half years that I’ve been doing this, I’d maybe say I haven’t shown up ten days in total. So I’m here every day whether I’m motivated or not, whether I’m feeling good or not. I’m showing up, and that has been helpful because I have created this amazing community. I don’t even need to speak about the bags. They do it for me.”

She added that she wanted to create handbags that people could wear on any occasion and sell products worth the price.

Temfack said that another motivation for her brand is her enthusiasm for women’s empowerment. After watching a documentary on child marriage and seeing young girls being forced to marry older men, she felt that her calling was resonating, and she has been supporting African organizations that help girls escape early marriage, such as Days for Girls, Give1Project, and Women’s World Wide Web (W4) Girls’ Parliaments, to end child marriage in the Democratic Republic of the Congo (DRC). She is also working to get in touch with Malawi’s Chief Theresa Kachindamoto, who is known for breaking up child marriages.

“I’m very sensitive to women’s empowerment. That’s something I’ve always been big on. So to see that [documentary] was really like, I’m going to use this passion for fashion, and I’m going to make a change,” Temfack said.

Temfack’s recent visit to Radio Canada’s Dans l’oeil du Dragon led to a sales boost, and to her, it demonstrates that as a Black woman, you can reach people outside of your community with your brand.

“It’s important to show that as a Black woman, you don’t always have to do ethnic stuff to succeed. You can sell. You can compete with non-Black people in the open market and still do it right,” Temfack said.

Looking to the future, Temfack hopes to become one of the top three handbag brands in Canada.

“I want to make a difference in the lives of these girls who were married so young and didn’t have the chance to get educated. I want to make an impact. I’m not here just to sell bags and make money. It’s never been about that. I want to make sure that I’m making a difference. I’m empowering women here with the bags to empower girls there to get more education,” Temfack said.

Temfack’s bags can be found at: https://missirismtl.com/fr.

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Empowering Black Female Leaders Through Education

WIBCA is proud to announce the Empowered Woman Scholarship Award, sponsored by author and advocate Alvina Ryan. This award is dedicated to uplifting and celebrating the academic achievements of Black female students in the Greater Montreal Area.

The scholarship recognizes one outstanding student who demonstrates academic excellence, leadership, and a commitment to making a positive impact in her community.

Eligibility Criteria:

  • Identify as a Black female student
  • Be a Canadian citizen or permanent resident
  • Be a resident of the Greater Montreal Area

This scholarship reflects Alvina Ryan’s dedication to education and empowerment, and WIBCA’s mission to support youth who are breaking barriers and leading change.

Application Deadline for all Scholarships: May 31, 2025

Empowering Black Female Leaders Through Education Read More »

MAKE ROOM, MISS DIVA IS HERE

Alicia Anderson, better known by her stage name Miss Diva, has been making inroads in music for almost a decade now. She grew up deeply rooted in music and faith.“I was always in church,” she recalls to the CONTACT, reminiscing about weekends spent between her two grandmothers—one Pentecostal, the other Anglican. Encouraged by her grandmother, young Alicia took her first steps into the choir, unknowingly laying the foundation for what would become her career.
Beyond the church walls, Alicia was immersed in the sounds of reggae greats like Bob Marley, Peter Tosh, and Marcia Griffiths, thanks to jam sessions in her uncle Peter’s basement. “I remember my grandmother asking who was in the basement, and I’d say, ‘Grandma, a lot of people are down there,’” she laughs. That exposure cemented her drive and desire to sing.
At just ten years old, Alicia was introduced to the world of Soca music through Kiddies Carnival, and she fell in love instantly. “My mom married into the Trinidadian culture, and I was surrounded by both Soca and Reggae,” she explains. Her early years saw her crowned Queen of the Band an impressive fourteen times, proving that she was not only a singer but a dynamic entertainer.
As she entered her teenage years, Miss Diva was ready to take her talent to the next level. She underwent voice training with Adessa and gained recognition in a talent show at Westmount School, where she wowed the audience with her rendition of Monica’s Angel of Mine. She expanded her talents to dance and pageantry. At 18, she entered the Dancehall Queen competition—a bold move that set her apart. “All the dancers were skinny, but I was a thick girl. I stood out,” she recalls. She not only participated but won, earning a trip to Jamaica where she danced alongside icons like Ding Dong and Mad Michelle and networked with industry heavyweights.
Yet, her heart was in singing. “I had to tell them I could sing,” she says. Her persistence paid off when, one night at a party, she sang on the spot for a producer who encouraged her to record a demo.
“I had an album launch at three months pregnant, but no one knew,” she reveals. “When my manager at the time found out, they left me. But I never took no for an answer.”
Even at four months pregnant, she traveled to Jamaica, making headlines when she revealed her pregnancy on national television. She continued to push forward, performing on live TV just four months after giving birth to her son, Dream.
Motherhood didn’t slow her down—it gave her new purpose. “When my son was sleeping, I’d be creating music. Social media allowed me to keep working without leaving home,” she shares. By the time Dream turned one, Alicia was back in the studio.
Miss Diva continued to grow her brand, performing on major stages and releasing new music. She made her post-pregnancy debut at Luciano’s show, despite her having concerns about weight gain, she left the crowd electrified.
“I was worried because of the weight but I worked the crowd! I was made for this,” she asserts.
She released her album Number One Girl, collaborating with Reggae stars Macka Diamond and Lutan Fyah. When the pandemic hit, she adapted, continuing to create and eventually launching her 2023 album to critical acclaim.
Her music has been recognized in nominations, including the North of You Awards and the Reggae Exclusive Awards for Entertainer of the Year. Though she didn’t take home the trophies, the experience fueled her drive. “I remember saying to myself, ‘My grandmothers would be so proud.’”
The recognition only fueled her drive. “I have to keep going,” she says. She expanded her reach to Canada’s Caribbean music scene, performing at festivals in Calgary and Edmonton.
In 2023, Alicia dove deeper into the Soca world with the release of Energy Bumper, which received rave reviews. Building on this momentum, she traveled to Trinidad for Carnival, where she performed, recorded new music, and filmed a video for her latest hit, Meet Me on the Road. The track gained traction in Trinidad especially during the recently concluded carnival. “This song is just about my love for the road as a masquerader,” she says. Produced by ICU Studios from Grenada, the track has been met with enthusiastic responses. “I walked out of my house, and someone said, ‘Diva, Meet Me on the Road!’ That’s when I knew it was working!”
Beyond music, Alicia has entrepreneurial ambitions. With a background in hair styling—having managed a beauty salon in downtown Montreal for years—she now takes private appointments at Diva Salon. She is also preparing to launch her lipstick line, Diva, adding yet another dimension to her brand.
Alicia attributes much of her success to the strong women who have influenced her. From her grandmothers to her manager, Angie Goodaz and mother, Pat Dillon Moore these women have been her cheerleaders and mentors.
“The best thing I’ve learned from my mother is to never make decisions too quickly,” she shares. Her grandmother’s words, “Why worry when you can pray,” have been a mantra that continues to inspire her journey.
Currently, Alicia is focused on her biggest project yet: the Montreal Music Festival, set for June 27, 2025. The event will feature reggae heavyweights Montreal and the diaspora.
With new collaborations on the horizon, including one with Trinidad’s Young Bredda, Miss Diva is showing no signs of slowing down. She remains dedicated to leaving a lasting impression in both Reggae and Soca. “I’m here and I’m ready to work,” she declares.

MAKE ROOM, MISS DIVA IS HERE Read More »

Hostile architecture in Montreal’s public spaces

Some Montreal residents are saying that public spaces risk becoming increasingly structured and hostile. Photo Zosia

Zosia,
Local Journalism Initiative

Exploring the role of design in shaping Montreal’s urban interactions

In December 2024, Montreal unveiled its Municipal Universal Accessibility Plan 2024-2030 as part of its continued efforts to make the city more accessible.

These initiatives aim to increase accessibility to the city’s public spaces and parks by utilizing designs that influence behaviour. 

With these design interventions and a focus on public municipal programming, some are saying that public spaces risk becoming increasingly structured and hostile. 

The term hostile architecture or defensive design refers to urban design that intends to restrict certain behaviours in public spaces. 

According to Assim Mohammed, a graduate of McGill University’s Master of Urban Planning program, what makes defensive design choices “hostile” and the subject of public criticism is based on individual perception, not a static characteristic. 

“A person might see a bench with armrests and not really think anything of it,” Mohammed said, “but the same person might look at the bench with barriers and more clearly define it as hostile architecture.” 

Mohammed added that bars between benches can also function as armrests as an accessibility accommodation. 

In 2021, bars on benches in Boston’s metro system were subject to debate, with the transit authority citing that the feature increased accessibility to its senior and disabled riders.

Despite following accessibility recommendations, a representative of the disability advocacy organization that helped with the design shared that, although armrests were important, the impact on unhoused people couldn’t be ignored. 

“Not all armrests on benches are deliberately designed to be hostile, but they can be perceived as such because they are hostile to transient and unhoused people,” Mohammed said.

Zy St-Pierre-Bourdelais, a master’s student in architecture at Université de Montréal and an activist for inclusive architecture, said that architects base their designs on the client’s vision for how a space should be used.

“The client wants something [that] will actually dictate a way of living, a way of studying, a way of resting in the park. [There are] way more actions that were dictated than we think when we arrive in a space. It was mostly all planned,” St-Pierre-Bourdelais says. 

“Our behaviour in public spaces is regulated by active and passive choices made during the design process,” said Concordia University design professor Jeremy Petrus. “While physical barriers can be classified as active elements that directly dictate a behaviour, passive design subtly influences it.”

Located on Ste. Catherine St. near Atwater Metro Station, Cabot Square is an urban park that the city’s unhoused population frequents. This is partly due to its proximity to shelters and outreach organizations such as Chez Doris and Resilience Montreal. 

In June 2020, a bench in Cabot Square received online criticism based on its perceived hostility. The bench was not new, but a painted sign limiting the time people could sit altered its public perception. 
 

Armrests on public benches are a common example of hostile architecture. Photo Zosia

Les Nocturnes is an outreach group working with vulnerable populations in the Guy-Concordia and Cabot Square areas. According to Jay Vanisle, a street worker with the group, a new wave of hostile design is emerging in Montreal that is modifying spaces unhoused people call home. 

Curving around the elevated planters of Cabot Square are a series of wooden planters. Across their seating area are protruding metal ridges that only permit sitting, making lying down on the benches more difficult. 

“When it’s obvious, then there is backlash. But if it’s a subtle detail […] folks who never try to lay down on the bench might never notice,” Vanisle said. 

Ryan Francom, of the Quebec Public Interest Research Group at Concordia and the Montreal community initiative Food Against Fascism, points to the skating rink at Cabot Square as another example of development within city parks being used to limit the activity of unhoused people. 

With the rink being a public facility, the city can control the use of the park for the winter season by maintaining programming. 

“[Unhoused people] are constantly being chased out of spaces: be it metro stations, doorways and building entrances, fast food restaurants,” Vanisle said. “In absence of conventional housing, these are their homes, their social spaces.” 


The hostile nature of city planning goes past infrastructure design. It is also reflected by increases in security measures and police presence as a form of implicit intimidation


In 2022, the SPVM proposed to install new security cameras in different areas throughout the city, including Cabot Square, as a preventative measure against “violent crime.” 

According to Francom, this security infrastructure can make it easier for the police to monitor people and even remove them from specific spaces if they linger or use them in ways the city does not want. 

“[Surveillance] is part of the guidebook of architecture now when you plan a building or public space,” Petrus said. 

He added that, like the physical barriers on the benches, surveillance can shape the public’s behaviour to align with the ones intended by the public or private entities that oversee the space. 

“Hostile architecture doesn’t really stop people from using spaces,” Francom said. ”They just make the space more miserable to be in.”


With files from Claudia Beaudoin.
 

This article originally appeared in Volume 45, Issue 9, published February 11, 2025.

Hostile architecture in Montreal’s public spaces Read More »

Montrealers protest against Amazon’s anti-union actions

Hundreds marched through Montreal to boycott Amazon on Feb. 15. Photo Andraé Lerone Lewis

Ryan Pyke,
Local Journalism Initiative

Unions and community members join together to call for boycotts against Amazon

A few hundred people gathered outside Montreal’s Mont-Royal metro station on Feb. 15 to protest against Amazon’s anti-union actions in Quebec.

The march began around 1 p.m., and union members from the Confédération des syndicats nationaux (CSN) and the Fédération des travailleurs et travailleuses du Québec (FTQ) were in attendance. 

Protesters walked down St. Denis St., igniting pink, blue and black smoke canisters. One attendee held a giant doll of Amazon founder Jeff Bezos.

Denis Letourneux, a former Amazon worker, learned via email that his employment with the e-commerce company had been terminated. Letourneux attended the protest with a contingent of workers from the unionized warehouse in Laval, DXT4. 

The DXT4 Amazon warehouse unionized in May 2024 and started negotiating with Amazon in July 2024. After the DXT4 facility unionized, Amazon began shutting down its Quebec warehouses, leaving many without jobs.

Although not all Amazon employees were laid off at the same time, Jan. 22 was the day employees found out about their jobs being at risk.

“It’s a fight that concerns the entire Quebec society and the entire Quebec working class,” said Felix Trudeau, president of the Laval Amazon workers’ union.

Ki’ra Prentice showed up with the Queers4Labour group, a contingent created by independent 2SLGBTQIA+ rights groups in Montreal such as Pink Bloc

Prentice’s personal goal for this protest, however, was to join the crowd and be as loud as possible. She stressed the importance of different groups showing up for each other. A Pink Bloc Instagram post had instructed those participating with the Queers4Labour contingent to display 2SLGBTQIA+ iconography like pride flags. 

“I can’t even begin to imagine what stupid loopholes [Amazon] are using now to continue to deliver while completely avoiding any responsibility to their employees,” Prentice said.

According to Prentice, the point of the flags is to demonstrate that 2SLGBTQIA+ people stand with Amazon workers.

“We come out for the labourers, for the workers, and we hope that they’ll come out for us,” Prentice said.

According to the Financial Post, Amazon can continue delivering in Quebec by using warehouses in other provinces and third-party delivery services in Quebec. 

“They are subcontracting all of our jobs to even worse companies, like Intelcom, to continue exploiting the working class and raking in profits and crushing the labour movement,” Trudeau said. “Or so they think.”

He said the event’s goal was to rally the population to fight for workers’ rights.

Even though Amazon will cease operation in Quebec warehouses, it has found ways to continue fulfilling orders.

According to Forbes, Amazon is now a multi-trillion-dollar company. Trudeau compared the fight against Amazon to the fight against American imperialism. 

“What we are doing right now is a good step, I think,” Trudeau said. “I’m optimistic that if Quebec’s labour movement and Quebec’s population rallies together, we can defeat the imperialist—the American imperialist—but we have to stick together, and we have to fight.”

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Navigating Montreal’s Overwhelmed ERs: What Parc-Extension Residents Should Know

Dimitris Ilias
LJI Journalist

As winter peaks, hospitals across Quebec are bracing for a surge in emergency room visits, with overcrowding already reaching critical levels. Santé Québec is urging residents to ask themselves the “right questions” before heading to the ER, particularly in neighborhoods like Parc-Extension, where access to healthcare services can be a challenge.
The Overcrowding Crisis
Emergency rooms across the province saw a 5% increase in visits between January 28 and February 10 compared to the same period last year. This amounts to an additional 500 visits per day, further straining an already overwhelmed system.
In Montreal, the situation is even more severe. The ER occupancy rate on stretchers jumped to 145%, significantly higher than last year’s 125%. According to Santé Québec, this trend is expected to peak within the next week, exacerbating wait times and stretching hospital resources even further.
Dr. Gilbert Boucher, president of the Association of Emergency Medicine Specialists of Quebec, attributes much of this congestion to hospital bed shortages rather than an influx of patients with minor ailments. “For the past three weeks, 20 to 25% of stretchers in Montreal hospitals have been occupied for over 48 hours,” he explains, underlining the urgency of the crisis.
Alternatives to the ER
A surprising statistic from Santé Québec reveals that half of all ER visitors have non-urgent conditions, and 70% of them have a family doctor—suggesting that many visits could be avoided.
To alleviate pressure on hospitals, officials are encouraging patients to explore alternative healthcare options, including:
• Pharmacists: Many minor ailments can be treated by pharmacists, who now have expanded prescribing powers.
• Info-Santé 811: The province’s free telehealth service can assess symptoms and recommend appropriate care. Contrary to common belief, only one-third of 811 callers are directed to the ER—the rest receive guidance for home care, pharmacies, or medical clinics.
• Walk-in Clinics: Some family doctors and CLSCs (local community health centers) have increased appointment availability.
A Community Perspective
In neighborhoods like Parc-Extension, where many residents face language barriers, limited access to a family doctor, and socioeconomic challenges, navigating the healthcare system can be especially difficult. The high immigrant population and reliance on public healthcare services make ER overcrowding an issue that disproportionately affects the community.
With limited nearby clinics and long wait times for medical appointments, many Parc-Ex residents feel the ER is their only option. However, local pharmacists and community health workers stress the importance of exploring alternatives before heading to the hospital—especially during peak flu season.
Flu Season and Preventative Measures
On top of ER congestion, Quebec is experiencing a highly active flu season, with a positivity rate of 32% as of February 8. Dr. Luc Boileau, Quebec’s national director of public health, is urging vulnerable individuals to get vaccinated, noting that this year’s flu shot is over 54% effective—a strong rate for influenza prevention.
As the healthcare system struggles to cope, residents of Montreal, and particularly Parc-Extension, must make informed choices when seeking medical care. By using available resources wisely, the community can help reduce unnecessary ER visits and ensure that emergency services remain accessible for those who truly need them.

Navigating Montreal’s Overwhelmed ERs: What Parc-Extension Residents Should Know Read More »

Call 8-1-1 before going to hospital emergency, Santé Québec advises

Martin C. Barry, Local Journalism Initiative Reporter

Santé Québec, the agency that now oversees public health services all over the province, is advising patients and caregivers that with influenza rates up and the winter flu season almost peaking, turning up at a hospital’s emergency department isn’t necessarily the best course of action to take when there are other alternatives.

Challenging situation

According to Santé Québec, close to half the visits made by patients to emergency departments between February 4 and 10 were by people whose needs were not in fact of an emergency nature.

“It is a challenge,” Robin Marie Coleman, Santé Québec’s assistant vice-president for access to health services, conceded regarding the misconceptions during a video conference call with journalists last Friday.

Long wait times

“This is definitely something we’re trying to work on,” she added, while agreeing with a journalist that wait times for some of the agency’s services, such as the 8-1-1 medical triage phone central for non-urgent health issues, can be long, although less so in comparison to hospital emergency department wait times.

“Sometimes the wait times are long,” she said. “But to put it in perspective, with the long wait times sometimes in the emergency rooms, it’s better and healthier for people to stay at home if they have non-urgent care, and wait in order to be re-directed to a clinic directly with an appointment, rather than expose themselves in an emergency room when it’s not an emergency situation.”

Sometimes the best option

According to Coleman, 70 per cent of those patients who turned up at emergency departments in early February had family doctors, while others may have had other options available to them. In cases like these, she continued, “the best option is to stay safely at home if it’s a non-emergency situation and be directly directed to the right service.”

But at the same time, she acknowledged that the province’s hospital emergency departments remain inadequate to handle the burden with which they are currently tasked. “We need to improve the different services, and first-line services, and make things much easier for people,” she said.

Dr. Luc Boileau, director of public health for the province, said last week that flu activity in Quebec is elevated and we could be seeing the worst flu season of the past decade.

Worst season in a decade

Late last week, the level of flu activity in Quebec was elevated, said Dr. Luc Boileau, director of public health for the province. He said Santé Québec was following the situation closely, since the province could in fact be facing one of its worst flu seasons in the last 10 years.

He said that in other Canadian provinces, like Ontario, Alberta and British Columbia, the presence of influenza had been notably higher this year. “We expect the peak soon to be reached, or that it soon will be,” he continued.

According to Dr. Boileau, it’s never too late to be vaccinated against influenza, and that it is recommended especially for persons regarded as vulnerable, which includes those with compromised immunity and the elderly.

Call 8-1-1 before going to hospital emergency, Santé Québec advises Read More »

The sky is only the beginning for those who dream

On February 15, there will be a special Valentine’s Edition featuring numerous emerging artists from Montreal, some of the city’s favorite DJs, and talented artists coming in from Vermont and New York called Lovestruck at the Noel Alexander Banquet Hall. The event will be brought to you by The Jamaica Association and Linkcon Prezzy Demetrius, who will coordinate it.

Prezzy is the CEO of Driven Paper Next Level and established The Empowerment House for Independent Artists, which is a modern-day comeback kid in the music business. Despite leaving the music scene in 2017, Prezzy took the time to work on his vision and goals and bounced back in September 2022 with a bang.

With the understanding that some of the biggest brands started with humble beginnings, Prezzy worked on rebranding, relaunching his brand and added upscale merchandise to his portfolio which included his signature shoes “Driven Culture” for men that he designed and is custom made in Italy to his signature beard oil for men or his signature fragrance for women, Toxic Rush. This move was insightful as it has paved more opportunities for him in the new year.

He is very positive about the year, and has confidence in his team, the new ventures and new partnerships. With all this happening, he has his hands full and is working back and forth in Canada and USA with other people in the same business to explore ways of bridging the gap in the industry and how best to support the artists.

Reflecting back on the previous year Prezzy says it was a year, which bore him results. His company, which is a music business-consulting firm that offers record label services and all high-end entertainment needs, introduced extras like Miami Swim Week, The Celebrity Charity Basketball Game, Mansion After Party’s in Los Angeles and much more created a buzz and made an impact in the fast-paced industry.

In addition, he has enlarged his scope and now has access to booking major artists and comedians, new school as well as a long list of household names we all know. Another accolade worth mentioning is that his brand was involved in the new Afrobeats breakout artist Jzyno “Australian Tour” a lil while ago because of his affiliate team Bac 2 Bac Events Group.

He’s excited to work with his new Taste of The Caribbean team he joined forces with last summer who is now ranked as one of the top festivals at this point period, with a whole new addition coming this summer that’s going blow your socks off.

From helping to secure artists with music distribution deals via Sony Orchard, Empire and Roc Nation or record label sit-down meetings with Atlantic Records, Def Jam, Republic, Warner, Epic and many more, there’s not much missing to help artists attain that next level. Also, he decided to start a Network Music Team turned Family where he pooled amazing resources and individuals together in hopes to spread knowledge and awareness with the help of his expertise and Networking skills.

He has been organizing cultural as well as urban music festivals or sponsoring and promoting events with his custom beard oil, being a contributing writer for a couple of magazines, public speaking and mentoring the youth at Batshaw Youth and Family Services and much more.

There is a harsh truth that any business owner has to face; even in the best of times, there is a possibility that the business needs rethinking. For the companies and businesses that become successful, the entrepreneurs have different formulas for reaching their success. For some, connections get them there but for some like Prezzy, it’s perseverance, determination and knowledge.

The sky is only the beginning for those who dream Read More »

FRANK BAYLIS IS READY TO LEAD THE LIBERALS

With the race to replace Prime Minister Justin Trudeau heating up, former MP, Frank Baylis is positioning himself as the pragmatic outsider who can fix a system, he says is failing Canadians. Baylis, a professional engineer and successful entrepreneur, is among the five contenders hoping to win over members.

Baylis, who previously served as a Member of Parliament for the Pierrefonds-Dollard riding, admitted he had stepped away from politics due to frustrations with the current system.

“I felt that the government wasn’t working for Canadians, and it wasn’t working for me either,” he said. His attempt to introduce Bill 231—legislation aimed at making the House of Commons more effective by reducing time-wasting debates and partisan theatrics—was blocked. “The powers that be didn’t want to change. But now, I see an opportunity to return and fix it.”

He doesn’t consider himself a politician. As executive chairperson of Baylis Medical Tech, his business success, he says, is central to his pitch for leadership. “I’m not a career politician. I’m an engineer and an entrepreneur. My job is to identify problems and fix them,” he said.
He believes this experience differentiates him from the other contenders in the race—such as former Deputy Prime Minister Chrystia Freeland, Mark Carney, Karina Gould, and Ruby Dhalla—by offering a pragmatic, action-oriented approach to policy.

“When politicians see a problem, they look for someone to blame. When I see a problem, I think, ‘How do we fix it?’ That’s the difference.”
Baylis’s campaign focuses on three core issues: affordability, economic growth, and restoring public trust in government. He is particularly concerned about rising costs for housing, groceries, and essentials.

“We’re facing an affordability crisis, and Canadians need real solutions,” he said. His plan involves boosting the economy by investing in Canadian innovation, technology, and research at universities. He also stressed the need for fiscal responsibility, arguing that runaway government spending weakens the Canadian dollar, driving up prices.
“When our dollar goes down, everything we import—like groceries—costs more,” he explained. “We need to create better-paying jobs while stabilizing our currency to make life more affordable for Canadians.”

Baylis believes his experience as a successful entrepreneur will help him negotiate trade deals and handle cross-border challenges, particularly in the face of potential U.S. tariffs. “With my business background, I understand the language of people like President Trump and other business-minded leaders,” he said. “I can defend Canada’s interests effectively because I know how to negotiate as a businessman.”
The Liberal Party has seen its share of bruises in recent years, with issues such as declining public trust. Baylis says the way forward is a return to core Liberal values: human rights, fiscal responsibility, and accountability.

“We can’t keep making promises we don’t deliver or spending money we don’t have,” Baylis said. He plans to decentralize power within the party, empowering individual MPs and giving Canadians a stronger voice. “We need a government that works for the people, not for itself.”
During his time in Parliament, Baylis worked across party lines to propose reforms aimed at improving government productivity and giving more power to MPs and citizens. “I’m committed to taking power away from the center and giving it back to the, speaker, the house and the people.”

One of Baylis’s boldest proposals is a comprehensive reform of Canada’s healthcare system, which he describes as outdated. He believes the system, designed in the 1960s for acute care, needs a “paradigm shift” to address chronic illnesses like diabetes, heart disease, and cancer.
His plan includes creating continuous care centers staffed by nurse practitioners to reduce emergency room congestion. “We don’t need bigger ERs. We need to use them for emergencies only and provide better primary care through alternative systems,” he explained.
Baylis also plans to leverage artificial intelligence and cutting-edge technologies to improve patient care and streamline medical record management.

“We can use Canadian innovation to revolutionize our healthcare system,” he said. “I’ve been working in healthcare for 35 years, and I know this is doable.”
As a Montrealer, Baylis understands Quebec’s unique political dynamics and the tensions between provincial and federal interests. “Quebec’s interests and Canada’s interests aren’t at odds—they can be aligned,” he said. He supports protecting the French language and culture but opposes divisive measures. “We need positive, proactive solutions, not fear-mongering.”

If elected Prime Minister, Baylis promises Canadians will see pragmatic, solution-oriented leadership focused on results. As the March 9 leadership vote approaches, Baylis is banking on his ability to appeal to Canadians who are tired of how things have been running and are looking for real change. “I’m here to deliver solutions. It’s time to get to work.”

FRANK BAYLIS IS READY TO LEAD THE LIBERALS Read More »

How QBBE teaches about educational bias and helps Black students achieve their goals

Desirée Zagbai

Quebec Board of Black Educators (QBBE) is a non-profit education and research institution that raises awareness about educational bias and helps communities of colour excel in school. Ciara Huggins, a former student at QBBE, sharpened her math skills and advanced her studies after receiving help from the institution.

Huggins was having difficulties in her secondary three math class. Her healthcare worker recommended QBBE to her. While there, she met Alix Adrien, the board president, who began assisting her.

“What I liked is that he made sure I understood the topic,” Huggins said to the CONTACT. “He was willing to do everything from the beginning, step by step.”

Huggins went to QBBE during her secondary three to five when she needed help with her math.

She is currently in the continuing education program at Dawson College, taking chemistry and math courses. When she finishes, she aspires to work in the biomedical industry.

Huggins added that Adrien motivated her to ask questions whenever she needed to and be confident. She explained how Adrien used to emphasize that every student is different. Some students learn new topics faster than others, but learning the basics before moving on is essential.

She got the Curtis George Memorial scholarship, which, to Huggins, symbolizes how much Adrien believed in her potential and that she could get a higher education.

“The advice that he gave me. I can also give it to my siblings because you know what he taught me; I didn’t know these things growing up. I didn’t know how to study efficiently,” Huggins said.

Adrien explained that he became QBBE president mainly because of his father’s influence. He graduated with a Bachelor of Mathematics from the University of Ottawa and has taught math and science, primarily physics, throughout his career.

“My dad was also a physics and math expert, so growing out of Haiti, my father had founded two schools. So I grew up understanding the importance of education,” Adrien said in an interview with the CONTACT.

Since joining QBBE in 1986, Adrien has helped many students excel through the High School Preparation, Elementary, and High School Transition programs. Their core program is the Da Costa Hall summer school program for high school students who have not succeeded during the regular school year. Students can take reformatory courses or write supplemental exams to obtain prerequisite credits for graduation.

Adrien explained that several measures are required to raise awareness about educational bias in Montreal. QBBE advocates for families facing discrimination in schools, such as anti-Black racism. He added that they serve as mediators to help navigate communication between the school administration and the families. They also sometimes work with social services and families.

“To be honest with you, we are putting a hotline in place right now in collaboration with another organization, Fonds 1804. We’ve noticed way too many incidents of families facing bureaucracy in schools and not getting heard and, in many cases, discriminatory practices,” Adrien said.

Adrien added that similar incidents are happening in Ontario as well. Many families and Black teachers feel that they are not well supported by their school administration.

He said they are currently working to collect the data from these situations to support their action and intervene by making recommendations for the affected families and teachers.

He said that they are working on creating a committee consisting of a principal, teacher, guidance counsellor, and an education professional who are knowledgeable about anti-Black racism and discrimination in schools. The committee will review discriminatory incidents and make recommendations to the family. In certain instances, they may intervene on their behalf at the school level, which Adrien has done individually.

Adrien said the primary goal when helping students achieve their goals is to improve their social, emotional, and self-esteem.

“I feel so many of our students have been confronted with failure that, to me, the first person they have to believe in is themselves,” Adrien said. “That’s one of the things I’ve discovered: sometimes students are put in a situation where the course is made harder than necessary.”

Adrien explained that when teachers introduce a concept, they should do it gradually and frequently. He said there had been many occasions where students contacted him with a problem they were supposed to solve after only a week of studying the subject.

Adrien emphasizes the need for families in the Black communities to react quickly when they see their child needs additional help to improve in school.

“Don’t let your child be in a situation of failure before you react; be proactive,” Adrien said.

He added there is help in schools and that almost every Black community organization may have a tutoring program.

“If you need perhaps more specialized help, be it in physics, chemistry, or advanced mathematics, reach out to us. We can help your child be successful, and more importantly, we also want to develop a philosophy where our children are not settling for less,” Adrien said.

How QBBE teaches about educational bias and helps Black students achieve their goals Read More »

Marie-Danielle Duval: Turning fiction into art

Desirée Zagbai

Marie-Danielle Duval draws inspiration from novels such as Sula by Toni Morrison and All About Love by Bell Hooks. She creates paintings and sculptures that evoke the importance of Black women’s identities and the different aspects of romantic relationships. Her recent exhibition, Cultiver l’amour explores these various topics.

Duval has been a visual artist for five years. She knew she wanted to become one when she realized she could express her thoughts uniquely.

“Arts was the only thing that gave me this kind of liberty to talk about everything, without censures, without boundaries,” Duval said to the CONTACT.

Duval explained that, as a Black woman, she feels that Black art is mainly represented through topics such as slavery or exotic artifacts in Museums. She added that there is now more space for Black visual artists in art galleries, but she thinks much work must be done to make art more inclusive.

“I don’t want them to be labelled only as Black women. I want people to see the person, so I’m trying to present them in their intimacy and tell them more about the underlying element thatpeople don’t see or don’t look at first sight,” Duval said.

Cultiver l’amour’s exhibition was showcased from Oct.19, 2024, to Nov. 30 at Maison de la culture Marie-Uguay. It was inspired by Bell Hooks’ novel, All About Love. The book explores the theme of love and its root of happiness, self-worth, compassion, and social justice. Duval created sculptures using sand from her late grandmother’s house in Senegal.

Duval explained that her grandmother made sure her house was always home, literally and symbolically, by welcoming everyone among friends and family. She organized gatherings regularly where she shared meals. Her grandmother’s passing made her reflect on love through the notion of divulgence and home in a dispersion context.

“When her children left the house, it also became a living space for people with nowhere else to live. Even though her house was small, she could make a space for many people, as long they needed it,” Duval said. “Symbolically, hundreds of people considered her as a mother or a grandmother.”

In the theme of love and through inspiration from Hooks’ novel All About Love, Duval highlights the importance of how abuse and neglect cannot coexist in that context.

She hopes the audience who sees her art understands the sincerity of her work.

“I hope anyone else who sees my work will understand that their story is also worth telling. Wherever they come from, whatever they experience, every experience matters,” Duval said.

People can see Duval’s art on her website: https://www.mdanielleduval.com/.

Marie-Danielle Duval: Turning fiction into art Read More »

The Black Community Resource Centre’s Tribute to Stanley G. Grizzle

Almost a decade after his passing, Stanley G. Grizzle’s legacy continues to live on. The Black Community Resource Centre (BCRC) has launched a new podcast project, persisting to tell stories that matter to people of colour. The podcast is a tribute to Grizzle’s accomplishments and highlights his work as a Black sleeping car porter.
The BCRC is a non-profit organization that helps the Black anglophone community achieve its dreams and reach its full potential.
Black anglophones in Quebec between 15 to 35, can become a podcast recruit. They will engage with Grizzle’s excerpts for 12 months during this time they will record a podcast series and gain a broader knowledge of the history of Black communities in Montreal.
Jean-Philippe Djehoury, 25, is a podcast participant. He believes the project will unite the Black youth.

“I think it’s good to be in a place with other Black people, working on the same project. I think it’ll be a beautiful experience,” Djehoury said.

Djehoury added that storytelling also motivated him to sign up for the podcast.

“Telling one person’s story can tell the story of many other people. Grizzle was a judge and many other things. He worked with the Black community,” Djehoury said. “We have the chance, as a group, to tell an amazing story.”

Ayana Monuma, project coordinator of the podcast series, said that Grizzle’s work as a sleeping car porter is essential to teach because of his contribution to the Black community.
Black sleeping car porters worked in Canada from the late 19th century until the mid-1950s. They played important roles during train rides, such as taking care of sick passengers, ensuring there were no thieves on the train, and organizing baggage. Despite all the essential work they did, they experienced racism and exploitation. To conquer the discrimination, they began advocating for better working conditions.
However, Canadian unions such as the Brotherhood of Railroad Employees (CBRE) did not allow Black people to join. As a result, the Black Sleeping Car Porters created the first Black labour union in North America, the Order of Sleeping Car Porters (OSCP).

“We’re using him (Grizzle) to talk about everything. It always kind of starts with sleeping car porters, because that’s what brought money into the Black community, to allow other doors to open for us,”Monuma said.

Monuma added that the knowledge the youth will gain from the project will allow them to use those skills to pursue jobs in sound engineering or launch their own podcasts.
BCRC will provide recruits with all the equipment required for the podcast series, and the youth will participate in remote workshops.
Monuma explained that there will also be two funded trips to Library Archives Canada. They will visit the Ottawa and Gatineau locations.

“I’m feeling excited, and I’m looking forward to seeing the creativity that comes out of it and what the youths come up with,” Monuma said.

The deadline to apply for the podcast series is Nov. 15. Applicants can send an email to ya@bcrcmontreal.com. They should include a brief statement about why they are interested in this project and what they hope to bring to the team.

The Black Community Resource Centre’s Tribute to Stanley G. Grizzle Read More »

Barracoon Feminism and Black Women’s Gaze

Launched in October 2023, the Dr. Esmeralda Thornhill Black Feminist Speaker Series each year brings to the Simone de Beauvoir Institute, to Concordia University, and to Montreal, Black scholars, researchers, artists, Community organizers, and/or Agents of Change whose work on Black feminism centers, theorizes, and problematizes Black Women’s reality. Last October 10, 2024, this Black Feminist Speaker Series welcomed to its platform the first invited speaker – professor, anthropologist and filmmaker, Dr. Aida Esther Bueno Sarduy, who delivered a mind-gripping presentation that kept a packed audience riveted in rapt attention at Montreal’s Afromusée venue.

Speaking to her selected title, Barracoon Feminism and Black Women’s Gaze, Dr. Bueno Sarduy captivated her listeners as she shared parts of her ongoing research which uses audio-visual tools to focus on the struggles of Black Women. More specifically, as illustrative complements to her lecture, the audience had the privilege of screening both her nine-minute short film, Guillermina, and the trailers for her other two cinematic productions – a six-minute short film, Joaquina de Angola, and Ana de Borges, a full-length feature film currently in production.

In Guillermina, a series of drawings, sketched figures in simple lines, serve to bring to life the memories of a 40-year old Cuban White man whose over voice sentimentally reminisces, evoking his memories of a happy childhood spent cocooned in the loving affection of his Black nanny named “Guillermina” – but he admits that to this day he knows nothing of this much beloved Significant Other …including her fate.

Then follows a succession of archival formal photographs that capture Black nannies or nurses holding or watching over White babies, infants, toddlers on their laps, or in prams. This picture gallery freeze-frames for posterity their Black-Woman-gaze – facial expressions with deep knowing eyes … non-verbal, yet so telling! Black Women, unknown, unnamed, relegated to the background, side-lined to the edge, dismissed in the corner, serving as foils, utilitarian fixtures, objects obeying on command – seen yet unseen, visible yet invisible.

This nine-minute film was eye-opening if not jolting to some, for it compelled us to start questioning the one-sided history that we as a society have traditionally embraced and accepted. Guillermina also forces us as Peoples of African Descent to acknowledge the ways in which, because of history’s biases and omissions, our current “historical consciousness” is a falsified one that we must resolutely re-examine, problematize, and correct – just one of the multiple “Barracoon Feminism” lessons that a number of us have taken away.

For myself and Black Women like me:
“Barracoon Feminism” comes heavily freighted with the weight of our obfuscated history. “Barracoon Feminism”immediately teleports me back to the barracoons or slave barracks – slave quarters or holding places of confinement that still awaken and trigger so many “plantation memories” which surge up to flood and engulf me… memories of our Black-Woman-bodies objectified – by White men, White women and White children– our bodies politicized, commodified, monetized, and capitalized as units of labour, ripe and ever-ready for exploitation and hard, backbreaking, ‘from-sunup-to-sundown’-work – field work, house work, caregiver work, reproductive work, forced sex work –in short, objects… chattel to be used, mis-used and abused.”

For us Black Women, Dr. Sarduy’s phrase “Barracoon Feminism” is a meaningful and fittingly coined term that reflects with authenticity our past and present lived experience and reality, even as it honours our Black-Woman-perspective.

Barracoon Feminism and Black Women’s Gaze Read More »

Going Plant Crazii with Lloyd Rose at the Montreal Vegan Festival

Rosie Awori

This weekend the Montreal Vegan Festival kicks off, featuring vibrant flavours, meaningful discussions and innovative vegan experiences from across the globe. This year’s festival welcomes Lloyd Rose as the spokesperson—a homegrown Montreal talent whose culinary platform has earned him over 810k followers on Instagram. Known for his unique blend of Caribbean and vegan flavours, Lloyd is soon to release his second cookbook, Island Vegan: 75 Flavourful Recipes from the Caribbean.

Speaking with the CONTACT, Lloyd shared his journey to veganism, revealing that a documentary seven years ago led him to go vegan overnight. “I grew up eating a lot of meat, and after learning the environmental and ethical impacts of my choices, I couldn’t enjoy eating meat in the same way,” he explained. “It wasn’t just about food but also about finding ways to help others discover a lifestyle that aligns with their values and health goals.”

For Lloyd, cooking has always been second nature. Although he never attended culinary school, he began experimenting with food at an early age, learning from his mother and drawing inspiration from the flavours of his friends’ homes and favorite cooking shows. Through trial and error, he developed a deep understanding of flavours and textures that would later shape his vegan creations. “When I first went vegan, I was limited in what I knew how to make,” he recalls. “Now, I use my platform to show that veganism isn’t just eating lettuce. It’s a world of vibrant, flavourful food, and it’s easier to create than most people think.”

The leap from experimenting in his own kitchen to becoming a social media sensation happened almost by accident. Friends urged Lloyd to post his recipes on Instagram, but at first, he was reluctant. “I didn’t even have a profile picture,” he laughs. “I was just sharing occasionally.” But during the pandemic, his casual posting evolved. “I realized people were really hungry for this—especially those who were looking for plant-based options that didn’t compromise on flavour.” With a combination of visually striking dishes and compelling storytelling, Lloyd’s Plantcrazii account took off, attracting followers around the world. Soon, he found himself fielding offers for collaborations, sponsorships, and even his first cookbook deal, Crazy Good Vegan.

Lloyd emphasizes the importance of staying true to authentic Caribbean cooking, adapting recipes for vegan diets without losing the soul of traditional dishes. His upcoming cookbook, Island Vegan, which will be out in December but is currently available for pre-order, is a tribute to the traditional flavours of the Caribbean, capturing dishes that are true to their origins while using only plant-based ingredients.

“A lot of Caribbean food today has become watered down,” he says. “I wanted this book to feel like home cooking—the kind of recipes that stay close to the roots.” He talks about his recipes with a passion for detail: jerk jackfruit sliders with smoky, complex flavour; a roti stuffed with fragrant, spiced curry; and a sweet plantain loaf that offers a twist on the classic banana bread. The cookbook is Lloyd’s way of preserving authentic Caribbean cuisine for a new generation, while giving it a plant-based twist.

This year, Lloyd will cap off the Montreal Vegan Festival with a cooking demo alongside Marie-Michelle Chouinard, another prominent figure in the Montreal vegan scene. The demo, set for Sunday afternoon, is expected to draw a large crowd as Lloyd showcases some of his signature dishes, sharing techniques, tips, and perhaps a few anecdotes along the way. “I’m excited to meet people and show them that vegan food is not only about health, but it’s also about joy, culture, and connection,” he says.

The Montreal Vegan Festival will run from the 9th – 10th November and promises a lineup of events that will likely appeal to new and experienced vegans alike. There will be discussions on veganism’s environmental impact, the evolution of the Montreal vegan restaurant scene, and even panels on vegan-friendly financial investments and nutrition. Notable speakers include Christian Ventura of Sushi Momo and vegan influencer Loounie, among others. The festival also offers something new this year: thanks to a spacious new venue, attendees can now enjoy full hot meals on-site.

Going Plant Crazii with Lloyd Rose at the Montreal Vegan Festival Read More »

10 Years Later; Reflections on the BLM movement in Montreal.

Desirée Zagbai

The death of Michael Brown, an unarmed 18-year-old Black man who police officer Darren Wilson fatally shot, sparked protests and riots in Ferguson Missouri. The demonstrations became an essential part of the Black Lives Matter Movement (BLM) in America and around the world.

In 2014, hundreds of Montrealers gathered outside McGill University for a candlelight vigil, in solidarity with the U.S. protesters who had taken to the streets after a grand jury decided not to charge the police officer involved in Brown’s death.

Ten years later, systemic racism is still happening in Canada. A Quebec court recently ruled that systemic racial profiling exists within the Service de police de la Ville de Montreal (SPVM).

Earlier this year, the Montreal Police banned the controversial thin blue line on its uniforms which had been linked to white supremacists and other racist groups. Many police forces in North America wore the thin blue line patch at the height of the BLM movement.

Emma Ansah is a journalist reporting on the injustices Black Canadians face. After 13 years in the media industry, her activism for the Black community continues.

“What keeps me motivated is that the news never stops; it’s constant. Every time you turn on the news, you hear about something that’s going on with Black people. There’s a lot you don’t hear,” Ansah said.

Ansah expressed how she believes the anti-Black racism in Canada is getting more covert. She believes that all types of anti-Black racism have always existed and that protesting and rallying is not enough for a systemic change; she maintains that the creating of councils, summits and fundraisers with experienced Black people would be more effective.

“I think the first thing is to make sure that you have certified Black people teaching this, and it could be a consultation firm that’s been sort of tasked to go to all of the school boards and all the institutions and training,” Ansah said.

Ansah added that after BLM leaders Patrisse Cullors and Melina Abdullah bought a $6 million house that allegedly was from donations they received, she stopped subscribing to the BLM movement. She thinks all efforts should go to support the Black community.

“In that regard, it sort of taints the whole purpose of the BLM movement. Do I think that it’s a great organization? Absolutely, all of the things that we should be doing as a community are to help eradicate all the things that continue to go on within our community,” Ansah said. “So, I think the movement is a great concept. I just don’t subscribe to it right now because there are just far too many discrepancies going on.”

Ansah expressed that she hopes the BLM movement will be remembered as an organization that made a change.

Mykeisha Marie, 28, thinks the BLM movement has significantly changed today’s society.

“I can definitely say it’s been a revolutionary as a movement,” Marie said. “I believe there have been a lot of people who have been aware of what’s been going on, especially with police brutality and just how Black and brown people are mistreated in society, so I’m very glad that this type of movement does exist.”

Marie explained that she wished the movement had received a better approach. She added that she thought the BLM movement was aimed at uniting Black communities but found that some Black people did not show solidarity with each other.

“Like, even with certain Black people, they will look at other Black people and say, no, I don’t associate with that type of thing. So, to me, I don’t understand. If we’re all supposed to be uniting and trying to work together, I feel like you can’t just simply pick and choose because it’s a trend,” Marie said.

Despite the ongoing issues Black Canadians face, Marie is not giving up hope on the BLM movement.

“So, to me, it’s something (BLM) that will be written down in history, and hopefully, in years to come, it will be taught in schools, especially in grade five and six history classes,” Marie said.

According to the charity organization Black Health Alliance, to fight anti-Black racism, people need to acknowledge that anti-Black racism exists and that it affects the well-being of Black Canadians.

 A study in the National Library of Medicine investigated the connection between Canadians’ race, discrimination, and risk for chronic disease. It found that Black Canadians were most likely to experience discrimination.

The Black Health Alliance also emphasizes that support from all government levels is required to fight anti-Black racism. Recognition from businesses, schools, healthcare, social service, and community agencies would be helpful.

10 Years Later; Reflections on the BLM movement in Montreal. Read More »

Egbert Gaye Honoured Posthumously by National Assembly

The ripples from the life and legacy of Montreal Community Contact Founder and Managing Editor, Egbert Gaye, continue to be felt even after his passing on June 4th, 2023. He pioneered the only anglophone newspaper, serving Quebec’s Black and Caribbean Community and over 30 years later it is still going strong.

Quebec’s Minister of Economy, Innovation, and Energy, Christopher Skeete, posthumously awarded Egbert with the Deputy’s Medal. His wife, Elizabeth Gaye, son Emar Mitchell, daughter-in-law Djemira Mitchell, brother Patrick Gaye, and sister-in-law Sharon Bledman accepted the honor on his behalf.

Born in Grenada and raised in Trinidad and Tobago, Gaye immigrated to Montreal in 1980. Twelve years later, he established the Montreal Community Contact, a vital newspaper for amplifying Black and Caribbean voices, addressing systemic racism, providing opportunities, and showcasing their triumphs. He gave other journalists a chance to hone their skills and many of the CONTACT alumni have seen great success across Canada and internationally.

The Medal of the Deputy, awarded by the parliamentarians of the National Assembly, aims to recognize the merit of persons or organizations from their electoral district and who have carried out an exemplary action useful for the good of the community of the said constituency in the cultural, sporting, social or entrepreneurial field. Egbert’s commitment to social justice and equality and tireless efforts to uplift the Black and Caribbean community make him a well-suited recipient of this honor.

By recognizing his pioneering work in Black journalism, the National Assembly has honored his memory and celebrated his impact on the community.

Egbert Gaye Honoured Posthumously by National Assembly Read More »

Lydie Dubuisson’s directorial debut at Black Theatre Workshop

Desirée Zagbai

Lydie Dubuisson lived next to Black Theatre Workshop (BTW) for three years without knowing it existed. After meeting an artist from BTW she worked her way into success and will make her directorial debut at the theatre with the play Taking Care of Maman.

Taking Care of Maman is about Eli (played by Seeara Lindsay) and her neighbour (played by Alexandra Laferrière), who helps Eli deal with her mother’s struggle with depression during COVID-19. The play evokes the influence of intergenerational relationships and offers the audience a message of hope and healing during difficult times.

Dubuisson began taking theatre seriously in 2018. When she first walked through the doors at BTW, she realized that she could use her playwright skills to achieve her theatre goals.

“It was my first time seeing Black folks doing Shakespeare, doing theatre, not even entertainment, not even back up. It was a whole production of Black people doing Shakespeare, which broke a little of my brain. I thought I needed to get in there, and that was it,” Dubuisson said to the CONTACT.

Dubuisson explained that she faced some challenges throughout her career, such as learning how to enter the theatre industry, working in an office during the day, and then switching to working in a musical theatre with kids and professionals afterward.

Looking back at the hardships, she now sees her progress as a good lesson.

“It was a beautiful journey to learn to respect the people carrying the work and then understand how I could get to the other side and be a part of that industry. Not just a player and always auditioning, but becoming a creator,” Dubuisson emphasized.

Dubuisson said that she hopes children watching the play will understand how to find help during hard times. She wants them to realize they can choose the community with whom they wish to share their personal stories, whether a teacher or someone they trust to help.

She expressed that part of why she loves plays is that people can absorb and observe their message. Some people might connect with a scene that, for example, clarifies why they are in a state of panic.

Dubuisson added that she wants the audience to remember their role while watching plays, which becomes crucial to their experience.

“Remember that as a part of the audience, you’re also a part of the story. Walking into a theatre, you’re part of the story. You’re part of the reactions. You’re part of who’s holding the characters, the people on the stage. So, remember you’re a player in this play and anything else you see. Once you enter and you sit, you’re in the space,” Dubuisson said.

Taking Care of Maman will be performed from Oct.11 to Oct.12. The show on Oct. 11 is sold out, but tickets are available for the Oct. 12 show, which starts at 2 p.m. It will be at the Teesri Duniya Theatre; for more information and tickets: https://blacktheatreworkshop.ca/Taking-Care-of-Maman

Lydie Dubuisson’s directorial debut at Black Theatre Workshop Read More »

Unpacking Eating Disorders among Montreal’s Black Community

Desirée Zagbai

Eating disorders within the Black community in Canada have been bubbling under for decades. Spoken about in hushed tones, it has been found that factors such as trauma, mistrust in health care, and stereotypes have contributed to the ongoing cycle.

According to the National Eating Disorder Information Centre (NEDIC), the lack of representation and research has left many Black people uncertain about how to get help or unsafe on how to acknowledge their eating difficulties.

Montrealer, Catherine Ndiaye, 21, a law student at McGill University, battled with anorexia for two years. Her healing journey was difficult, and she had no support from the Canadian healthcare system.

Ndiaye was hospitalized and was diagnosed with anemia, however, the medics didn’t bother investigating what caused the anemia. For her, this lack of thoroughness served as a wakeup call.

“Doctors couldn’t even identify the cause. If I continued down that path, I could’ve died, and nobody would’ve understood,” Ndiaye said.

Ndiaye had to do her research and found out that she had anorexia. She started working on her relationship with food, went to the gym and found immense support from her parents through it.

She expressed that the current cultural beauty standards also impacted how people viewed her drastic weight loss. She would get compliments instead of concerns regarding her physical change.

Today, when she looks at her pictures during that time, she realizes how dire her situation was.

After the hardship she went through, Ndiaye emphasizes the importance of taking care of one’s health.

“What you see on TV isn’t reality, and you shouldn’t stress yourself out by looking a certain way,” Ndiaye said. “It’s better to be in the shape you’re supposed to be and healthy instead of forcing yourself to conform to a certain standard while being unhappy and unwell.”

Ary Maharaj has worked at NEDIC as an outreach and education coordinator for six years. He expressed that there is no proper race-based data on how eating disorders affect communities of colour, Including Black people, Indigenous communities and other racialized communities.

Maharaj expressed that based on the data NEDIC has so far, Black people experience eating disorders at similar rates to white folks. However, the difference is that Black communities and many other people of colour are less likely to reach out for support.

He mentioned that the experiences of racism, trauma and cultural mistrust of healthcare systems are some of the problems that can hinder Black people from prioritizing getting help for their eating disorder.

“They’re having to separate themselves when they’re accessing help. So, they might not be able to feel like they can get help as a whole person. Because the help that they’re getting isn’t adaptable to their pertinent needs. Common eating disorder treatments are tailor-made for white women, which doesn’t represent other races,” Maharaj said.

Maharaj expressed that at the NEDIC, they often hear that many communities of colour, including Black people, feel the need to self-advocate. This can be hard since it takes a lot of literacy, resourcefulness, strength, and bravery to do your own research and express your grievances to healthcare providers with lots of power. It creates an additional barrier and can make their journey a bit more complicated, especially in the beginning when they try to access care.

He emphasized that the expectation should be that healthcare providers make sure that care is available for the whole person bearing in mind that race and culture are a big part of who a human is.

Maharaj mentioned that the fact that there is an underrepresentation of Black healthcare providers creates an additional barrier. The waiting lists can get long for Black therapists and healthcare workers who want to help Black communities, this creates another problem where the Black experts feel that they are the only ones who can help them.

“To be better at this, we need healthcare providers of all races and identities to feel more comfortable taking a stance of cultural humility about eating disorders,” Maharaj explained. “By changing that system, I think it will make it easier for Black people and families to feel like they can trust the healthcare provider they’re seeing to provide holistic care for their well-being.”

Maharaj expressed that seeking help is essential and members of the Black community should seek help on their terms, whether it be a family doctor in their community or using the NEDIC resource called “Let’s Talk About Disordered Eating and Eating Disorders in the Black Communities.” They can print it and show it to the healthcare provider to better understand their need for help.

In any case, where someone would rather be anonymous, NEDIC operates a national toll-free helpline and live chat that does not require personal information. Maharaj emphasized that there are different ways to get help and depending on one’s concern they can choose what works for them.

“Some help is from the hospital, but people can also find help in community or peer support,” Maharaj underscored. “I imagine that for many folks of colour and including the Black folks that we’ve talked to, it’s sometimes being the unconventional treatment approaches that have been helpful.”

Dr. Natasha Johnson has been a pediatrician and adolescent medicine specialist at McMaster Children’s Hospital for 18 years. From 2015 to 2022, she was the co-medical director of McMaster’s pediatric eating disorder program.

Johnson explained that the standard of care for people who have eating disorders is the same for every person once they identify it. For the most part, the recommendation is the family-based treatment. It is a highly effective method to help young people recover from eating disorders.

She added that ultimately, in Canada, about five per cent of teenagers can have eating disorders. However, eating disorders often go unrecognized or have a delayed diagnosis, especially if someone is racialized, gender diverse, of a higher weight, or a boy.

“So it’s not a difference that’s written into policy, but it’s a difference in the way that doctors, clinicians, other healthcare providers, even community members, may appreciate or not appreciate an eating disorder based on what kind of biases they have in their heads about what an eating disorder should look like,” Johnson highlighted.

Johnson mentioned that throughout her 18 years at McMaster, she was usually the only Black doctor. In the past two to three years, she has seen one or two Black nurses in their inpatient eating disorder unit.

“In my EDI (equity, diversity, and inclusion) work, it is known that outcomes for Black communities for a lot of different health conditions are worse than they are in others in the white community, for example, and that’s where data is collected,” Johnson said. “So, for example, the mortality of Black infants is higher than the mortality of white infants.”

Johnson expressed that one thing that can be an antidote to that mortality rate is having concordance between the health care provider and the patient. If the provider and baby are Black, then the mortality rate is different.

She said that if there were more representation in health care in general, outcomes would be better, not only for eating disorders.

Johnson believes things are improving. The death of George Floyd in 2020 was a catalyst for many organizations, including healthcare organizations, to recognize the existence of anti-Black racism and the need to address it as a priority. It is because where there is data, the outcomes of Indigenous and Black people across several sectors, including healthcare, were significantly worse than many other communities.

She said that proper attention and effort have been made, in some cases, to try to communicate the correct cultural information to communities in their language and have healthcare providers who look like those community members to share that information.

“So, I am blessed to be part of a group called Our Kids Health, and specifically, there’s a chapter of Our Kids Health called Black Kids Health. That chapter has a number of Black healthcare providers, including me, who will make Instagram reels, TikTok reels, and Twitter posts about health-related information specifically geared towards the Black community,” Johnson emphasized.

Johnson underscored that it is important for the Black community to improve its health literacy. While health care providers and institutions work on communicating in an inclusive way, Black people could find the different names of diagnoses and take notes of that, write down the medicines they are taking so they are better prepared when they enter health care spaces, and talk about mental health with their families and children.

 These efforts would be useful in reducing the stigma within Black communities regarding mental health.

Johnson emphasized that better results will result from more representation in more sections, including health care.

“There are a number of medical schools, including McMaster, that have facilitated streams for Black students. So, I assume we will see more Black doctors on the front lines and other Black healthcare providers because of the simultaneous growth. I think of welcoming Black students to the various campuses across Canada,” Johnson said.

Unpacking Eating Disorders among Montreal’s Black Community Read More »

A Heartfelt Tribute to His Father

Rosie Awori

When he started his musical journey over 30 years ago Mike S’obrian, commonly known as Stemz, didn’t know that it would be music that would help him navigate a period of deep grief in his life.

“I’m still going through it,” he says to the CONTACT via phone interview.

The “it” he is referring to is the passing away of his father Allan “Tony” Ramroop S’obrian in July 2024. His father was born in Trinidad and Tobago and like most immigrants came to Canada with the hopes of offering a better life to his family.

He moved to Montreal from Trinidad in the 1970s and soon found work doing whatever he could to provide for his family. As Stemz tells it, his father didn’t actively create music while in Canada but he came from a rich musical heritage which he introduced his children to.

“I got into music because of him,” he explains, “back in Trinidad he played in a band with some family members. He played the bongo and was often always around the band and music, which is how I ended up playing and touring with the band for many years.”

As his father’s health deteriorated, Stems felt it necessary to put the touring on hold and come and be close to him in Montreal.

“It’s how I even ended up creating my studio (Stems recording studio) I wasn’t actively in music, but I could still create beats here and there without having to tour.”

And when his uncle passed away in Trinidad, he went into the studio to create a track to help him process the grief. He didn’t finish it but he had laid out some of the composition.
That was almost two years ago. Then when he lost his father, he picked it back up. This time pushing through the pain and creating the full track titled Traveler.

He explains how it was therapeutic for him to finish the song, and he hopes the song will resonate with those who have gone through some kind of grief and give them comfort. The paradox of sad music that although we don’t enjoy being sad a lot of research has shown that we do enjoy the art that makes us feel seen through grief.

“My dad loved life, he loved family, he loved bringing people together through cookouts and parties,” Stemz shares, “so I know he would be proud of me for pushing and doing this song.”

Stemz created and produced the track and it was mixed and mastered by Azaryah, and the vocal engineer David Millien, while Jay walker wrote and sang the vocals.

“Traveler” is now available on Spotify, YouTube, and all major streaming platforms.

A Heartfelt Tribute to His Father Read More »

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