Glen Hartle

Bryson swings into summer

Glen Hartle, LJI Reporter

The Bryson Recreation Association hosted a one-day baseball tournament and fun day at the town’s Lions Park on Saturday for Father’s Day weekend.
Heralded as Swingin’ Into Summer, eight teams from Bryson, Calumet Island, Campbell’s Bay, Fort Coulonge, Otter Lake and Shawville signed up for the tournament and brought lively spirit to the pitch.
The teams were divided into two divisions with Bryson-based The Bombers winning division A at the end of the day and the Rivermen team from Campbell’s Bay, made up mostly of members of the Larivière family, taking division B. A final game was contested between these two teams, with The Bombers taking the overall championship.
In an effort to create an event that was fun for everyone, the RA also hosted a Little Rascals Market with young entrepreneurs staffing tables with various goodies for sale. The event also included an art station with supplies where participants could be generally creative or craft their own face masks.
Food and refreshments stands were at the ready, and bouncy houses and yard-sized games rounded out full use of the Lions Club park and grounds.
The Bryson RA, an association already known for bringing community together, hit their own home run with the long-standing and well-attended annual Father’s Day event.
“The Bryson RA would like to thank all of the wonderful supporters we have that come to play ball, enjoy our barbecue and come to our events,” said RA president Julie Ryan, beaming with pride. “We appreciate the support so much.”
Noting the event was once again made possible thanks to volunteers, Ryan added, “We would like to thank our amazing RA members and the many family and friends that help out. They work the canteen and barbecue with us and we could not do it without them.”

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PHS Girls are Rugby Champs

Girls victorious, boys finish close second

Glen Hartle, LJI Reporter

The Pontiac High School (PHS) rugby pitch was abuzz on Wednesday as the PHS Panthers played host to the regional rugby championships for the RSEQ (Réseau du sport étudiant du Québec). Matching the fever on the field was the large contingent of spectators camped out to take in the excitement.
The first-place teams in the league for girls and boys received direct entry into the finals. The PHS girls team had already secured its spot in the finals, as had one of two Falcon boys teams from Hull’s Philemon Wright High School (PWHS).
Two hotly contested semi-finals determined who their adversaries would be. The Rugby Sevens format was used where teams fielded seven players on a full-sized pitch, leaving lots of space for gameplay. And play there was.
First up were the girls in a game pitting the PWHS Falcons against the D’Arcy McGee High School Gee Gees from Gatineau, where the Gee Gees proved to be the stronger of the two. The size and power advantage of the Gee Gees powered them over and through the Falcons, booking their place in the final against the Panthers.
In the final, the Panthers came out of the gate firing on all cylinders and scored seemingly at will.
Iyla Smith scored within the opening minute of the game on a spectacular individual effort and, while the Gee Gees put up a good fight, they had no answer to the multi-pronged attack of strength and speed they stood against.
Standouts Hannah Twolan and Kira Paulin once again showed their sheer athleticism and determination, leading the team on both ends of the field.
Coach Phil Holmes made clear his pride in the team as he beamed from the sidelines.
“It has been an awesome journey from the first practice in the fall of 2022 with 10 girls who had never touched a rugby ball, to our final where 21 girls finished an undefeated season and won their second championship in as many years,” Holmes told THE EQUITY.
“These girls have worked hard, practicing mornings through the winter, recruiting their friends to join the team, and have built a strong and close-knit group.”
For their part, the PHS Panthers boys team took to the field in their semi-final against the second PWHS Falcon team and it was clear from the opening whistle that they intended to write their own story into the finals.
Where the Falcons brought speed and size, the Panthers fielded more grit and passion and therein found their way to victory. The Panthers had strong ball possession throughout, with Morgan Barr and Bennett Rusenstrom leading the charge in scoring.
In the final, they faced even more speed from the first and top-finishing Falcon team. In a fierce match where desire was palpable on both sides, the Panthers showed no fatigue from their semi-final and pushed hard right to the final seconds of the game, ultimately falling marginally short of victory by a score of 12-10.
Barr and Rusenstrom were once again key, with captain Cade Kuehl on the sidelines thanks to concussion protocol after a hit he had sustained in the semi-final.
Referee Mike Cheung summed up the final well.
“It was a competitive match with both teams showing a lot of heart and intensity on the field – the better team won the day,” Cheung said.
Boys coach Colin Boolsen-Vorster agreed.
“There is a phenomenal difference in skill level from the first game we played relative to the performance tonight.”
“It was unfortunate that Kuehl was injured during the semi-final as it was a challenge to replace him as he is the captain and has a unique skill set critical for the smooth functioning of the team,” Boolsen-Vorster said. “Had he remained fit and healthy, the impact on the scoreboard may well have been profound.”
Whereas the girls team now has two seasons under its belt, the boys mark this season as their first, and their march through to the finals shows that they intend to stay.
“For our first rugby season the groundwork for a boys’ rugby program has very definitely been laid and many of our key players will return next season,” Boolsen-Vorster said. “They’ve come a long way and I’m really proud of them.”
RSEQ sports coordinator Phil St-Martin was on hand for the matches and, in presenting the pennants to the winning teams, complimented the sportsmanship and gamesmanship on display throughout the season. “These pennants are well-deserved,” he lauded.
And the applause from the spectators certainly concurred.

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Poker run raises funds for Bryson Grand Calumet fire department

Glen Hartle, LJI Reporter

The Bryson Grand Calumet Fire Department (BGCP) hosted its annual poker run event on Saturday, with just over one hundred all-terrain vehicles venturing out into the warm and sunny day to follow the run’s planned route on Calumet Island and collect all cards needed to complete a poker hand.
“It was so cold last year. I was wearing my bunker suit [the suit used in fighting fires] – this year I got to wear my uniform,” said organizer and volunteer firefighter Kelly Nitschkie.
“This run was a fundraiser for the department and the success will help us deliver on our mandate,” Nitschkie said, while jubilantly adding, “It was an amazing day.”
Vehicles started out at Berard’s Store in Tancredia and spent the bulk of the course on the island using GPS coordinates to help guide them. At each checkpoint stop, participants collected playing cards in sealed envelopes.
The Lions Club in Bryson acted as the final stop on the run where participants handed in their sealed envelopes, which were subsequently opened to reveal a poker hand. Participants then had the option of swapping out a single card at a cost of $5 to improve their hand.
“When we do a fundraiser like this, it goes a long way in helping us get the equipment that we need,” said Assistant Fire Chief Jason Beaudoin.
“We are a small fire brigade and often the regulations that come down have financial obligations that make it difficult for us to keep up.”
The first place prize of $400 went to Christa Kelly, with Kaitlyn Zimmerling coming in second and Dominic Rousseau taking third.
“I have to thank the firefighters,” Beaudoin said after handing out the awards, making special mention of the new Firefighter 1 training program underway at École secondaire Sieur de Coulonge.
“When these kids come out of high school, they are technically certified firefighters and can start fighting fires in our municipalities.” (Firefighting training for Fort Coulonge students a first in Quebec, The Equity Nov. 2023).
Beaudoin then handed over the reins to the volunteer musical entertainment for the evening, The Dukes of Charteris, with his final words of, “It’s time to party.”
The band consisted of Bill Miron on drums, Robert Wills on guitar and vocals, Thomas Fishel on saxophone and vocals, and newcomer Clifford Welsh on bass and vocals.
And entertain they did with a robust collection of classics, all adjusted for their brand of country charm. Miron was a joy to watch on drums as he animated his way around the various tunes and Fishel kicked things up a notch with both his saxophone and collection of harmonicas. Collectively, they brought music to every corner of the hall and feet to every inch of the dance floor.
The Lions Club played perfect host, providing the hall complete with a chili supper. President Betty Leach welcomed attendees, Melanie Beriault and Barb Sparling ran the canteen, and Relics Leach took care of kitchen duties, which included cooking up a big pot of chili.
Some scant six weeks after their last big event, The Fireman’s Ball, the Bryson Grand Calumet Fire Department lived up to its reputation for hosting must-attend community events, and the Lions Club once again stepped up to show that they are an integral part of that community.

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Pontiac High School theatre hits new heights

Glen Hartle, LJI Reporter

Pontiac High School’s theatre program presented the musical In The Heights over three days last week and left theatre-goers in awe.
Running Thursday through Saturday evening, with an added matinée Saturday afternoon, all four productions of the show sold out, each one ending in a lengthy and deserved standing ovation from the audience.
Producing a Tony and Grammy award-winning musical with a small-town high school production would be daunting to some, but director Phil Holmes, in his playbook message, said, “It was a challenge I was excited to take on knowing I had a cast and crew that could rise to the occasion.” This is understatement at its finest.
The extensive list of cast and crew entertained with a high quality production which strung together two acts consisting of 24 musical numbers on a stage rife with creative outlay in a comfortable theatre with quality sound and lighting. Yeah, they rose to the occasion. All of them.
This musical is a difficult ask for any company and it speaks to Holmes’ and co-director Debra Paquette’s ability to connect and inspire that they were able to bring Lin-Manuel Miranda’s 2005 story of life in New York City’s Manhattan borough to Shawville’s Maple Street.
The story of the layered struggles of a tight-knit community was told through dialogue, dance, rap and song. The opening rap by Callum Maloney in the role of Usnavi set the tone for what was to follow as he launched onto stage and used the full of it while he rapped, “I’m getting tested; times are tough”.
He was entirely believable as a rugged young man who knows the street and who shares his tale with a flair for rhyme and requisite gesticulation.
Opposite Maloney’s intonations was his character’s love interest, Vanessa, played by school theatre stalwart Ollie Côté. Côté played the title role in last year’s Jesus Christ Superstar (What then to do with this Jesus of Nazareth. THE EQUITY, May 3, 2023) and once again helped anchor this production with their phenomenal vocal abilities and stage presence.
Maloney’s sidekick was delightfully brought to life by Griffin Lottes as Sonny, Usnavi’s younger cousin. Having a pint-sized and wise-cracking sprig of a boy offer relationship advice to a towering Maloney added delightful humour to the production and one could almost sense audience anticipation for when Sonny would next grace the stage.
Faith Hamilton took on the role of Nina, the girl who made it out of the general economic poverty of the neighbourhood to attend Stanford University on scholarship, only to fall back into it after dropping out of her first year of college.
Hamilton’s portrayal of the complex emotions that just such a life journey might involve was emphatic and her vocal delivery left you feeling as if you might be watching any of a number of auditions for international talent shows. Add to that her linguistic acuity and a young Puerto Rican woman from the New York City neighbourhood in which the musical is set manifested on stage.
Isaac Graham played Benny, love interest to Nina while also on her father’s payroll as a taxi dispatcher. Graham’s delivery added appropriate vulnerability to his character and in so doing added authenticity to the plight of romantics everywhere, making him an instant fan favourite. His star is on the rise and that he tackled a truly challenging role with such aplomb suggests that the sky really is the limit for the young actor.
Laura Graham’s saucy take on Daniela, a fast-talking Latina, was fun to watch as was Brooklyn Pachal’s opportunistic Yolanda attempting to step up and replace Vanessa as Usnavi’s love interest.
Adding to the lead roles were Grace Kelly as Abuela, Allie Benoit as Carla, Ethan Paulin as Nina’s father, Ava Schellenberg as Nina’s mother, Darcy Bowie as “the water guy”, Robin Lottes as Graffiti Pete and Jackson Knox as Jose.
Nothing was as surprising, however, as when Schellenberg’s character Camilla stepped into the spotlight in the second act. While delivering only dialog in the first act, Schellenberg nearly brought the house down with a singing solo that felt like the production had been holding back on a reveal. It was poignant and irrevocably brought the audience closer.
What was noteworthy beyond the entertainment value was just how the actors on stage entered into their roles. There was no holding back. They were all in. Bowie’s nerves settled during his solo as did Paulin’s, and they owned the stage.
Kelly became every grandma and Benoit was the finger-snapping smart-mouthed sidekick we dreamed of having as a friend. It was believable. All of it. And that is theatre at its best.
While this article does not articulate specifics on all of the cast and crew who made the production possible, director Holmes’ message perhaps best pays tribute to the team effort that went into bringing this story to life on stage.
“I could not be prouder of our team,” he wrote in the playbook. “The cast and crew of In The Heights have worked so hard over the past six months and that hard work has certainly paid off.”
And the community, both on the stage and off, are the better for it.

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Citizen scientists needed to help save endangered turtles

Glen Hartle, LJI Reporter

Why did the turtle cross the road? Because it had to. And that’s a problem.
Road mortality isn’t just an issue for the Sûreté du Québec and the Société de l’assurance automobile du Québec. It is also an issue for a raft of organizations representing Mother Nature and they have mobilized in support of their mandate.
An Outaouais environmental organization, the Conseil régional de l’environnement et du développement durable de l’Outaouais (CREDDO), has stepped up and undertaken a four-year project working to mitigate road mortality amongst the turtle populations of the region.
The initiative hopes to protect all turtles, but of particular concern are two species currently on the provincial, national and global endangered species lists: the Blanding’s turtle and the wood turtle. A third species, the northern map turtle, is additionally targeted by the project due to regional and national concerns.
The overall objective of the project, as articulated at its official launch in Sept. 2023, is to reduce the extent of road mortality of turtles in the Outaouais region by prioritizing actions targeting Blanding’s, wood and northern map turtle populations.
More specifically, the goal is to confirm the hotspots of turtle road mortality suggested by available mortality data.
Cénédra Poulin, the activity lead for CREDDO, indicates that while the project officially launched in the summer of 2023, the first phase is about to get under way.
“I think it’s going well so far. We had all the subsidies we asked for and we have a lot of volunteers interested in helping,” Poulin said.
During this initial phase, forecast to last from the middle of May to the middle of July, the project aims to confirm certain road mortality hotspots in the Outaouais through volunteer citizen mortality monitoring in several sectors of the region.
In the Pontiac, the initiative will be specifically focused on busy roadways in the municipalities of Bristol, Clarendon, and Shawville.
“We are searching for people that could spend a few hours per week between mid-May and mid-July, to survey always the same part of a road on a turtle watch,” Poulin said.
Areas of high mortality risk will also be identified, including locations where live turtles are spotted near roads.
“The MRC has a direct role in turtle protection,” said Kari Richardson, MRC Pontiac’s environmental coordinator and its representative for the project. She encouraged residents to report turtle sightings on the Nature Conservancy of Canada portal (https://carapace.ca).
“Once we know exactly where the hot spots are across the Pontiac, we can target awareness efforts, signage and perhaps even fencing, if it is required.”
Subsequent phases of the project will aim to implement measures to reduce road mortality at sites identified as hotspots during the first phase. These mitigation measures will include signage, fencing and wildlife crossings.
Partnering with CREDDO are the Outaouais’ four MRCs (Collines-de-l’Outaouais, Papineau, Pontiac and Vallée-de-la-Gatineau), la Fondation de la Faune du Québec, Nature Conservancy Canada, the National Capital Commission, Kitigan Zibi Anishinabeg, the provincial and federal ministries of environment, and le Groupe de rétablissement des tortues du Québec.
From local to global
Locally, the conversation around conservation is ongoing, and turtles have been on the radar before. Regional art association artPontiac hosted a special “Call of the Turtle” exhibit in 2022 drawing attention to their plight and invited several experts from various organizations, including the Nature Conservancy of Canada and the Canadian Parks and Wilderness Society (CPAWS), to speak at the grand opening.
Provincially, Quebec’s environment ministry indicates that the Blanding’s turtle is considered threatened, meaning that it could disappear in short order. The wood turtle and northern map turtle are considered vulnerable, meaning that survival is considered precarious in the long-term.
At the national level, the Committee on the Status on Endangered Wildlife in Canada (COSEWIC) lists the Blanding’s turtle as endangered, meaning it is facing imminent extirpation (regional extinction) or global extinction. The wood turtle is listed as threatened, meaning that it is likely to become endangered if nothing is done to reverse the factors leading to its extirpation or extinction. The northern map turtle is listed as being of special concern, meaning that it is particularly sensitive to human activities or natural events.
At the global level, the International Union for Conservation of Nature’s Red List (IUCN Red List) lists both the Blanding’s turtle and the wood turtle as endangered. This list of threatened species has evolved to become the world’s most comprehensive information source on the global extinction risk status of animal, fungus and plant species and is a critical indicator of the health of the world’s biodiversity. It is not an honour to appear on the list, rather, it is a call for action.
No matter how you read the above categorizations and classifications, the turtles are in danger, and CREDDO is hoping to change that reality by working with various stakeholders on environmental issues in mounting this conservation effort.
If you would like to be a part of the turtle project, contact cenedra.poulin@creddo.ca or k.richardson@mrcpontiac.qc.ca. Information and social media links can be found at: https://creddo.ca.

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Pontiacer organizes first-of-its-kind bull sale

Glen Hartle, LJI Reporter

Ron Hodgins has never been one to sit idle.
When he’s not raising purebred Bouvier dogs, or tending to his large greenhouse operation, or hosting and running the Pontiac Farmers’ Market each Saturday from May to October, or acting as the treasurer for the UPA (Union des Producteurs Agricoles), he’s actually running a robust farm operation complete with cows, donkeys, horses, chickens and peacocks.

Hodgins has been running his R & R Farms for some 20 years and comes by the craft honestly. His father Tom and his grandfather Herbert have farmed just up the road on the 7th Concession for generations.
Hodgins traces his own roots in husbandry back to raising rabbits for cash as a young boy and has a glint in his eye as he talks about his newest and most imminent venture: a bull auction.
Tuesday Mar. 12 will see a first-of-its-kind bull sale at Renfrew Pontiac Livestock auction house whereby year-old bull-calves from four local farmers will be up for grabs as an adjunct to the regular auction.

Joining Hodgins on the docket are producers Donna Courchesne and Andrew Simms of Bristol, Brian and Janet Rogers of Shawville, and Allan and Courtney Wallace of Foresters Falls.
Going back many years, there used to be auctions in Quebec at which cattle breeders could provide their livestock to the highest bidder.

A severe outbreak of bovine viral diarrhea changed things considerably and soon farmers were sending their cattle to a common feedlot location where rigorous tests and protocols were in place to ensure health and quality.

Locally, the Outaouais Bull Test Station Association was the primary feedlot option for producers. When its manager Garfield Hobbs closed it down, the conduit through which local producers were getting their livestock to a competitive market closed as well.
In the intervening years, producers have relied upon private treaty sales of the barnyard variety whereby cattle were priced for sale on a first come first serve basis. If the cattle were not sold in this manner, they were usually shipped and destined for beef.

But Hodgins’ hopes to change this with his new bull sale initiative.
For their part, Hodgins’ fellow consignors have skin in the game and are looking forward to both the auction and the future.
“We are grateful to Ron for this added opportunity to market our bulls to the beef producers of the region. We have two Charolais yearling bulls on offer in this inaugural sale,” Courchesne and Simms wrote in an email to THE EQUITY.

“We only have one bull to sell this spring but hope to have a few next spring,” Wallace said.
Auctioneer Preston Cull will make the call with Hodgins assisting and offering additional and contextual information for each bull that passes up for bid.

A first for the
auction house

Hodgins’ auction house of choice is the Renfrew Pontiac Livestock in Cobden, which has been in operation for 30 years.
The auction house is known for their Tuesday sales where one is likely to see as many animals from Quebec pass through as there are from Ontario. Typically, the cattle sold are destined for beef.
“We often sell heifers or bred-heifers,” says co-owner and farmer Matt Dick.
“This will be a first for us selling a bunch of bulls from one farmer or group of farmers in this way. There aren’t enough bulls to run a single event this time so we’re accommodating this sale within our usual Tuesday sale.”

For Hodgins, his vision of rebuilding a competitive showcase for local livestock producers for the purposes of breeding and carrying genetics forward is now seeing fruition and the wheels are fully in motion.
“The difference between me selling a just-weaned calf, which we call a stocker, for $3 a pound or selling a year-old bull that I’ve fed for the winter and one where I’m providing registration and guaranteeing their breeding should be substantial,” Hodgins said.
His pride in what he does shows as he flips through the auction catalogue taking time to explain the various lots and write-ups.

“EPD is the expected progeny difference and is what we use to evaluate an animal’s worth as a parent,” he said.
Located below each animal, or lot, are eight separate indicators helping prospective buyers get a better sense of each animal’s value and indicate each bull’s potential worth.
“Each animal is tracked with an ATQ [Agri-Traçabilité Québec] tag and this helps buyers know where the animals come from,” Hodgins explained.

The ATQ program, initiated in 2001, is concerned with the identification of animals, the identification of premises where animals are located, and the tracking of animal movements. The primary objective of this tracking system is to protect human health, animal health, and food safety.
Hodgins hopes that the sale this year shows potential and that by next year there may be enough participation that they can opt for a dedicated sale and one where they would make use of Direct Livestock Marketing Systems (DLMS) whereby broadcasts provide live video and audio to people around the world who cannot attend the auction in person.

In this scenario, potential customers are able to view the live video from the auction house as well as hear live audio of the auctioneer and can make bids online, which extends the reach of the sale.
“All of this for a sale which will take all of 30 minutes,” Hodgins laughs.
But it is clear that these 30 minutes mean the world to him and it is equally clear that he has put a great deal of thought, planning and effort into ensuring that they are 30 minutes well-spent.

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An ancient mariner has found a home

Local artist Ruby Ewan donates sculpture to Pontiac High School

Glen Hartle, LJI Reporter

Lying at the intersection of literature, science and art stands an epic poetic tale written at the very cusp of our modern times by Samuel Taylor Coleridge: The Rime of the Ancient Mariner. That poem has become entrenched into our collective identity and many of us quote it without even realizing we are doing so, as we do with so many of Shakespeare’s witticisms. Who among us has not heard or used “water, water, every where, nor any drop to drink”?

And while the poem has long been standard fare at most educational waypoints, Pontiac High School (PHS) is now proud to host a sculpture inspired by, and named for, the story-teller in Coleridge’s poem.
Following on the heels of an extensive retrospective exhibition in Portage du Fort last year (Stone school opens 2023 season with Ruby Ewen “Retrospective” THE EQUITY, June 7, 2023), local artist Ruby Ewen has donated her 2020 sculpture The Ancient Mariner to PHS. A special dedication and ceremony was held Thursday, led by PHS Principal Terry Burns and english and outdoor education teacher, Jordan Kent, whereby the sculpture was officially made part of PHS.

“I am thrilled that the high school accepted this donation,” said Ewen, via email as she was unable to attend the event in person. It was Ewen’s friend and fellow artist, Mary McDowell Wood, who suggested PHS as a final destination.
“We need order and beauty in our world as it leads us forward,” said Wood, “and the school is for education and inspiration too. What better place for Ruby’s art.”
For Principal Burns’ part, he enthused that “we are very thankful that Ruby thought of us, and many of our graduating students in the future will, no doubt, have the rite of passage of studying the Rime of the Ancient Mariner.”

English teacher Kent offered a succinct overview of the poem to a gathering of students in the very casual-feeling library, and offered that at least some of the contextual aura of social change which inspired the poem back in 1798 has relevance today. “We are honoured to accept this gift,” he said, “and we are going to keep it in the reading nook in my classroom.”
Poetry plays a large role in Kent’s classroom and, as he says, “The artwork is a wonderful addition. The Rime of the Ancient Mariner will become a component of the poetry unit. It is a beautiful piece to teach students about interpretation, adaptation, and inspiration.”
For Ewen, “I would love to have been there” she said, her written words fully conveying her joy at having found a perfect home for her art.

“I finished The Ancient Mariner in 2020,” said Ewen. “Many people contributed different objects, and some I found at second hand stores in Shawville, Quyon and Aylmer.”
A twinkle in Ewan’s eye can be inferred from her emailed words as she explains, “The face of the captain lies between the crossbow and wheel of the ship. His eyes [represented by earrings] look upwards, his nose a rusty hook. He has an old chain as a moustache and his mouth holds a coin dedicated to literature and Samuel Taylor Coleridge, with his name and the date of the poem inscribed on the coin.”

When looking at the sculpture, one’s eyes feast upon a profusion of diversity with layers of symbolism on display, of which the interpretation is left open. At a minimum, one sees an ironing board, dice, figurines, leaves, trinkets, jewellery, rusted iron, an albatross, sea shells and, yes, even a ship’s wheel.
Where the story goes from there is left to the modern onlooker, taking inspiration from the ancient one’s tale told from a romantic’s point of view, and realized by a modern and talented artist adding her local truths.

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Pontiac Pride hosts square dance at Shawville Lions Hall

Glen Hartle, reporter
Funded by the Local Journalism Initiative

Pride is all about making the world a better place. While its roots may be from a more complicated and existential time, it continues to champion identity, inclusion and equality across the entire spectrum of humanity. The Pontiac Pride group has been around, unofficially, for a few years and has been making strides for a stronger community presence with a broad range of social-oriented activities and events.
Slightly longer in the tooth than Pride, The Lions Club is all about making the world a better place too and has long been considered as one of the best that community has to offer through its more than 46,000 clubs worldwide. Its motto is “We Serve” and there is ample indication that the Shawville version, which has been around since 1949, is living up to both its mandate and reputation.
Together, they partnered and invited the community with open arms this past Saturday to join in a first-of-its-kind Pontiac Pride Square Dance.
“Our end goal is for there not to be a need for a Pride group. For there to be no difference between gay and straight couples, and trans people, and that we can all just go to events and not be worried about it,” event organizer and Pontiac Pride member Emma Judd said.
She said she believed a Pontiac Pride square dancing event was the perfect opportunity to get everybody out, “so we can be a little more out and proud.”
The event invitation was pretty open. “Come as you are and everyone’s welcome. Folks who have been dancing for years and those who don’t even know what a square dance is. You’re all invited,” the Facebook invite read.
And? The community responded, and how.
Those who arrived late to the dance were greeted by audible enjoyment from the Lions Club Hall situated on the top floor of the Shawville Arena. Audible is an understatement as it was more akin to a rollicking party where the more than 60 attendees, ranging in age from 3 to 85, made clear their enthusiasm and delight.
The hall was bedazzled in lights and decor, with evidence of just who was hosting the event at every turn. In a modern show of inclusion, there was signage making sure that gender was understood to be at the heart of identity, an undeniable and unquestionable truth and, as such, this was a space made for all. Pride Pontiac members Julianne Dooks, Emma Judd, Will Bastien, Christine Rieux, Ashley Sutton, Greg Goyette and Darlene Pashak all played welcoming committee, usher and host ensuring everyone had a place at the heart of this event.
Justin Bertrand on fiddle with Andrew Jones and Marie Chapet on guitar were ready with their musical instruments, and callers Paul Bertrand, Scott Judd and Tyler McCann were all set to call the steps. Lions members Robert St-Amour, Eric Smith and Steve Sutton had the bar up and running, and the dance floor was clear. The stage was set.
Square dancing has history in the area and has been around for generations. The callers at the event were testament to that as Paul Bertrand learned calling from his father, Alexander Bertrand, a well-known caller in his day who called regularly at the Lions Club in Bryson as well as at countless weddings and other community events. Scott Judd learned from his father, Chris Judd, who learned from his father Louis Judd. Tyler McCann learned the ropes from his own time as a leader in the 4-H Club and now helps guide the club as coach and caller. That’s quite a litany and all at one event.
Event mastermind Emma Judd remembers fondly her own experiences with square dancing through the 4-H Club as she was growing up and, together with fellow 4-H alumni Will Bastien, she brought the idea to life.

“This was a perfect mix for me of something that is super traditionally straight couples dancing, but it’s also become such a non-gendered dance as well,” Judd explained, recalling how when she was first getting into square dancing through 4-H there were never enough boys to play the male role in the dance, so young girls would take that on.
In keeping with that heritage, members of the local 4-H club were invited to show the gathered just how square dancing was supposed to be done, and a gaggle of young would-be experts were happy to lead the way. With McCann calling, they showcased the many moves of square dancing that were to follow including do-si-dos, promenades, elbow swings, dips and spins. Their energy was effusive.
Following some initial easing into things, Scott Judd took the mic and things really started to roll. But not before he took a moment to express just how amazing it was to see so many people. “When was the last time there were four squares at a Shawville dance?” he exclaimed.
From there, the band played spirited music, the callers directed the action, boots and shoes scooted across the floor, laughter was in the air and the dance floor came alive.
For many, the appeal of the event lay in getting out with a group known to be inclusive and, for others, it was finally a chance to square dance after covid threw a wrench into things. And for yet others, it was just an occasion to get out and have a great time. Whatever their reasons, all seemed to endorse Pride Pontiac’s invitation for an “incredibly fun evening to ward off those February blues” and whether volunteer, spectator or participant, joy was unanimous.
For Emma Judd and her crew: “It was an incredible night and for it to be such an inclusive and accepting space was awesome. We can’t wait to host another one.”

Pontiac Pride hosts square dance at Shawville Lions Hall Read More »

Ski Pontiac Lights It Up

Glen Hartle, reporter

Funded by the Local Journalism Initiative

Ski Pontiac made good on the promise of a night to remember by hosting the first of two Moonlight Ski events on Saturday evening at Astra Estates in Norway Bay.
With the allure of trails lit with torches, roaring outdoor fireplaces lined with chairs in which to lounge, live music, a cozy restaurant for pre- or après-ski and mild temperatures, people came out en masse.
From the young to the less young, this event had broad appeal and joyful fellowship was evident in every corner.
Mark your calendars for their next Moonlight Ski on February 17 or head over to www.skipontiac.ca.

Ski Pontiac Lights It Up Read More »

Doing It Wrong, Rightly

Glen Hartle, Reporter

Funded by the Local Journalism Initiative

The Pontiac Community Players had a successful run on the Pontiac High School stage with its production last week of The One-Act Play That Goes Wrong. Nearly sold out across all four shows, word of mouth made this the must-see event over the course of the weekend.
At show’s end, director Greg Graham presented PHS vice-principal Luke McLaren with a cheque in contribution to the continuing improvements to the stage and seating of the auditorium which has been generously provided by the school. It’s a win-win arrangement where everything goes right, much like the play just now finished, title notwithstanding.

Doing It Wrong, Rightly Read More »

Get active with Ski Pontiac’s Salt and Pepper Club

Glen Hartle, reporter
Funded by the Local Journalism Initiative

Ski Pontiac hosted one in a series of Salt and Pepper Club excursions on Saturday morning at Astra Estates in Norway Bay.
Deb Powell and Ariane Cloutier led about a dozen participants out on a cold morning under light snow for a tour of the approximately four kilometres of trails which have been groomed on the golf course in preparation for their season.
The club is part of a federally-funded initiative to help people aged 55 and over become more active. Each Wednesday and Saturday, events are held at various locations throughout the Outaouais in a partnership with Ski à l’école Outaouais where member participants have free access to equipment.
For Ski Pontiac, the Salt and Pepper Club will gather each Saturday at Astra Estates Golf course where it maintains groomed trails.
Their next event is of particular note, as on this coming Saturday, Jan. 27, they are hosting their Moonlight Ski where participants can ski or snowshoe beneath the nearly full moon and on torch lit trails.
For more information, contact Ariane Cloutier or Deb Powell locally via https://skipontiac.ca, or head over to https://skialecole.org.

Get active with Ski Pontiac’s Salt and Pepper Club Read More »

Puzzling it out at Pieces of Bristol

Glen Hartle, reporter
Funded by the Local Journalism Initiative

Ten teams of four to six people competed against each other and the clock to complete different jigsaw puzzles at the aptly-named Pieces of Bristol event hosted by the Bristol Community Association (BCA) at the Jack Graham Community Centre on Saturday. Each puzzle was a mosaic of 12 different art pieces contributed by locals and consisted of photographs and both watercolour and acrylic paintings. Photographers Jan Eastaugh, Bonnie Tubman-Zimmerling, Cheryl Bezoine and Brian Beattie made contributions as did artists, who had also participated in the fundraising calendar project from 2023, Debbie Kilgour, Betty Chamberlain, Peg Gareau, Edith Campbell, Nicole Forge, Elsie McIntosh, Bonnie Beveridge and Elva Stark. Organizer, and president of the association, Anne McConnell shares “we wanted to do something different” and, by every measure, they succeeded at that. McConnell’s daughter, Kelly, served as emcee for the event and also ran the popular canteen where a variety of options were available. Stalwart volunteers, and new members to the association, Barb and Peter Haughton covered the door, where donations were accepted and tickets for door-prizes were doled out, as well as the nibbles counter, where complimentary chips and the like were delivered to the tables upon request. What wasn’t all that different from most events undertaken by the hard-working BCA was the large group of people gathered around tables throughout the Jack Graham Community Centre enjoying an afternoon of fellowship and laughter. The winning team nearly lapped the competition by completing the 500-piece puzzle in a pulse-quickening 38 minutes. Self-titled the Jigsaw Junkies, Wesley Mawer and his wife, Libby, were joined by Libby’s mom, Marlene Daly, and brother, Joe Daly, and they already look forward to competing again next year. The BCA next hosts Cabin Fever Day on Feb. 17 with an afternoon of board games and a euchre tournament followed by a hot supper. Details can be found on their Facebook page.

Puzzling it out at Pieces of Bristol Read More »

What can go wrong in a one act play?

Glen Hartle, reporter

Funded by the Local Journalism Initiative

There’s a twinkle in Greg Graham’s eye as he sips tea and reflects on the stage rehearsal just now finished at the Pontiac High School. He and his fellow Pontiac Community Players are several months into preparing for the upcoming presentation of The One-Act Play That Goes Wrong, Jan. 25, 26, 27, and today’s session was the first with the stage and all of her props at the ready.
The play has long been on Graham’s radar and when he secured the rights for a production back in October of last year, the twinkle now present took initial flight.
Graham has been with the Players pretty much since the get-go when then English teacher Joan Conrod laid the foundation for things back in 2001 and now sits as president for the not-for-profit. While his degree in philosophy from Bishop’s University or his horticulture diploma from Algonquin College don’t necessarily provide substantive backdrop for his current role as director of a community play, Graham has plenty of street cred at the ready.
Born and raised local, he has always been involved in community theatre and even penned a play based upon local lore called The Dagg Haunting. News of that play put Shawville on the map in some corners as poltergeist enthusiasts and larger news outlets descended for more details, and it provided Graham with a boost of confidence in exploring his creative side.
From there, he has acted in several of the Players’ productions and directed many others. He has even written and produced creative pieces for a comedy series on Valley Heritage Radio called Fresh Eggs which is still available via podcast. He firmly believes that, as he says, “theatre doesn’t make a healthy community but it is a sign of a healthy one.”
And when he’s not showing signs of a healthy community through theatre, Graham is absolutely additive to the health of it in various other capacities. He is the Executive Director of the Western Quebec Literacy Council, he is a council member for the Municipality of Bristol, he sits as a commissioner on the Western Québec School Board, he helps his family run local business venture Coronation Hall, and he runs his own apple orchard. Add family man to that list and you have a robust ambassador of community.
There is synchronicity with the production currently in the works as it is wholly intended to be about and for community, and is actually a play within a play, requiring both the cast and audience to embrace at least some creative gymnastics in order to keep pace. Without spoiling too much of what is to come, the title of the play offers a fair idea of the comedic tumult to ensue when a troupe of community actors portrays a troupe of community actors putting on a play for the community where pretty much everything goes awry.
Graham suggests that at least part of the allure and joy for him and the entire cast lies in the fact that all have experienced many of the play’s plot points in real life where lines have been missed, props have failed or actors were suddenly absent and improvisation had to take hold. From an audience standpoint, it makes for an entertaining romp akin to a Carol Burnett skit where Tim Conway constantly offers a side-eye to the audience inviting them in on the joke. “We’ve all been there,” says Graham, “and our guiding light is our own experiences.”
There are lots of moving parts to this production – both literal and figurative, and designer Will Bastien had to rely upon his many talents to envision and construct a worthy set that needs to function, and fail, at the correct moments. Graham indicates that the play relies heavily upon situation comedy reinforced by a well-integrated set, for which Bastien’s involvement was key because “he’s a local boy who studied this and really knows what he’s doing.”
The community will see Ken Drummond on stage, but he’s actually acting as Max who is in turn acting the part of Cecil. Deb Stephens plays Sandra who plays Florence, Gord Graham plays Chris who plays Carter, Matt Lottes plays Rob who plays Thomas, Leona Lalonde plays Dennis who plays Perkins and Neil MacIntosh comes out of acting retirement to play Jonathan who plays Charles. Lynn Spencer as Annie and Gavin Murray as Trevor round out the cast and it’s almost useful to have this information handy while watching the play as it provides ballast against understanding the hilarity on stage, and for holding onto the thread of what is real and what is not. As Graham says, “it can be very confusing and I had to tell the cast that it’s ok to overact when playing the community actor, but the main character has to be authentic. Even saying that is confusing.”
In order to help position actors and roles before the play takes to the stage, the Players have been lighting up their social media pages with faux-profiles corresponding to the community actors, but not the actor playing the community actor. Wrap your head around that! “They’ve been really quite fun and successful,” says Graham.
Bringing the Pontiac Community Players’ contributions to community full circle, Graham hopes to present the Pontiac High School with a monetary gift at the end of the production’s run. They’ve been doing this through the years and the school, in turn, has made substantial renovations to the theatre and stage including installing new seats, curtains, lights and a sound booth. “It’s the nicest stage available to us”, says Graham, “and we are glad to give back and grateful to be a part of it.”
On this rehearsal day, the 130 seats are occupied by stagehands and actors when they’re not on set and you can feel that this is fun. They’re there because they enjoy it and they hope you do too. This is, after all, their community and they’re glad of  it.

What can go wrong in a one act play? Read More »

The Christmas Hooley comes but once a year

Glen Hartle, reporter

Funded by the Local Journalism Initiative

St. Paul’s Anglican Church has been around a long time. The first Anglican service was way back in 1827. The initial church building held service for the first time in 1842 and the building we now know as St. Paul’s was consecrated in 1880.

While the Hooley hasn’t been around quite that long, it has been a part of St. Paul’s since 2015. Each Friday evening has seen musicians and locals circle to the hall at the back of the church for what has become known as a bit of a shout out to the Irish roots of town and the old-style kitchen parties which took place in the old country.

With little-to-no protocol other than “let’s play music and have fun”, the gathering has always been informal and completely rife with joyful toe-tapping, finger-snapping and lip-syncing accompaniment.
This past Friday saw the Christmas version of the Hooley and it was wholly true to form.
On stage were no less than 17 musicians who spread the width of the hall and spilled into the first row of seats. The entire ensemble cast included faces familiar to the Hooley as Cathy Scullion, Christine Anderson, Joe Burke, Robert Wills, Robert Brown, Paulette Gauthier, Celine Abbott, Barrie Murray, Sandy Ireland, Brian Kilgour, Bobbie Dale, Brent Plouffe, Lynne Tourangeau, Mike Baader and Cliff Welsh all making return trips to the stage. Young new additions included fiddle-playing phenoms, Every Griffen and Laura Sally.

While the official start of the program was 7 p.m., the entertainment began much earlier as musicians prepared themselves and their gear for the show. Bows were rosined, guitars were tuned, mics were adjusted, music sheets were sorted, amps were dialed in, fingers were limbered and anticipation was rampant. Off stage, a growing crowd made clear their intent on having a good time and members of the Anglican Young Women’s Association (AYMA) made ready the hall, stocked the refreshment counter, greeted newcomers and offered tickets for both a 50/50 draw and an annual Christmas basket draw full of goodies valued at more than $700.

Once the music started, it did not stop for almost two and a half hours of joyful celebration. It started with Christmas in the Valley and 41 songs later ended with, naturally, a We Wish You A Merry Christmas singalong for everyone. In between, attendees were treated to everything from known Christmas tunes like Joy to the World, Frosty the Snowman and Jingle Bells, as well as to some outlier and yet equally compelling numbers such as Debbie’s Waltz, Will the Circle be Unbroken and Rollin’ in My Sweet Baby’s Arms.

Robert Wills brought the house down with what could have easily been a part of an encore set with a song he penned himself called The Chicken Song wherein he actually clucks and crows as a part of the lyrics. Celine Abbott created a stir with her all-in rendition of Rita MacNeil’s Working Man as she held nothing back and brought the audience along with her. Brent Plouffe’s blue guitar sang out, as it always does, as he crafted riff and augmented each song with melody, harmony or rhythm and sometimes all at once. It was always delightful to hear Abbott call out “Brent!” inviting him to jump in and take the song she was singing even higher.

There was a familiarity to the whole evening which truly had it feeling like a family gathering. Kids were at the back of the hall playing with toy trucks, there were smiles and quiet chatter all around, people could be seen testing the refreshment bar while stopping to meet and greet along the way, and nowhere was there anything even resembling a hurry.

The Hooley takes a break for Christmas but will be back early in the new year. Check the Community Calendar here at THE EQUITY for dates, and, Merry Christmas from their kitchen to yours.

The Christmas Hooley comes but once a year Read More »

United Church celebrates Cheryl Campbell’s 50 years as choir director

Glen Hartle, reporter

Funded by the Local Journalism Initiative

Shawville United Church will soon celebrate 200 years. For more than a quarter of that time, Cheryl Campbell has been with the choir at the church, first as a member and then, for the last 50 years, as director. She was honoured in a special musical celebration Sunday that saw the church doors thrown wide and the community invited in.
There are many ways to show gratitude and appreciation, and the Shawville United Church demonstrated that it leads by example, not only espousing the message of goodwill accorded to the historical figure of Jesus of Nazareth, but by also putting faith into action with a joyful celebration of humility and community in keeping with the best of verse and, certainly, the best of the season.
The congregation at the church usually consists of some 50 or 60 parishioners and, while not quite full, that number ballooned for this special celebration.
The overall service felt like a well-coordinated event. Ushers Dorothy and Em Morrison, Sandra Barber and Allan Dean were welcoming spirits at the doors, knew everyone who entered and were of great assistance to any and all. Once the congregation was seated, Reverend Schalk W. Naudé took his now familiar, and yet somewhat new, place at the altar and in the loft behind sat a large choir ready to provide backdrop against which the festivities were to unfold. The bright light of day streamed through stained glass windows providing thematic decor and an almost jubilant aura. Commemorative poinsettias were scattered throughout the sanctuary in memory of loved ones past. The scene was set.
The Reverend, newly at the church and of South African roots, ran a balanced service complete with scripture, self-deprecating humour, light stories intended as allegory for moral teachings, engagement with various members of the parish and well-timed to-and-fro with both the choir and the celebrant. From a layman’s perspective, theological positioning aside, he was a very good emcee.
There were a variety of tributes to Campbell and they, individually and collectively, highlighted in turn just what an impact she has had on both the church and the community at large.
Glenda Baker led things off by sharing words sent ahead by former minister of the church, Paula Mullin. “In the midst of an already busy life and teaching career, you made time all those years ago to be a part of our choir and we are so grateful,” Baker shared. She also spoke of the value of Campbell’s leadership, encouragement and willingness to share of herself, and of her impact beyond the church walls. “You were an active member of Pontiac Players, often as the leading lady, and I remember all of those times you directed children at the McDowell Elementary School and accompanied the children to choir competitions throughout the region.”
Joan Conrod shared tales of Shawville from when Campbell first came to town and through the years, Eleanor Hayes shared “best-friend” giggles and Basil Hodgins shared words offered ahead by Beth Armitage, who suggested she may be the only one left who remembers that fateful Tuesday evening when Campbell first came to choir practice. All lent merit to the growing acknowledgement of legacy being crafted.
Reverend Naudé held nothing back in his summary of Campbell’s impact. “You have woven celestial melodies bridging the earthly and the divine, creating a tapestry of unity that binds our community,” he said.
As a part of his delivery, he unveiled a new plaque to be placed on the walls of the sanctuary of the church. “May this serve as a perpetual reminder of Cheryl’s enduring influence – a hymn to her tireless devotion and the lives she has enriched through music,” he said.
Emblazoned on the plaque under her name and praise, are listed phrases from six passages in the Bible all highlighting the joy and the importance of music and song in faith and chosen by members of the choir.
For her part, Campbell was clearly moved by the show of affection, admiration and support. With specific call outs to various pews of the gathered, she summarized with, “Thank you for this wonderful gift of a musical celebration. My life has been enriched by the people I have had the privilege of working with at Shawville United Church and this is wonderful and overwhelming. Blessings and thanks to all of you for this tribute.”
Throughout the service, the choir, still directed by Campbell and accompanied by Vincent Mar, raised their voices to amazing heights. They sang several pieces already familiar to the gathered including Open Our Eyes Lord, A Candle is Burning (Away in a Manger) and The Lord’s Prayer. What truly brought the musical celebration to a pinnacle was the final blessing song, I Believe. Here, the entire cast of musical talent met on an inspired plane offering Campbell both tribute to, and evidence of, her legacy.
Following the service, the entire congregation was invited into the community hall at the back of the church for a potluck lunch hosted by the United Church Women. There, a robust atmosphere of joy was elevated higher with a feast of broad offerings from a team of cheery apron-sporting ladies. The hall was alive.
As if celebrating 50 years as choir director wasn’t enough, the day also represented an 80th birthday party for Campbell and, as such, the potluck lunch was followed with appropriate singing, cake, ice-cream and gifts.
In the annals of Shawville’s United Church, Cheryl Campbell will be remembered and she will be remembered well.

United Church celebrates Cheryl Campbell’s 50 years as choir director Read More »

Finances and personnel addressed at artPontiac AGM

Glen Hartle, reporter

Funded by the Local Journalism Initiative

Local art association artPontiac held their annual general meeting (AGM) on Thursday at its Portage du Fort headquarters, the Stone School Gallery.
As a precursor to the AGM, the association had held a special meeting on “The Future of the Pontiac Artists’ Association (artPontiac)” on Nov. 9 where they advised members, supporters and community members alike that the livelihood of artPontiac was in jeopardy. At that meeting, they invited anyone and everyone to step up, prepare for the AGM and consider how they might contribute moving forward, considering the significant challenges the past few years have represented.
Given the severity of the issues facing the association, President Cheryl Beillard invited an outside facilitator from the Pontiac Community Development Corporation (CDC Pontiac) to run the meeting. Ellen Boucher, Director of Development for CDC Pontiac, stepped in and joined Beillard, Vice President Clair Taillefer and Secretary Linda Roy at the head table.
Attendance was balanced between a virtual cluster via Zoom and about thirteen persons at the gallery. The total number of attendees was less than at the special meeting just weeks prior.
As reported in THE EQUITY (artPontiac at a crossroads, Nov. 16, 2023) the biggest issues for the association relate to finances and personnel in that both are in short supply. These two items became the focus of the bulk of the AGM.
Beillard and Taillefer took turns presenting specifics contained within the Annual Report and were happy to report on the successes of the past year including a Professional Development Day, roundly applauded exhibitions at the gallery, the second year of running the Stone School Shop and a popular weekly schedule of “Plein Air” art sessions.

On the flip side, they noted a decline in participation with courses offered via the Pontiac School of the Arts branch of the association and cited several initiatives that did not reach fruition for a variety of other and yet similar reasons.
Adding to the overall tenor of monetary alarm, the financial report for the year, as presented in the handout and official Annual Report 2022-2023, was not adopted. Beillard took length to specify that there were errors in the report, what the errors were, and the difficulties that the association has had in dealing with the professionals on board to deal with such things.
The meeting took the unusual act of not accepting the financial report and also of not appointing auditors and accountants for the next year. It was accepted that the new board would have as a top priority the reconciliation and resolution of these items. It is here where Boucher’s experience and expertise were most on display.
Operationally, Beillard noted that the lack of helping hands meant that she, Taillefer and Roy have been running as a “working board” and this has to be a top, if not the top priority for the association. “There are simply too many tasks to be accomplished by too few people and we need more shoulders to the wheel,” she said.
Boucher stepped in and affirmed that artPontiac is not alone in this and “it’s a real struggle everywhere.”
In an effort to help an incoming contingent of hands, should there be one, the current board has taken measures to document as much as possible the discrete items comprising the various tasks making up the bulk of the association’s activities. They also said that they are all staying close at hand and are offering to help in the year ahead.
An initial cycle of nominations and votes resulted in only two board members, not enough to retain legal status as an association. Once this became clear, Stephanie Pete, attending via Zoom, stepped up and became a third board member offering the association a chance to move forward. She joins Bryan Chen and Maureen McAuliff as board members for 2023-2024.

Finances and personnel addressed at artPontiac AGM Read More »

McDowell throws a beach party

Glen Hartle, reporter
Funded by the Local Journalism Initiative

The McDowell Elementary School in Shawville hosted a somewhat unusual winter party on Thursday. With colourful floral leis, tropical attire showcasing love for the sand, essential 60s era music wafting through the air, a tiki bar with fruit snacks and water, and a seemingly endless supply of party-goers, the McDowell Beach Party caught a wave and rode it ashore.
Brainchild of Bonnie Richardson and Greg MacIntosh, the party had been planned since September as a way to let parents know what their kids were doing in music class at the school and as a seasonal way to have something fun to do. The idea resonated strongly with parents and attendance was more than expected.
What was hoped for was fun and they had that in spades.
With MacIntosh on the keyboard and Richardson acting as emcee, conductor and sometimes guitar player, the roughly hour-long party was part sing-, dance- and clap-along and there was broad participation across the ages. On stage getting things going were the four-to-seven year old attendees of the school and they were encouraged to peruse the audience for would-be additions to the stage, which often resulted in parents and grand-parents making their way onto the gym floor as clear targets for young love.
Various tunes, popular across the ages, played across the mouths of the young and the less young. If You’re Happy And You Know It, We Are Children of the World, and We’re Going On A Bear Hunt resonated fully and these were augmented by a delightful rendition of Circle of Song with Richardson and MacIntosh and their Gingerbread Choir of youngsters. The evening culminated with a Conga Line and an invitation to limbo out of the gym and on to the rest of the season.

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Warden’s Breakfast champions philanthropy for Pontiac’s good causes

Glen Hartle, reporter
Funded by the Local Journalism Initiative

The second annual Warden’s Breakfast, in support of the Centraide Outaouais 2023 campaign, was held at the Recreation Centre in Campbell’s Bay on Monday morning. With 129 tickets sold in advance and more at the door, it was a big success.
MRC Pontiac Warden Jane Toller served as both host and emcee of the buffet-style meal which featured a broad array of breakfast fare and a diverse parade of speakers.
Toller was joined by Centraide team members Denis Harrison (President of the campaign), Cédric Tessier (Director General), Noëlla Beausoleil (Philanthropic Development Director) and Sara Ait Jilali (Philanthropic Development Advisor).
Also in attendance were several mayors including Colleen Larivière (Litchfield), Lynne Cameron (Portage du Fort), Sandra Armstrong (Mansfield and Pontefract), Christine Francoeur (Fort Coulonge) and Doris Ranger (Sheenboro). Those unable to attend contributed their purchased tickets to a pool to enable residents of retirement home Freinds of St-Joseph’s Manor to attend.
The seven associations that Centraide supports locally are Bouffe Pontiac, Centre Serge-Bélair, Comptoir St-Pierre de Fort-Coulonge/Mansfield, Le Jardin Éducatif du Pontiac, Les Maisons des jeunes du Pontiac, Maison de la famille du Pontiac and Patro Fort Coulonge/Mansfield.
A final tally of funds raised from the event is forthcoming, however, Toller suspects it will be more than double last year’s contributions to the association.
“Let’s not see this as an end point, but as a beginning,” she said. “We look forward to growing this event bigger and better with each passing year, ensuring that our community continues to thrive and support one another.”

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Legion hosts Comedy Night

Glen Hartle, reporter
Funded by the Local Journalism Initiative

Local boy Eric O’Brien, from Vinton, came back to his roots and brought some fellow comics with him for the comedy night hosted by the Royal Canadian Legion Branch 162, also known as the Pontiac Legion, this past Friday evening.
Mona Woodstock, secretary for the Legion, said “we wanted to try something different,” and big city comedy in small town lights sounds different.
The small building the Legion calls home seats, at most, 50 people and is essentially a walk-in off the street kind of place. There’s a bar at the far end, windows on the sidewalk side sandwiching the main door, a piano, ample community-style seating and commemorative memorabilia on most walls and surfaces. It’s an intimate environment and one that would seem to lend itself well for comedic routines where familiarity is part and parcel of the show.
Enter Eric O’Brien and Friends.
O’Brien is a tall fellow with a jolly disposition and he was clearly in comfortable and familiar territory standing in front of a crowd with a microphone in his hand. He has previously worked at CHIP-FM as a journalist and content creator, has experience in ad work for radio and television and also has experience in podcasts. The fact that the audience was essentially his home turf likely added to his ease. Or did it?
Standing in a casual two-tone hoodie and quilted pull-over puffer vest, he looked at home with his mom, dad and several other family members looking on.
“I don’t usually let anyone I know come to my shows,” he laughed as he got the evening rolling. “However, I now get to embarrass my family.”
With O’Brien were three friends from the city, all comedians with various levels of experience. First up was Jake Daly and, to use O’Brien’s words, his routine was “kind of intense.” That is an understatement. As is the case with comedy, some of his schtick worked and some did not, and the audience of a largely older crowd wasn’t always quite in tune with his – um – intensity.
Next up was Andreas DeChellis, newly testing his comedic chops. His self-deprecating humour and youthful disposition were endearing and, in his own words, he’s still working on things.
After a pause for refreshments, O’Brien once again took the mic and offered some amusing banter before handing the floor to veteran “he’s seriously in the top ten in Ottawa” comedian Jeff Davis. It is here where the show took flight and the audience let loose with their appreciation. Davis is a large man who uses his size as a part of his routine and “accidentally winning a pie-eating contest” was met with enthusiastic laughter. He held court for the remainder of his stint and the Legion came alive.
All in all, O’Brien showed the Legion, family and friends that he has both aspiration and talent, and is surrounded by a fellowship that supports him. For the Legion and its clientele, let’s hope they “try something different” again, because it was good fun this time around and we want more.

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ArtPontiac at a crossroads

Glen Hartle, reporter
Funded by the Local Journalism Initiaitive

Local art association artPontiac held a special meeting on Nov. 8 with a twofold agenda: inform the membership of an existential challenge, and invite them to step up.
ArtPontiac has been around since the early 1990s segueing from a small group of passionate artists into a chartered not-for-profit boasting over one hundred and twenty five members. Over the years it has successfully mounted and run a school of the arts, a studio tour, a gallery and a residency program, among various other activities largely within the community.
Since 2012, they have hosted over 400 students through more than 80 courses or workshops. They have provided space for, and promoted, over 360 artists via exhibitions at the gallery in Portage-du-fort. Association president Cheryl Beillard imports that they have been an integral part of communities on both sides of the Ottawa River for more than thirty years and are recognized as “a driving force for the development of arts and culture” in the region as a whole.
Over the last few years, the tour and residency have fallen off the association’s objectives and they have focused primarily on running galleries both at the Stone School in Portage-du-fort, which doubles as the association’s headquarters, and in various in-situ galleries throughout the region. They have also leaned on activities at the school and a newfound in-house and permanent shop.
Beillard, who has been at the helm for the last two years, led the charge in addressing the membership and interested parties gathered in person and via video link at the meeting. All were clearly vested in what Beillard had to say.
Beillard started by summarizing, generally, the association’s genesis and upbringing before moving into the challenges of the last few years leading artPontiac to the point where they are today.
The gist of her message was clear: the association is at a crossroads and, while severely challenged, she believes that there is a clear way forward.
At the core of things, Beillard indicated that artPontiac has asked for, and was refused, funding relief from the MRC Pontiac to cover the $7,200 rent for the building. This, coupled with dwindling bank reserves and the current trend of difficulty in securing financial influx, has rendered the viability of the association to be called into question.
The majority of annual funding for the association has seemingly come from various grants accorded over the years and these have largely dried up, thanks in part to a reluctance on the part of the various governments to support the association as well as from a lack of dedicated gra,nt-writing expertise from within.
Beillard suggests that “what we are asking for is not something novel. Municipalities generally view supporting art organizations not as a subsidy but as an investment.”
Complicating the picture, continues Beillard, the association has had substantial difficulty in securing participation from the members in the form of volunteerism. For a not-for-profit that relies 100% on volunteer efforts, this is problematic in the extreme.
It should be noted that artPontiac is not alone in this. As reported in THE EQUITY (October 25, Connor Lalande), there is a dearth of volunteers, generally, throughout the region and community groups are struggling everywhere with a lack of participation.
Beillard’s message wasn’t wholly doom and gloom and she intoned that “We can do it.” She envisions a multi-pronged approach to success which relies upon a renewed attention to grant-writing and hinges upon finding a slate of volunteers willing to step up and in. She provided a volunteer signup sheet highlighting a broad list of activities requiring help. “No offer of help is too small”, it starts, and indicates that many of the tasks can be done remotely and in a piecemeal fashion, alleviating the fear that these tasks might be all-consuming.
The association hosts their Annual General Meeting (AGM) on November 30 and they hope that members will attend en mass, elect a strong board and be ready to engage in a new frontier.
If you would like to help, volunteer or get more information, contact info@artpontiac.com.

ArtPontiac at a crossroads Read More »

Players and Shawville Lions made Murder Mystery Evening a community event extraordinaire

Glen Hartle, reporter
Funded by the Local Journalism Initiative

In both name and function, the Pontiac Community Players showed what they’re all about in joining forces with the Shawville Lions Club and hosting a whodunnit dinner with city firm Murder Mystery Ottawa. The “community” in their name isn’t just for show, and they set out to prove it.

Val Twolan-Graham, vice-president of the Players, took a bit of a leap of faith in coordinating the evening suggesting, “I really didn’t know where this would go.” The price point was a little higher than usual for Shawville fare and a stage show – audience extravaganza didn’t have the advantage of being well-known in town. Notwithstanding, a near sell-out crowd dressed for the occasion and filled the Lions Hall with anticipation, laughter and joy.

The decorating committee did well to organize seating in a series of chevrons all directed toward a central stage. This guaranteed that there wasn’t a bad seat in the place and also afforded space for the interactive nature of the spectacle. After all, something ill was afoot and a murderer was amongst the gathered.

For their part, Murder Mystery Ottawa entertains. While the murder scenario may have been pretense for their presence, their talent and energy carried the evening aloft. Company president Pete Dillon led the charge as Officer Torque Penderloin and his role was part emcee and part active participant in the scenes unfolding around the hall. Joining Dillon were long-time troupe members Erin McNamara as Judi Rockwell, a somewhat “desperate-housewives-of-Shawville” type character and Gabrielle Mackenzie as Sandy Beach, a Playboy Bunny wannabe.

Rounding out the cast was veteran entertainer and relatively recent addition Byron Brydges as Donnie Cocktail, the slick “Cousin-Guido-From-Jersey” fellow, and making his stage debut with the group, William Wueppelmann as Chip Rockwell, the bruised and battered not-quite-confident backseat husband to fun-loving Judi.

Rounding out the production team was stage manager Elena Ienzi, whose contributions off-stage were no less important than those parading through the chevrons with their tales of woe and intrigue.

Together, they sang, danced, schemed, plotted, lied and generally entertained. Their routine brought audience members into the fray from the get-go, with piano-playing, French language-teaching local Greg MacIntosh being the first to enter the story as the murder victim, staggering into the hall with scissors protruding from his back. From there, Ed Walsh and Mike Richardson became court judges, complete with prop wigs. Joe McCleary and Eric Smith learned some slick dance moves, and various others were seamlessly integrated into a wonderful production of fun. Laughter and engagement was secured in all corners of the hall.

In keeping with the audience participation, all attendees were invited to submit their candidate for “who murdered Greg.” Nineteen got it right, and a sampling of those were rewarded with gifts from the production.

That’s the playbill part of the evening.

The rest of the evening was one of all things community. The door was managed by Lions chair, Chris Graham, and Players treasurer, Marguerite Carmichael. The hall was decorated with a team quarterbacked by Players actor and creative designer, William Bastien. Dinner was catered by Cartrites with Lisa Cartman and her team of five hustling to and fro with buns, salads, roast beef dinners, desserts and coffee. The canteen was handled by Lions Dalton Cluff and Kevin Hannaberry, who made sure that refreshments stayed the course.

Not least of all, there was a list of sponsors which took up almost a whole page itself. It included: Boutique Bronson, Café 349, Candles in the Attic, Cartrites, Chateau de Dollar Plus, Coronation Hall, Euterra, Giant Tiger Shawville, Hursty’s, J&J Grocery, Jolie Folie, K&L Dairy, Kids-Cows-and-Flowers, Marché Bristol Market, Pontiac Community Players, Ron Strutt, Serenity Salon and Medi-Spa, Shawville Lions, Shawville Shooz, Shawville 150 Committee, Stedman’s V&S, Trevor Howard, Uniprix Ahmad Hassan, W.A. Hodgins Store and WePC Inc. How’s THAT for bringing the community together?

All that was missing were the town firemen. Oh – hang on – there they were at table six. Right there next to Shawville mayor Bill McCleary, and across from Arnprior mayor Lisa McGee. The post office person was there and that lady who works at Giant Tiger was there too. That farmer with the dairy just outside town was there and so was his wife. The lady who runs the flower shop was there and so was the one who runs the grocery. The mechanic was there and so was his neighbour, and – wow – who wasn’t there?

Five $100 draws were given out, all with products donated for the occasion, and there was a gift raffle, also with items from the broad list of sponsors. All funds raised by the 50/50 draw went back to the Lions Club and the Community Players as the lucky winner, Ruth Strutt happily donated her winnings.

This event – A Murder Mystery Evening – brought the community together in a way that should long resonate and which could, just maybe, act as a template for future events aiming to bring the best of community together. For it did that, and then some.

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Bryson does Halloween right, raises funds and food for Bouffe

Glen Hartle, reporter

Funded by the Local Journalism Initiative

The Association Récréative de Bryson (Bryson Recreation Association) hosted an array of wee
ones on Friday for the annual Halloween Party. The energy was high and so was the joy.
On hand was a plethora of everything that makes Halloween come alive. The hall was
generously decorated with everything from spider webs to suspended ghoulish-globes.
There was music spinning a wide array of tunes for all ages including classics like
Michael Jackson’s Thriller and the theme song for the Addams Family. There were nibbles,
refreshments, games and hosts, all designed to convert reality into fiction, if for just a little while.
Most of all, there was a great variety of children in costumes
ranging from princesses to pirates and even a flamengo dancer.
All in all, some 88 youngsters joined the fun and some even
brought an oldster or two along for company. After all, it’s not
easy being a two-year-old-police-boy on your own. Association president Julie Ryan
beamed at the turnout, “Most members of the association have children, and we love doing
all sorts of kids’ activities. From ball soccer to summer camp, we like to keep the kids active and
we love the annual Halloween Party.” Ryan was in charge of the games – including “Pass the
Pumpkin” which heralded in a whole new level of energy amongst the party-goers.
Helping Ryan as emcee and DJ was association vice-president Meghan Griffin. Association sec-
retary Shyloh Pasqua took care of the canteen while volunteers Alexandra Ryan Vaillancourt and
Amanda Baird took care of the door and donations. At evening’s end, Melissa Stewart and Chantal
Gravelle jumped in to help clean up. This was truly a team effort.
There were prizes awarded for Most Original costume and for Best Overall. These were further
divided by age groups: 0-3, 4-7 and 8+. For the 0-3 grouping, soon-to-be-one-year-old Annabelle
Gravelle and her big brother, Ben, absolutely stole the show in their mousetrap and exterminator
getup taking the Most Creative props. Violet Kelly took home Best Overall as a butterfly.
For the 4-7 grouping, Noah Pasqua took Most Creative as Red Among Us and Kennedy Griffin
stunned as a Flamenco Dancer, complete with moves to match.
She took Best Overall. Rounding things out, in the 8+ grouping, Nadia Durocher took
the creative crown for her version of Pennywise, the IT clown; scary never looked so good. And
Best Overall in the grouping went to Jayden Chevalier as a ginormous dinosaur, who, it should
be noted, provided substantial inspiration for all of the would-be Jurassic Park fans in attendance.
Each prize winner received agrab bag of goodies with games, books, play-doh and more.
As for the games – what enthusiasm. Emcee Griffin had her work cut out for her in keeping
things on track as the madding crowd (with nod to author Thomas Hardy) circled. Granted,
they were asked to circle in order to gear up for the first game, Pass the Pumpkin, but this did
nothing to take away from the teeming sea of costumed specificity highlighting the moment.
It was positively delightful and, if deciblage can be used as reference, the excitement already on
display went completely off the charts. Like, way off. Game winners won glow stick
packages that will likely come in handy on Halloween night. All kids left with a grab bag donated
by the association. As if that wasn’t enough goodness for one evening, attendees were invited to bring food and
cash donations for Bouffe Pontiac. Bouffe Pontiac, headquartered in Campbells Bay, aims to
provide access to healthy food for those in need. Director General Kim Laroche intones, “We
have an increase in demand with more and more working families at minimum wage in need.”
She shares that November is usually almost as busy as the Christmas
period for them and that any and all contributions are greatly appreciated.
For their part, the Halloween Party with the Bryson Recreation Association contributed several
bags of non-perishable goods along with an envelope of good will. This dress rehearsal for
Halloween had it all and if that was the rehearsal, the show must have been off the rails.

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Ian Tamblyn brings folksy story-telling charm to LRW

Accompanying Tamblyn on stage at Little Reg Wagon Winery were two equally captivating personages in the form of Fred Guignon and Pat Maher.

Glen Hartle, reporter

Funded by the Local Journalism Initiative

Ian Tamblyn’s official introduction on the 2021 Governor General’s list of appointments to the Order of Canada, as an Officer, states that he is being so honoured for his “enduring contributions as a folk music icon, adventurer and cultural ambassador for Canada.” He brought all of that – ALL – to stage at The Little Red Wagon Winery on Saturday evening for the fourth time in the last five years, disrupted only by the upending of 2020.

The at-times boisterous hum which usually precedes events at the winery was somewhat subdued and one had a sense that there was some type of deference at play. Once Tamblyn took stage, it took but scant moments to realize why.

From the first moment Tamblyn addressed the mic, he had everyone in his hands. Granted, they were likely predisposed to be so guided as almost all present were already familiar with him, his story and his artistry, and those unfamiliar were immediately charmed by his unpresuming candour.

Tamblyn governed the flow of things with his balance of story-telling and musicianship, for his is a story where life and artistry have fused to the extent that delineation between the two is now difficult, perhaps as many folk musicians have previously experienced. Thus, he regaled the gathered with tales both amusing and serious, small and grand, local and worldly all while leveraging a somewhat vast catalogue of songs to segue between them all.

The primary billing was given to Tamblyn, but it could equally, and perhaps more accurately, have been billed as “Ian and Friends”.

Accompanying Tamblyn on stage were two equally captivating personages in the form of Fred Guignon and Pat Maher. While Tamblyn’s story-telling while strumming his own guitar was the base, it was the expressive phrasing of the two additional talents which brought the stories to life. The trio has a long history of playing together and their familiarity was apparent.

Guignon has long been a part of the local music scene, appearing on albums by Sudbury songstress Kate Maki and by Montreal-born Ottawan and Greek Canadian, George Sapounidis. His luster, while offering subtle backdrop to Tamblyn’s words, was book-ended by captivating solo riffs where his talent on guitar, both electric and steel, was evident and electrifying. Notably, his quiet confidence made all vulnerable to his searing delivery.

For his part, Maher, who often plays neighbouring Wakefield at Le Hibou or Fairbairn House, either solo or as a part of Tractor or Pickachune, brought contrast. Not so much in his demeanour, as he is one with Tamblyn and Guignon on that score, but for what he brought to bear. One could almost decide that his contributions on bass guitar were the highlight of his offerings – if not for the equitable nature of the quality soundboard which allowed for wonderful nuance in his background vocals. Almost-not-there, Maher’s voice softened Tamblyn’s own delivery and brought depth to the story being told.

Together, the three musicians offered much more than three chord progressions. Tamblyn capoed his guitar for several numbers, bringing the sound up to the realm of that of a mandolin. He even tuned his guitar at one point while singing and playing through – a feat deserving of great praise from, at the very least, those of us challenged by chewing bubble-gum and walking at the same time.

Guignon, swapping out his guitar for the lap steel and back, gladly took the reins when offered, as if bringing operatic-style string arias to en epic tale unfolding beside him. And through it all, Maher anchored things with an unwavering bass which at times belied the folksiness with an uptown edge.
Altogether? Mesmerizing seems the only description possible. For just under two and a half hours, Tamblyn took the audience with him on a tour of both his memories and his escapades, offering generous anecdotes along the way. From Sable Island to St. John’s and from Scotland to White River, you could have heard a pin drop while Tamblyn held court. There were no murmurs or chatting or cell phone interruptions; only artistry on display.

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