Panos Michalakopoulos

Montreal matches Tinashe’s freak

Montreal matched Tinashe’s freak on Nov. 10 at MTELUS. Photo Dorothy Mombrun

Panos Michalakopoulos,
Local Journalism Initiative

The “Nasty” singer dazzles MTELUS

R&B sensation Tinashe brought the Match My Freak World Tour to a packed house at MTELUS in downtown Montreal on Nov. 10. With a hypnotic vocal performance and stunning choreographies, the Grammy Award winner was met with an outpouring of love from Montreal fans.

The show kicked off at 8 p.m. with a flawless DJ set from Robin Banks, who set the tone with a mix of rap and R&B hits. Her set conducted the audience through a variety of synths from Mariah Carey’s “I Know What You Want” to Amaarae’s “Princess Going Digital,” volleying between early 2000s classics and newly released tunes.

“It’s super surreal,” Banks said. “I literally just started mixing seriously like maybe two years ago.”

The energy shifted as Raveena took the stage, inviting the crowd to meditate with her under a crystal tree. The pro-Palestine artist was not afraid to utilize the stage in her choreography as she twirled, danced and emitted loving energy during her performance. In her half-hour set, she led the audience to look inward and get into the rhythm of her soft melodies. She sang about the journey of loving oneself and the ecstasy of love. 

The “Junebug” singer sent the audience into a trance and welcomed everyone to her community. 

During a short intermission, Raveena’s bandmate Jenn Clemena-Magat showed off her poignant skills at instrumental guitar play.

“We wanted to pay homage to Aaliyah tonight with ‘At Your Best (You Are Love),’” Raveena said after she thanked Tinashe for inviting her on the Match My Freak World Tour. As she concluded her set, Raveena invited fans to join her at the merch table where she made herself available for pictures.

The crowd’s excitement reached new heights as roadies set up Tinashe’s elaborate mise en scène and an altered remix of “Nasty” hit the speakers. The set featured three CCTV multi-camera stands, three jumbotron screens and a raised platform. 

When the lights dimmed, a mashup of relevant imagery of her three-act trilogy BB/Ang3l was projected on the screens, drawing the audience into what they were about to experience. 

Opening with “Getting No Sleep” from her newest album Quantum Baby, Tinashe had the crowd singing along from her first note. The setlist was rich with top hits spanning from the beginning of her mainstream career in 2014 to her current releases. 

“Tinashe’s breath control between the singing and the choreography […] she ate that,” said Marlyne Désir, a Montreal performer and Tinashe fan.

The star’s backup dancers added flair and storytelling with their twin-like facial expressions, emotive movements and constant interaction with the audience. During “Unconditional,” one of the dancers reimagined themselves as a prop and held Tinashe’s mic stand for her. When “Gravity” started playing, a dancer from her crew became a live videographer, capturing the headliner as she walked up to the main stage. 

“It’s been freaking amazing,” said Yevyn Alam, a dancer for the Match My Freak World Tour who has worked with Tinashe since Oct. 14. “She’s so beautiful [and] such a crazy talented artist.”

Before the last third of the show, there was a memorable and nostalgic mash-up video projected on the jumbotron screens where Tinashe’s career highlights and online fan interactions were presented.

Soon after, the perfect introduction to Tinashe’s new hit “No Broke Boys” was displayed: a clip of a 1996 Cher interview where she stated: “My mom said to me, ‘You know sweetheart, you should settle down and marry a rich man.’ I said, ‘Mom, I am a rich man.'”

Tinashe closed with none other than “Nasty,” the viral song that relaunched her back into the spotlight earlier this year. The moment she sang, “cause it feels like heaven when it hurts so bad,” a surge of excitement pierced the crowd and everyone started dancing and screaming every lyric at the top of their lungs.

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Old Port tourist season foiled by heavy construction

Montrealers raise concerns about construction. Photo Panos Michalakopoulos

Dexter Pahmer,
Local Journalism Initiative

Philippe Dubuc, a fashion designer for Sarah Pacini in Montreal’s Old Port, has watched the year’s most anticipated season pass him by. Ongoing construction on St. Paul St. W. significantly diminished access to his store, resulting in disappointing sales numbers.

Philippe Dubuc, a fashion designer for Sarah Pacini in Montreal’s Old Port, has watched the year’s most anticipated season pass him by. Ongoing construction on St. Paul St. W. significantly diminished access to his store, resulting in disappointing sales numbers.

“Of course there was a decrease,” Dubuc said. “We’re trying to be conciliatory, but there are strong financial disadvantages; it’s unpleasant.”

Since the spring of 2024, pedestrians on St. Paul St. W. have been forced to move about on narrow walkways, wedged between shops and construction fences as they attempt to shop on Old Montreal’s foremost tourist street. 

The road itself has been ripped open while construction workers operate on the aging water main, repair the sewer, and finally aim to rebuild the sidewalk and roadway. In addition to utility repairs, the project looks to render St. Paul St. W. more appealing to pedestrians by enlarging its sidewalks and removing parking on the street.

In Montreal, as summer blooms construction, it is also peak season for Old Port boutiques. As a result, many business owners have reported negative impacts from construction near their businesses. 

Camille Albri, manager of Le Walk-In Montréal, a lifestyle and fashion accessory shop on St. Paul St. W., estimated that business has decreased “a good 35 to 45 per cent” due to the construction.

“We had no sidewalk. It was extremely noisy, so of course, far fewer people came,” Albri said.

Business is decreasing everywhere. Max Labé, an employee of Le Petit Duck Shoppe—a store selling a wide variety of rubber ducks—believes there are fewer people who want to walk on St. Paul St. W.

“The construction has led to very long lulls for businesses,” Labé said. “There’s absolutely no one in the store because of it.”

In the anticipatory phases of the project to redevelop St. Paul St. W., the city vowed to keep businesses open and accessible during construction, as well as maintain clear lines of communication with business owners. 

“We’re doing one sidewalk at a time,” said Sébastien Breton, head of planning for the project. “If the sidewalk is done on the north side, then we’ll set up walkways so people still have access. There should be no problem when it comes to pedestrians.”

“It’s not always easy to walk about the construction,” said Émilie Thuillier, borough mayor of Ahuntsic-Cartierville, “but assuredly the businesses remain open; all the entrances are always open. If work needs to be done on these entrances, then it is done at night.”

Yet many say that, in practice, this was not the case. Albri explained that construction workers did not warn businesses before closing down their sidewalks. 

“They put up a walkway, but it was still impossible to pass while they were pouring concrete,” Albri said. “It clearly wasn’t their priority. We had no idea what they were going to do on any given day. The only notices we got were when they cut off our water supply. For anything else, we arrive in the morning and we pray there isn’t too much noise, and that we can enter our business.” 

Likewise, Labé said that no one from the site would warn business owners about forthcoming noise.

“If we open the door,” Labé said, “the noise is strident. It hurts. Often we’ll get headaches from it.”

“It’s a pain in the ass,” resident Christiane Berzi said. “There’s always something that pops up that [the city] wants to do, so it’s like never-ending. We don’t see much results because everything is always under construction.”

Dubuc explained that there were several days when he had to close up shop because the store was basically impossible to access. 

“The fences change depending on the work they’re doing. So sometimes it’s a bit more possible to walk around, but other times it’s basically impossible to get anywhere,” he said. “It’s a labyrinth.”

When it comes to dealing with losses incurred by long-term construction work, the city has a compensation program that allows businesses to receive up to $40,000, provided the work lasts longer than six months and owners can prove a financial loss of 5 per cent or higher. 

However, business owners must wait until the end of the construction to request the amount. If a business goes bankrupt while there is ongoing construction, it is not eligible for compensation. The city also offers a lump sum of $5,000, which business owners can access immediately at the beginning of construction.

However, according to Dubuc, this sum is often not enough for independent store owners, who cannot necessarily lose a full season of business and remain solvent.

“A business might fail because of a construction site,” Thuillier said. “It’s not impossible, but it’s probably never the only reason. Sometimes the business is already doing quite poorly and perhaps the construction is the straw that breaks the camel’s back.”

Some business owners understand that these kinds of hardships are necessary in the long run. 

“It has to be done,” Dubuc said. “But it’s just sad that, as it’s happening, it has to be so difficult and cause the closure of so many businesses.”

The CBC reported that between 2019 and 2023 there were 419 claims submitted for compensation, and only 189 were approved.Thuillier said this rate is not an indicator of the program’s efficiency, but rather because business owners often cannot provide the numbers proving a sufficient decrease in business. 

Ahuntsic resident Hassoun Habib believes Montreal’s current “construction blitz” is due to poor municipal management. 

“Montreal has deteriorated [at the expense of construction]. It is no longer the way it used to be,” Habib said. “It’s an old city and it’s been neglected by previous municipal governments.”

Per the city, due to low budgets and long-lasting unpopularity, “maintenance work on Montréal’s infrastructures was postponed, resulting in a maintenance deficit.” The intensity of the city’s current construction aims to compensate for this neglect.

The pressure of construction felt by businesses across the island also weighs on residents. Maham Nahim, a Montreal native, doesn’t remember a time when the city wasn’t under construction. 

“I understand doing this to make Montreal a better place […] but it’s just that it’s been that way for so many years,” Nahim said. “Sometimes you don’t need to change everything.”

This article originally appeared in Volume 45, Issue 2, published September 17, 2024.

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